2384 Americana Cat

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44. Near Pair of Pewter Whale Oil Lamps, Freeman Porter, Westbrook, Maine, 1835-60s, cylindrical font lamps, one slightly longer, on baluster shafts and domed bases, (scattered pitting and small dents), ht. 8 1/2, 8 3/8 in. $500-700 45. Five Small Pewter Lamps, America, early to mid-19th century, unknown makers, including three hand lamps, one with a tin dish base and cylindrical font, one with urn-form font, (wear), ht. 2-3 1/8 in. $300-400 46. Three Pewter Lamps, America, early 19th century, including two with whale oil burners, one with lozenge-form font, the other with urn-form font; a camphene burning lamp with acorn-form font, no maker’s marks, (imperfections), ht. 7 3/4, 6 3/4, 9 in., respectively. $300-500 47. Three Pewter Lamps, America, early 19th century, including two with whale oil burners, one with barrel-form font, the other with conical font; a camphene burning lamp with cylindrical font, no maker’s marks, (minor dents and wear), ht. 8 1/2, 8 1/4, 9 in., respectively. $300-500 48. Pair of Pewter Whale Oil Lamps, America, early 19th century, with cylindrical fonts, unmarked, (minor dents), ht. 7 5/8 in. $200-250 49. Pair of Pewter Whale Oil Lamps, Capen & Molineux, New York City, 1848-54, with acorn-form fonts, baluster shafts, and round domed bases, (minor pitting, one repaired), ht. 10 in. $400-600 50. Two Pewter Hand Lamps and a Make-do Glass and Pewter Lamp, mid-19th century, the hand lamps by Capen & Molineux, New York City, 1848-54; a free-blown colorless globular font on partial pressed glass stem affixed to a pewter shaft and base, (dents), ht. 4 1/2, 4 1/2, 11 1/8 in. $300-500

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51. Three Pewter Lamps, America, early to mid-19th century, one with acorn-shaped font, and whale-oil burners by Morey & Ober, Boston, 1852-55; one unmarked, with camphene burners on tapered cylindrical font, scrolled ear handle and dish base; a “Walker Safety Lamp Pat. July (18)50 May (18)53” with spherical font and three-tube whale oil burner, ht. 7 3/4, 9 3/4, 5 in., respectively. $400-600 52. Pair of Pewter Whale Oil Lamps, James Putnam, Malden, Massachusetts, 1830-35; with cylindrical fonts, (minor wear), ht. 6 3/8 in. $400-600 53. Two Pewter Table Lamps, America, early to mid-19th century, one attributed to Rufus Dunham, Westbrook, Maine, 1837-61, with lemon-form font on baluster shaft, partial maker’s mark on base, whale oil burner; the other with acorn font and camphene burner, by Martin Hyde, New York City, c. 1850, (minor pitting and dents), ht. 8 7/8, 9 in. $400-600 54. Pair of Pewter Whale Oil Lamps, Roswell Gleason, Dorchester, Massachusetts, 1822-71, with lozenge-shaped fonts, (minor wear), ht. 10 1/4 in. $600-800 55. Pewter Fluid Burning Table Lamp, Eben Smith, Beverly, Massachusetts, 1813-56, with lozenge-shaped font on baluster shaft, camphene burner, (minor pitting, dents), ht. 10 7/8 in. $300-500 56. Pair of Pewter Whale Oil Lamps, Roswell Gleason, Dorchester, Massachusetts, 1821-71, with truncated cone-shaped fonts, (scattered pitting on fonts), ht. 6 3/4 in. $300-500 57. Newell Patent Pewter Chamber Lamp, Henry Hopper, New York City, 1842-47, the lamp with cylindrical font, decorated with a band of embossed flowers, baluster shaft and dish base, the camphene burner marked “J. Newell’s Patent Oct. 4 1853,” (wear), ht. 11 5/8 in. $300-500

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58. Pewter Whale Oil Lamp, William H. Starr, New York City, 1843-46, barrel-form font on baluster shaft, whale oil burner, (corrosion spots), ht. 10 3/8 in. $400-600

59. Four Colorless Glass Lamps with Free-blown Fonts, New England, early 19th century, one with a globular font, free-blown lozenge-form shaft on a pressed base with tin drop burner; the second with a conical font on a pressed octagonal shaft and square base, with whale oil burner; the third with an incurving lip on double bulbed font, supported on a pressed hexagonal paneled shaft and round base with drop tube burner; the fourth freeblown with a globular font on a round base, with camphene burner, (imperfections), ht. 8 1/2, 9, 7, 6 1/2 in. $300-500

