Spring Fine Art Sale Friday 15 & Saturday 16 March

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Spring Fine Art Sale Friday 15 & Saturday 16 March 2013 – see timings below for order of sale. Viewing: Sunday 10 March 11am - 4pm; Monday 11 - Thursday 14 March 9am – 4pm with limited viewing on sale days Day 1 - Friday 15 March 10am in Saleroom 1: 1-15: Glass 16-69: British Ceramics 70-93: Continental Ceramics 94-218: Oriental Ceramics and Works of Art 219-299: Works of Art 12noon in Saleroom 2: 300-357: Watches 358-508: Jewellery 509-512: Plated Ware 513- 525: Foreign Silver and White Metal 526-548: Modern Silver 549-601: Antique Silver 602-606: Objects of Vertu Day 2 - Saturday 16 March 10am in Saleroom 1: 610-618: Prints 619-689: Watercolours and Drawings 690-875: Oil Paintings 876-933: Contemporary Art 934-1131: Decorative Art and Modern Design 12 noon in Saleroom 2: 1135-1236: Clocks and Barometers 1237-1296: Rugs, Carpets and Tapestries 1299-1512: Furniture

1 A Pair of Ruby Overlay Clear Glass Lustres, circa 1860, the shallow dished tops with arcaded rims hung with faceted buttons and spear drops, on a knopped and panel stem and domed circular base painted with scrolls and strapwork on a white cailhoute ground, 32cm high £700 - 1000 2 A Façon de Venise Goblet, in 16th century style, the rounded conical bowl with Latin inscription on a gilt panel above three panels depicting a husband, wife and goat, on a baluster stem and folded conical foot, 12.5cm high £100 - 150 3 A Pair of Bohemian Glass Vases, circa 1870, of slender baluster form with trumpet necks, painted with bust portraits of a Roman lady and gentleman in a raised oval panel on a gilt scrolling foliate ground, 33.5cm high £250 - 350 4 A Cranberry Flashed Glass Decanter and Stopper and Six Matching Glasses, late 19th century, the decanter of slender baluster form with tall panelled neck and ball stopper, the glasses with rounded funnel bowls on faceted panel stems and shaped circular foot, all with panels of strawberry and star cut decoration, the decanter 42cm high, the glasses 22cm high (8) £200 - 300 5 A Pair of Gilt Metal Mounted Cranberry Glass Tazzas, 19th century, of circular form with central foliate boss and foliate sheathed quadripartite base, 27.5cm diameter £400 - 600

6 A Cut Glass Goblet Vase, late 19th/early 20th century, the ovoid bowl engraved with three hunting scenes in elliptical panels flanked by fan cutting above a star cut band on a waisted stem and circular foot, 22.5cm high; and Two Goblets, engraved with continuous hunting scenes, 15cm high (3) £150 - 200

11 A George III Silver Mounted Cut Glass Sugar Sifter, the domed pierced cover with bright cutting, on a faceted baluster body, silver unmarked, 16.5cm high; A Ship's Decanter, probably Irish, circa 1810, with faceted ring neck, 17.5cm high; and A Gilt Metal Mounted Bonbon Dish (3) £350 - 550

7 An 18th Century Glass Tazza, circa 1750, of circular form with galleried rim on a fluted baluster stem with basal knop and folded domed foot, 36cm diameter £200 - 300

12 A Set of Three Heavy Baluster Wine Glasses, the ovoid bowls with solid bases engraved HARRINGTON and with a fox, on a baluster stem with air tear and domed folded foot, 18.5cm high £1500 - 2000

8 A Wine Glass, circa 1740, the funnel bowl with basal air tear, on a baluster stem with air tear and domed and folded foot, 14.5cm high; A Wine Glass, circa 1760, the pan topped bowl on a plain stem with air tear and domed and folded foot, 15.5cm high; and A Wine Glass, the rounded funnel bowl on air twist stem, 14cm high (3) £300 - 400

13 A Wine Glass, circa 1760, of trumpet form with double series air twist stem, conical foot, 16cm £100 - 150

9 A Wine Glass, circa 1780, with ogee shaped bowl and faceted knopped stem on plain conical foot, 16.5cm; A Wine Glass, circa 1780, with ogee shaped bowl engraved and cut with flowers on a faceted stem, conical foot, 13cm; and Two Late 18th Century Wine Glasses, with faceted stems, 12cm and 14cm (4) £400 - 600 10 A Jacobite Decanter, probably Irish, circa 1775, engraved with two roses and a bud within scale, star, oval and slice cut decoration, 29.5cm high £450 - 650