60. Four Small Colorless Blown Glass Fluid Lamps, probably America, early 19th century, one with free-blown bulbous font, knopped stem, and disk base; one with free-blown globular font on pressed square stepped base; one with free-blown globular font on pressed petal stepped base; one with blown molded oval ribbed font on pressed square stepped base, three with drop whale oil burners, (minor base chips), ht. 3 1/4-4 3/4 in. $300-500

61. Colorless Free-blown and Pressed Glass Whale Oil Lamp, Germantown, (now part of Quincy), Massachusetts, c. 1810, the tapered font with twisted fluting, supported on a pressed glass base, whale oil drop burner, (minor chips on base skirt), ht. 8 1/4 in. Literature: Colonial Lighting by Arthur H. Hayward, 1962, Dover Publications, p. 114, plate 81, #145. $150-200

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62. Small Free-blown Amethyst Tinted Glass Hand Lamp and a Blown and Pressed Glass Lamp, New England or Continental, first quarter 19th century, the amethyst tinted lamp with a tin tube drop burner, spherical font, applied handle, on a round dish base; a colorless glass lamp, with free-blown spherical font on drip saucer wafer supported on pressed columnar shaft and base, ht. 4 7/8, 9 in. $500-700 63. Free-blown Colorless Glass Whale Oil Hand Lamp, probably Continental, first quarter 19th century, with tin tube drop burner, bulbous font with everted rim, on hollow baluster shaft, applied handle, on a round disk base, ht. 6 3/4 in. $300-500 64. Free-blown Aqua-tinted Glass Whale Oil Lamp, probably Continental, early 19th century, bulbous font over drip pan on hollow ribbed shaft, supported on round, domed base, applied handle, ht. 10 1/4 in. $300-500 65. Colorless Free-blown Glass Toy Lamp with Pressed Diamond Check Toy Plate Base, attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1828-35, the lamp with drop cork tube whale oil burner, spherical font, knopped stem, on pressed Diamond Check toy plate, (minor base edge chips), ht. 4 1/2 in. Literature: A similar lamp in blue glass is illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 60, plate 2032. $300-500 66. Free-blown Colorless Glass Whale Oil Lamp, probably Continental, early 19th century, with tin drop burner, bulb font and drip tray, hollow swollen shaft, on a round base, ht. 10 1/4 in. $200-250

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67. Small Free-blown Colorless Glass Whale Oil Hand Lamp, probably Continental, first quarter 19th century, with tin tube drop burner, spherical font, medial drip pan rim, on hollow baluster shaft, applied handle, on a round disk base, overall ht. 5 1/4 in. $300-500 68. Free-blown Colorless Glass Whale Oil Lamp, probably Continental, first quarter 19th century, with tin tube drop burner, globular font on hollow baluster shaft with spiral terminals, and applied medial rigaree, on a round dish base, (imperfections), overall ht. 9 1/2 in. $400-600 69. Four Colorless Free-blown Lamps on Pressed Glass Bases, New England, c. 1830 one with globular font with whale oil burner on a pressed Lion Head and Basket of Flowers pattern monument base; one with cut flutes on font with camphene burner, free-blown knop, on a base with stepped circles over a square with extended round corners; one with a bulb font with camphene burner on a base similar to the previous one; one with globular font with whale oil burner on a stepped lobed square base; (base chips), ht. 8, 11 1/2, 10 1/4, 7 1/2 in., respectively. $300-500 70. Six Small Colorless Blown Glass Whale Oil Lamps on Pressed Glass Bases, New England, early 19th century, including a pair with free-blown spherical fonts, on pressed base with stepped circles over square with extended rounded corners; two with blown molded paneled fonts on pressed hexagonal bases, two others with free-blown fonts, all with whale oil burners, (minor base chips), ht. 5 1/2-6 1/4 in. $300-500 71. Colorless Free-blown Glass Lamp with Pressed Cup Plate Base and Matching Cup Plate, attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1828-35, the lamp with drop cork tube burner, conical font, central leafy rosette and sheaf of wheat scallop rim border on deep cup plate base, accompanied by a similar cup plate, (minor chips), ht. 6 1/2, cup plate dia. 3 1/4 in. $300-500 72. Colorless Free-blown Glass Lamp with Pressed Cup Plate Base and Matching Cup Plate, attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1827-30, the lamp with drop cork tube burner, spherical font, button stem, deep star pattern cup plate base with sheaf of wheat scalloped border, accompanied by a similarly patterned cup plate, (minor base edge chips), ht. 5 1/2, cup plate ht. 3/4, dia. 3 5/8 in. Literature: A lamp with a similar deep cup plate base is illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 61, plate 2035. See lot 79. $400-600

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73. Colorless Free-blown Glass Lamp with Pressed Cup Plate Base and Matching Cup Plate, attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1827-30, the lamp with drop cork tube burner, spherical font, button stem, deep star pattern cup plate base with sheaf of wheat scalloped border, accompanied by a similar patterned cup plate, (base crack, minor base edge chips), ht. 6 3/8, cup plate ht. 5/8, dia. 3 1/4 in. Literature: A lamp with a similar deep cup plate base is illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 261, plate 2035. See lot 79. $300-500 74. Colorless Free-blown Glass Lamp with Pressed Cup Plate Base and Matching Cup Plate, attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1828-35, the lamp with drop cork tube burner, conical font, button stem, sixpoint star and fan pattern cup plate base with scalloped rim, accompanied by a similar cup plate, (rim chips), ht. 7 3/8, cup plate dia. 3 3/8 in. $300-500 75. Colorless Free-blown Glass Lamp with Pressed Cup Plate Base and Matching Cup Plate, attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1827-30, the lamp with drop cork tube burner, spherical font, deep star pattern cup plate base with sheaf of wheat scalloped border, accompanied by a similarly patterned but less deep cup plate, (minor base edge chips), ht. 5 1/2, cup plate ht. 3/4, dia. 3 5/8 in. Literature: A lamp with a similar deep cup plate base is illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 61, plate 2035. See lot 79. $300-500 76. Colorless Free-blown Glass Lamp with Pressed Cup Plate Base and Matching Cup Plate, attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1827-35, the lamp with drop cork tube burner, conical font, button stem, deep rayed and concentric circle pattern cup plate base with fan border, accompanied by a similar cup plate, (base crack), ht. 7 1/2 in. Literature: A lamp with similar cup plate base is illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 60, plate 2034. $300-500 77. Colorless Free-blown Glass Lamp with Pressed Cup Plate Base, attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1828-35, the lamp with drop cork tube burner, conical font, button stem, deep leafy rosette cup plate base with chain scalloped border, (minor base edge chips), ht. 7 1/4 in. $300-500

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78. Colorless Free-blown Glass Sparking Lamp, Mantua Glass Works, Ohio, early 19th century, the bulbous font blown with sixteen ribs, with drop tin and cork burner, applied handle, ht. 2 7/8 in. $300-500 78A. Three Small Colorless Blown Glass Whale Oil Lamps, probably New England, early 19th century, including two sparking lamps, with drop tin and cork burners, applied handles; a “STRONG’S PATENT” lamp with inward sloping lip, drop tin and cork burner, applied handles, molded patent name on base, (crack across base), ht. 2-3 1/2 in. $300-500 79. Colorless Free-blown Glass Bulb Lamp with Pressed Cup Plate Base, attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1827-30, the lamp with drop cork tube burner, button stem, deep star pattern cup plate base with sheaf of wheat scalloped border, (base crack), ht. 7 1/2 in. Literature: A similar lamp is illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 61, plate 2035. The text mentions because of its unusual depth “it is by far the rarest of the cup plate lamps,” and according to Ruth Webb Lee and James H. Rose in American Glass Cup Plates “...the plate without the lamp is rare, even in clear glass ... and believe it was made only briefly because the shape may have been impractical.” $300-500 80. Two Pairs of Colorless Pressed Pattern Glass Lamps, New England, 1845-60, one pair attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, with whale oil burners on pressed Heart pattern fonts and hexagonal bases; the other pair with camphene burners, octagonal paneled fonts with pressed geometric designs on hexagonal shafts and round bases, (minor base chips), ht. 8 3/4 x 9 1/8 in. Literature: Heart pattern lamps are illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, pp. 108-9, plates 2060 and 2061. $300-500 81. Pair of Colorless Free-blown Cut and Pressed Glass Lamps and a Pressed Glass Lamp, New England, mid-19th century, the pair with cut panels on free-blown cylindrical font, free-blown pear-shaped shaft on a pressed stepped lobed and square base, with whale oil burners; the single lamp attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, a pressed Flattened Sawtooth pattern lamp with cylindrical font on a pressed hexagonal base, with whale oil burner, (base chips), ht. 10 3/4, 10 1/8 in. $300-500