14 Two English Green Glass Bottles, late 18th/early 19th century, of cylindrical form with rounded shoulders, the cylindrical necks with trailed string rings, 34cm and 33cm high £200 - 300 15 A Pair of Cut Glass Lustres, early 19th century, the diamond cut dished tops hung with faceted buttons and spear drops, on baluster stem and circular foot, 12.5cm high £400 - 500

16 A Royal Worcester Pottery Dessert Service, circa 1883, printed and painted with Imari style foliage within foliate sprig and arrowhead borders, comprising three vegetable tureens, covers and a stand, two sauce tureens, a cover and two stands, seven graduated oval platters, thirty-six dinner plates, twelve soup plates, and twenty-three dessert plates, printed marks in black £500 - 700 17 A Pair of Royal Worcester Porcelain Cabinet Plates, 20th century, painted by D Shinnie and C Hughes within still lives of fruit on mossy banks within gilt shaped gadrooned borders, signed, printed marks in black, 27cm diameter £400 - 600 18 A Pair of Royal Worcester Porcelain Cabinet Plates, 20th century, painted by S Weston with still lives of fruit on a mossy ground within gilt shaped gadrooned borders, signed, printed marks in black, 20cm diameter £300 - 400 19 A Matched Set of Six Royal Worcester Porcelain Cabinet Cups and Saucers, 20th century, painted with still lives of fruit on mossy banks, various signatures, printed marks in puce (12) £500 - 700

20 A Royal Worcester Porcelain Rectangular Dish, 20th century, painted by P Love with a still life of fruit on a mossy bank within a gilt moulded gadroon and leaf scroll border, 18cm diameter; Four Various Saucers, similarly decorated; A Similar Circular Dish; and An Oval Pot (7) £200 - 300 21 A Royal Worcester Porcelain Dessert Dish, 1920, painted by A Roberts with a still life of fruit in a garden setting within a gadroon moulded gilt border, signed, printed marks in puce including date cypher for 1920, 28.5cm £250 - 350 22 A Royal Worcester Porcelain Dessert Dish, 1929, painted by Edward Townsend with a still life of fruit with leaves within a plain gilt border and pierced gilt handles, signed, printed mark in puce, 28cm £200 - 300 23 A Royal Worcester Porcelain Shaped Circular Dessert Plate, 1928, painted by Thomas Lockyer with a still life of peaches, cherries and raspberries within a gilt gadroon moulded border, signed, printed mark in puce, 22.5cm £200 - 300 24 Five Various Royal Worcester Porcelain Tea Plates, 20th century, painted with still lives of fruit by Edward Townsend, each on a mossy ground with leaves, gilt borders, printed marks in puce, 15.5cm to 18.5cm diameter £400 - 600

25 A Pair of Royal Worcester Porcelain Coffee Cups and Saucers, 1923, each painted by W Hale with a still life of fruit including apples, pears, grapes, blueberries, raspberries and cherries, signed, printed marks in puce including date cyphers for 1923 £200 - 300 26 A Royal Worcester Porcelain Teacup and A Saucer, 20th century, painted by Horace Price with a still life of fruit, gilt borders and handle, signed, printed marks; Another Teacup and Saucer, by Edward Townsend; A Saucer, by Horace Price; and A Small Footed Dish, decorated with fruit, indistinctly signed, puce marks (6) £250 - 350 27 A Royal Worcester Porcelain Vase and Cover, 20th century, of squat ovoid form with mask and leaf sheathed scroll handles, painted by John Freeman with a still life of fruit on a mossy bank within formal foliate moulded borders picked out in gilt, on a circular socle and square plinth, signed, printed mark in black, 27cm high £700 - 1000 28 A Royal Worcester Porcelain Pot Pourri Vase and Cover, 20th century, of baluster form, the pierced domed cover with floret finial, painted by Frank Roberts with a still life of fruit on a mossy bank, on four scroll feet, signed, printed mark in black, 13.5cm high £1500 - 2000

29 Marie Graves: Still Life Studies, strawberries, and brambles, pear and plum with butterflies, a pair, watercolour and gouache, oval, both signed, each 10cm by 14cm £200 - 300 30 A Royal Worcester Artist's Proof Copy Porcelain Figure "Red-Breasted Nuthatch on Oak", by James Alder, RW3997, from the North American Birds Collection, black printed crown and wheel mark and copyright 1977 (no number as artist's proof), 29.5cm high, with certification that James Alder modelled Red-Breasted Nuthatch on oak for Royal Worcester. This is the artist's proof copy presented by The Royal Worcester Company to the artist, signed by the artist, and numbered RW3997, also sketch impression of the model, and a further page of sketches dated Sept 2 1976, and a photocopy of the Royal Worcester brochure, contained in secure wooden and cardboard case; and Another, "Chestnut Collared Longspur on Prickly Pear", RW3995, 19.5cm high, sold with single pencil sketch for this group and certification, cased (2) £400 - 600