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82. Two Pairs of Colorless Free-blown Glass Bulb Lamps with Pressed Lacy Glass Bases, attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1828-35, the lamps with whale oil burners on square bases with lacy leaf and stipple patterns, (base edge chips), ht. 6 5/8, 6 3/8 in. Literature: Similar lamps are illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 57, plates 2023 and 2024. $400-600

83. Two Pairs of Colorless Free-blown Glass Lamps with Pressed Glass Bases, attributed to the Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1828-45, the lamps with whale oil burners, one pair with conical fonts on pressed cross-bar bases, the other pair with bulb fonts on pressed quatrefoil bases, (base chips), ht. 6 5/8, 6 3/8 in. Literature: Similar lamps are illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 56, 70, plates 2021 and 2060. $400-600

84. Six Assorted Colorless Cut and Pressed Glass Fluid Lamps, probably America, early 19th century, five with pressed glass bases, including one with cut swags and tassels on a free-blown font and squared stepped base; three with cut grapevines on the free-blown fonts, one with cut punties and flutes on a pressed octagonal standard and square base, one lozenge-form with cut flutes and gilt flower designs, (base chips), ht. 7 1/2-10 1/4 in. $400-600

85. Ten Colorless Blown Glass Sparking Lamps, New England, early 19th century, three are hand lamps with applied ear handles, five with period whale oil burners, (imperfections), ht. 2 1/2-4 in. $300-500

86. Peacock Blue Pressed Three-Printie Block Pattern Glass Whale Oil Lamp, Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1840-60, on a pressed octagonal standard and square base, camphene burner, (minor base chips), ht. 11 1/8 in. Literature: A similar lamp is illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 86, plate 2101. $600-800

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87. Pair of Canary Yellow Pressed Loop Pattern Glass Lamps, New England, mid-19th century, with pressed hexagonal bases, whale oil burners, (imperfections), ht. 8 1/4, 8 1/2 in. $400-600

88. Amethyst Pressed Glass Bigler Pattern Fluid Lamp, Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1840-60 with pressed octagonal standard and square base, camphene burner, ht. 11 1/8 in. Literature: A similar lamp is illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 85, plate 2097b. $400-600

89. Two Green Blown Molded and Pressed Glass Lamps, New England, mid-19th century, one with a blown molded threeprintie block pattern font on a pressed square base, the other a blown molded two-printie block pattern font on a pressed hexagonal base, (two-printie lamp with a loss on font, minor chips), ht. 8 1/4, 6 1/2 in. $500-700

90. Small Blue Pressed Glass Loop Pattern Lamp, Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1840-65, with pressed octagonal standard and square base, whale oil burner, ht. 8 1/2 in. Literature: A similar lamp is illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 89, plate 2109. $400-600

91. Green Blown Molded Ellipse and Oval Glass Lamp on Pressed Hexagonal Base, New England, c. 1850, with whale oil burner, ht. 8 in. Provenance: Gladys and Paul Richards Collection, retains collection label on base. $300-500

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92. Small Peacock Green Blown Molded Glass Loop Lamp on Pressed Hexagonal Base, New England, c. 1850, with whale oil burner, ht. 6 1/2 in. $1,000-1,500 93. Purple-blue Blown Molded Glass Lamp on Pressed Hexagonal Base, New England, c. 1850, ribbed conical font with whale oil burner, ht. 6 3/4 in. $400-600 94. Small Amethyst Blown Molded Gothic Arch Lamp with Pressed Hexagonal Base, New England, c. 1850, blown molded font with whale oil burner, (minor base chips), ht. 7 1/2 in. $300-500 95. Small Amethyst Blown Molded Three-Printie Block Glass Lamp on Pressed Base, New England, c. 1850, blown molded font on pressed hexagonal base, with whale oil burner, (minor base chip), ht. 7 1/2 in. $300-500 96. Peacock Blue Blown Glass Hand Lamp, probably New England, early 19th century, waisted bell-form with applied handle, brass camphene burner, ht. 5 1/8 in. $200-400 97. Blue Blown Molded Three-Printie Block and Pressed Glass Lamp, New England, c. 1840, blown molded three-printie block pattern font on a pressed square base, whale oil burner, (minor chips), ht. 7 7/8 in. $300-500 98. Two Pair of Colorless Free-blown Cut Glass Lamps with Pressed Bases, New England, c. 1840, the lamps with camphene burners, one pair with oval fonts with flute cuts on pressed hexagonal bases decorated with gilt leaf designs; the other pair with tapered cylindrical fonts with geometric cuts, on pressed octagonal shafts and square bases, (chips), ht. 11, 11 1/2 in. $400-600

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99. Four Cut Overlay Glass, Brass, and Marble Fluid Lamps, New England, third quarter 19th century, including a pair with amethyst cut to clear glass fonts with star, quatrefoil, and oval designs; a lamp font with green cut to clear glass with cut punties, a lamp font with opaque white cut to clear glass with punty, quatrefoil, and elongated oval designs and camphene burner, ht. 10 3/8, 8 1/2, 10 3/8 in., respectively. $400-600 100. Pair of Colorless Free-blown Cut Glass Lamps on Pressed Glass Bases, New England, c. 1835, the lamps with whale oil burners, wheel cut grapevine designs on globular fonts, freeblown hollow shafts, supported on four-tier, lobed, pressed glass bases, (minor base edge chips), ht. 10 in. $300-500 101. Blue Pressed Four-Printie Block Pattern Glass Whale Oil Lamp, Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1840-50, with pressed octagonal standard and base, whale oil burner, (base chips), ht. 11 3/4 in. Literature: A similar lamp is illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 86, plate 2014. $300-500 102. Yellow Pressed Loop Pattern Glass Whale Oil Lamp, Boston and Sandwich Glass Company, Sandwich, Massachusetts, 184065, with pressed octagonal standard and square base, whale oil burner, (chips), ht. 10 1/4 in. Literature: A similar lamp is illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 89, plate 2109. $300-500 103. Blown Molded Amethyst Glass Fluid Lamp, “SIMONS BIRMINGHAM REGISTERED MAY 30 1845,” England, squat form with inward sloped rim, raised molded maker’s mark on lower font, cylindrical pierced drop-in burner also marked “Simons Birmingham,” ht. 3 1/8 in. $300-500 104. Amethyst Pressed Glass Loop Pattern Lamp, Boston and Sandwich Glass Company, Sandwich, Massachusetts, 1840-65, with pressed octagonal standard and square base, whale oil burner, ht. 9 1/2 in. Literature: A similar lamp is illustrated and discussed in The Glass Industry In Sandwich, Vol. 2, by Raymond E. Barlow and Joan E. Kaiser, Schiffer Publishing, p. 89, plate 2109. $400-600

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105. Five Tin and Glass Lanterns, America, early to mid-19th century, a small rectangular glass paneled patent lantern marked “Parker’s Patent 1853 Proctorsville, Vermont”; one with arched and beveled glass paneled sides, one hanging and hand lantern with curved glass panel with beveled edges; and two small lanterns, overall ht. 6 3/4-12 3/4 in. $400-600 106. S. Sargent’s Patent Glass and Tin Lantern, America, c. 1861 with embossed brass label “S. Sargent’s Patent Sept. 17, 1861,” with ribbed blown molded globe, ring handle, tin font with whale oil burner, overall ht. 17 in. $300-500 107. Three Taper Jacks, 19th century, including two silver plated and one of brass, (wear), ht. 4-6 in. $300-500 108. Two Glass and Tin Lanterns, America, 19th century, with eight-panel globes, one with candle holder, one with glass font with whale oil burner, overall ht. 14 1/4, 11 in. $250-350 109. Two Glass and Tin Onion Lanterns, America, c. 1835, one with glass font with whale oil burner, the other with wire guard, tin font with whale oil burner, overall ht. 10 3/4, 10 1/2 in. $300-500 110. Three Tin and Glass Lanterns and a Horn Lantern, America, early 19th century, tin and glass lanterns with tin fonts, two with whale oil burners, one with camphene burner, one with blown molded globe resembling hobnails and lenses, the other two paneled; a large tin and horn lantern with interior candleholder, (imperfections), overall ht. 10 1/4-16 1/2 in. $600-800 111. Two Brass and Glass Lanterns, America, early to mid-19th century, with brass wire guards, brass fonts with whale oil burners, overall ht. 17 1/4, 17 1/2 in. $300-500 112. Two Lanterns, America, early to mid-19th century, an onion lantern with tin chimney and base, wire guard, tin font with camphene burner; the other with cut globe, brass chimney and base and brass font, overall ht. 17 1/2-14 1/2 in. $600-800

End of the Patterson Collection

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114. Three Historical Colored Glass Whiskey Flasks, Keene, New Hampshire, early 19th century, including an amber cornucopia/pint eagle flask, (McKearin GII-72); an amber railroad pint flask, (McKearin GV-3); an olive green half-pint sunburst flask, (McKearin GVIII-10 variant), with raised “P & W” in the oval on the reverse side, ht. 7, 6 3/4, 5 7/8 in., respectively. $500-700 115. Six Colored Molded Glass Bottles, America, 19th century, including a dark amber bottle in the form of a pineapple with diamond shaped reserve with no lettering; a dark amber “NATIONAL BITTERS” bottle in the form of an ear of corn with PATENT 1867” on base; a shaded amber quart figural bottle of an Indian Queen, with “BROWN’S CELEBRATED INDIAN HERB BITTERS” in raised letters in an oval reserve; two amber barrel bottles with ten rings above and ten rings below center panel, one marked “GREELEY’S BOURBON BITTERS” the other marked “BOURBON WHISKEY BITTERS”; an amber bottle with raised lettering “TIPPECANOE” on one side and “H.H. WARNER & CO.” on the reverse, the bottom is marked “ROCHESTER N.Y. PAT. NOV. 20 .83,” (minor wear), ht. 9, 12 3/8, 12 3/8, 9 1/8, 9 1/4, 8 7/8 in., respectively. $800-1,200 116. Five Free-blown Olive-amber Glass Chestnut Bottles, America, early 19th century, (imperfections), ht. 5-9 3/4 in. $400-600

113. Blown Two-mold Light Blue-green Glass “Masonic-Eagle” Pint Flask, Keene (Marlboro Street), New Hampshire, early 19th century, (McKearin GIV-7) with plain lip, pontil mark on base, ht. 7 1/4 in. $1,000-1,500

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117. Colorless Free-blown Flip Glass, probably America, early 19th century, straight-sided glass with wheel-engraved stylized tulip decoration on one side and a floral sprig on the reverse, ht. 7 in. $300-500

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118. Colorless Blown Glass Compote and Covered Footed Jar, probably America, early 19th century, the compote with hollow knop on shaft, the footed jar with folded rim and base edge, ht. 8 1/4, 14 in. $700-900

126. Silhouette Portrait of a Gentleman, Rufus K. Cummings, Boston, c. 1840, cut and pasted bust-length portrait with bronze highlights, with “By R.K. Cummings, Profilist” printed on the reverse, (minor toning), 4 x 3 in., in a black painted tin frame. $400-600

119. Pair of Silver Mercury Glass Master Salts with Engraved Foliate Decoration, New England Glass Company, Cambridge, Massachusetts, early 19th century, each marked “NEG & Co.” on the base, ht. 3 1/8 in. $200-300

127. Silhouette Portrait of American Statesman and U.S. Senator Charles Sumner of Boston, signed “G. Sadler S.C.,” 1840, sitter and date identified in ink inscriptions below, hollow-cut bustlength portrait backed with black fabric, (minor toning, foxing), 5 3/4 x 4 3/4 in., in a molded giltwood frame with beaded border, with a brief biography of Sumner affixed to the backing. $600-800

120. Double Portrait Silhouette of Women with Embroidered Decoration, William King, New England, active 1804-06, hollow-cut bust-length portraits identified on the reverse as “Elizabeth Walden” and “Elizabeth Dame,” both with the name “W. KING” embossed beneath, (one signature is backwards), centered with embroidered silk threads on paper bouquet of flowers, (toning, tears), 4 x 7 1/4 in., in a likely original molded wood frame. $800-1,200

128. Silhouette Portrait of a Gentleman, America, c. 1830, hollowcut head and jacket area, with watercolor and graphite highlights, (toning), 3 1/2 x 2 3/4 in., in a carved wooden frame with punched flower border. $300-500 129. James Sanford Ellsworth (American, 1802/03-1874)

121. Silhouette Portrait of a Gentleman, attributed to Henry Williams, Boston, early 19th century, hollow-cut bust-length portrait backed with black fabric, the name “WILLIAMS” embossed at l.c., 4 1/2 x 3 1/2 in., in a period mahogany veneer frame. $400-600 122. Silhouette Portrait of a Lady, America, c. 1830, hollow-cut head and bodice area, with ink details on her collar, (toning, minor foxing), 5 1/4 x 4 1/8 in., in an inlaid mahogany frame. $400-600 123. Silhouette Portrait of a Woman, America, c. 1835, hollow-cut head backed with black paper, her body and dress of printed paper cut and pasted onto paper, (toning), 4 1/2 x 3 1/2 in., in an eglomise mat and period molded giltwood frame. $150-250 124. Silhouette Portrait of a Gentleman, attributed to William Chamberlain, New York and New England, c. 1825, with Chamberlain’s distinctive hollow-cut head and bust area, backed with black paper, with ink details on hair, vest, and shirt, (toning, tears), 3 1/2 x 2 1/2 in. (sight), in an embossed sheet brass frame. $250-350 125. Silhouette Portrait of a Gentleman Wearing a Top Hat, cut by Master Hankes, American, early 19th century, cut and pasted paper on card, the reverse stamped “Gallery of Cuttings. Cut by Master Hankes With Scissors,” 4 x 2 3/4 in. (sight), in a period oval eglomise mat and molded giltwood frame. $300-500

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Portrait Miniature of an Elderly Woman. Signed “Ellsworth Painter” l.l. and l.r., subject identified and dated in indistinct inscriptions on the reverse “—uba —kins aged 88 Westfield Taken March 18 1847.” Watercolor on paper, 3 x 2 3/4 in., in a period mahogany veneer frame. Condition: Toning, minor foxing. $600-800 130. James Sanford Ellsworth (American, 1802/03-1874) Portrait Miniature of Ruth Perkins Pomeroy. Signed “Ellsworth Painter” l.c., subject identified in inscriptions on the reverse. Watercolor on card, 3 x 2 3/4 in., in a period mahogany veneer frame. Condition: Minor toning and foxing. Note: Inscriptions on the reverse read: “Ruth Perkins Pomeroy/Born May 4 1836/married Judge C.F. Moultin of Mobile & lived there during the civil war/Died in St. Louis, Missouri in the year 1892.” A genealogical search indicates Ruth Perkins Pomeroy was born May 4, 1836, in Southampton, Hampshire County, Massachusetts, to Jonathan and Ruth (Thorpe) Pomeroy. She married Cleveland Fortune Moulton (b. July 8, 1827) on November 15, 1858, and together they had four children. The three oldest were born in Mobile, Alabama, the youngest born in Southampton, Massachusetts. Ruth died February 19, 1892. $1,000-1,500 131. Attributed to James Sanford Ellsworth (American, 1802/031874) Portrait Miniature of Isabell Watkins Lampshear. Unsigned, subject identified on backing cardboard. Watercolor on paper, 3 1/4 x 2 in., in a period mahogany veneer frame. Condition: Laid down onto paper. $800-1,200

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132. Attributed to James Sanford Ellsworth (American, 1802/031874)

133. Attributed to James Sanford Ellsworth (American, 1802/031874)

Portrait Miniature of an Elderly Woman. Inscribed “J.S.E. Pt.r.” l.l. Watercolor on paper, c. 1840-45, 2 7/8 x 2 5/8 in., in a period mahogany veneer frame. Condition: Minor toning. $600-800

Portrait Miniature of an Elderly Woman Wearing a Blue Dress and a Lacy White Bonnet. Unsigned. Watercolor on paper, 3 x 2 1/2 in., in a gilt stencil decorated pine frame. Condition: Toning, laid down on paper, but laid down at time of execution, which shows paint continuing outside of top paper edges, 1/4 in. of bottom edge folded back. $600-800

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134. James Sanford Ellsworth (American, 1802/03-1874)

140. American School, Late 18th/Early 19th Century

Portrait Miniature of a Woman in Blue Holding a Book. Signed “Ellsworth Painter” l.c. Watercolor on card, 3 1/2 x 2 3/4 in., in a mahogany veneer frame. Condition: Minor toning. $800-1,200

Portrait of a Woman Wearing a White Bonnet Tied with a Blue Ribbon. Unsigned. Watercolor and gouache on paper, half-length profile portrait, 4 x 2 3/4 in., in a period eglomise mat and molded giltwood frame. Condition: Laid down, toning. $1,000-1,500

135. Attributed to James Sanford Ellsworth (American, 1802/031874) Pair of Portrait Miniatures of Henry and Elizabeth Crawford. Unsigned, subjects identified on the reverse. Watercolor on paper, 3 3/8 x 2 5/8 in., in period mahogany veneer frames. Condition: Toning, both laid down on paper but laid down at time of execution, which shows paint continuing outside of top paper edges, both likely trimmed across bottoms. $3,000-5,000

136. James Sanford Ellsworth (American, 1802/03-1874) Portrait Miniature of a Gentleman Holding a Book. Signed “Ellsworth Painter” l.r. and l.l. Watercolor on paper, c. 1846, 3 1/2 x 2 3/4 in., in a period mahogany veneer frame. Condition: Minor toning. Note: The reverse with inscriptions from two different hands. One indistinct reads “David —— Southampton Hampshire County, Mass,” the other reads: “Born May 25/1805 Died March 27, 1882/Picture painted 1846.” $800-1,200

137. Attributed to James Sanford Ellsworth (American, 1802/031874) Pair of Portrait Miniatures of a Lady and a Gentleman. Both portraits inscribed “J.S.E. Pt.r.” l.r. and l.l. Watercolor on paper, c. 1840-45, 3 x 2 3/4 in., in period mahogany veneer frames. Condition: Minor toning, likely cut down. $2,500-3,500

138. Possibly England, 19th Century Pair of Portrait Miniatures of a Lady and a Gentleman. Signed and dated on the reverse “G. Stevens 1819” and “G. Stevens 1820.” Oil on canvas, 6 x 4 1/4 in., in period gilt-gesso frames. Condition: Craquelure, two small paint losses. $1,000-2,000

139. Portrait Miniature of Daniel Webster, America, early 19th century, incised “Lenz” c.r., subject identified in an inscription on backing paper, watercolor on ivory bust-length portrait, 3 3/8 x 2 5/8 in., housed in a rectangular brass frame with beaded border. Condition: Two unobtrusive cracks to background u.c., paint losses and craquelure c.r., lower third. $700-900

141. American School, 19th Century Portrait Miniature of a Girl. Unsigned, the backing panel inscribed “R.W. Jenks.” Watercolor, gouache, and graphite on paper, profile bust-length portrait, 3 1/2 x 2 5/8 in., in a paint decorated wood frame. Condition: Minor toning. $300-500 142. Portrait Miniature of Captain William H. Pierce, America, c. 1856, inscribed on the backing “Captain Wm. H. Pierce-age 21Born 1835/served in the Civil War- made Colonel 1864,” watercolor on card, 3 1/2 x 2 3/4 in., in a period carved and gilded wood frame. Condition: Toning, foxing, spot glued to wood backing. $600-800 143. James Sanford Ellsworth (American, 1802/03-1874) Portrait Miniature of a Boy. Signed “J.S. Ellsworth. Painter” l.c., also “Windsor Conn.” is inscribed on the reverse of the frame. Watercolor on paper, bust-length profile portrait in an oval reserve, 3 x 2 3/4 in., in a period giltwood frame. Condition: Light stains l.l. $300-350 144. Attributed to Rufus Porter (American, 1792-1884) Portrait Miniature of a Young Man Wearing a Dark Blue Jacket. Unsigned. Watercolor on paper, c. 1835, depicting a bust-length profile of a brown-haired man, 4 x 3 1/4 in., in a period giltwood frame. Condition: Minor toning. $1,000-1,500 145. Attributed to Charles Balthazar Julien Févret de Saint-Mémin (French/American, 1770-1852) Portrait Miniature of a Gentleman. Unsigned. Watercolor, ink, and gouache on thin card, bust-length profile portrait, 4 x 2 3/8 in., in a period giltwood frame. Condition: Toning, foxing. $600-800 146. James Sanford Ellsworth (American, 1802/03-1874) Portrait Miniature of a Woman Wearing a White Frilly Bonnet. Signed and dated “J. S. Ellsworth Painter March 28th 1855” on the reverse. Watercolor and gouache on paper, 2 1/4 x 1 3/4 in., housed in half of a brown embossed leather case. Condition: Very good. $300-500

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