31 A Royal Worcester Artist's Proof Copy Porcelain Figure "Dickcissel on Sunflower", by James Alder, RW3993, from the North American Birds Collection, black printed crown and wheel mark and copyright 1977, 37cm high, with pencil sketch by the artist dated Aug 2 '76 and photograph of the wax model, as well as certification that James Alder modelled Dickcissel on sunflower for Royal Worcester. This is the artist's proof copy presented by The Royal Worcester Company to the artist, signed by the artist, and numbered RW3993, also sketch impression of the model, and a further page of sketches dated Sept 2 1976, and a photocopy of the Royal Worcester brochure, in protective case; and Another, "Ruby Crowned Kinglet on Cypress", RW3996, 14cm high, with two pencil sketches, one of the bird and one of the Cypress and related foliage, with certification and Royal Worcester brochure £400 - 600 32 A Graingers & Co Royal China Works Reticulated Vase and Cover, circa 1900, of baluster form with ball knop, carved with ogee panels of Oriental foliage within bands of further foliage picked out in colours, printed marks, 33cm high £200 - 300 33 A Copeland Porcelain Plate, painted by Joseph Crawhall, dated 1876, with Retrospective Review, signed, titled, date Nov 30 1876, inscribed 22 years married at this date … and with self-portrait, printed Copeland mark, 24.5cm diameter; and A Similar Plate, painted with a sea serpent, signed and dated 1873 and with self-portrait, 24cm diameter (2) £300 - 500

34 A Staffordshire Porcelain Plate, painted by Joseph Crawhall, 1874, with a portrait of a Renaissance maiden in a garden, signed Joseph Crawhall 1874 and with self-portrait, 24.5cm diameter; and A Similar Plate, painted with Femme Lacustre, signed and dated 1874 and with self-portrait, 24.5cm diameter (2) £200 - 300 35 A Set of Seven Wedgwood Jasper Plaques, circa 1900, of rectangular form applied with classical figures on a pale blue ground, stamped WEDGWOOD ENGLAND, 25cm by 17cm, framed £600 - 800 36 William Adolphus Knell (c.1808-1875): A Pair of W H Grindley Pottery Plates, circa 1900, painted with sailing ships at harbour within blue borders, signed, printed marks, 25cm diameter £500 - 700 37 A Belleek Porcelain Twin-Handled Oval Basket and Cover, late 19th century, with crabstock handles, applied in high relief with roses and shamrock on pierced basketwork ground, impressed mark, 30cm wide; and A Similar Basket, of lobed oval form with arcaded rim, impressed mark, 25cm wide (3) £300 - 500 38 A Pair of Minton Porcelain Baluster Vases, 1879, painted in raised enamels with blossoming branches and scattered sprigs on a turquoise cailhoute ground on a circular base with four bracket feet with gilt line borders, impressed marks, 13.5cm high £300 - 400

39 A Spode New Stone Composite Part Breakfast and Tea Service, circa 1810-20, printed in underglaze blue and painted in colours with the Tobacco Leaf pattern, comprising two pedestal dishes and a cover, a muffin dish and cover, five graduated canted rectangular platters, a milk jug, two breakfast cups, fourteen breakfast saucers, three coffee cups, a coffee can, a teacup, fifty-one saucers, five side plates, twenty-three tea plates, six dessert plates, a circular stand, a saucer dish, and two slop basins, various printed and impressed marks (120) £500 - 700 40 A Copeland & Garrett and Copeland Spode Composite Breakfast and Tea Service, circa 1840-50, printed in underglaze blue and overpainted in colours with the Tobacco Leaf pattern, comprising two muffin dishes and covers, nine graduated canted rectangular platters, four shaped oval dishes, a preserve pot and cover, an ecuelle and cover, four various jugs, eleven egg cups, six breakfast cups, sixteen breakfast saucers, nine coffee cans, fifteen coffee cups, eleven various teacups, forty-three dinner plates, a large dinner plate, a saucer dish, a bread and butter plate, a sugar bowl, and two slop basins, various printed and impressed marks (213) £1000 - 1500

41 A Copeland Stone China Breakfast and Tea Service, late 19th century, printed in underglaze blue and overpainted in colours with the Tobacco Leaf pattern, comprising four graduated canted rectangular platters, sixteen breakfast cups, sixteen breakfast saucers, two coffee cans, ten coffee cups, two teacups, four side plates, six tea plates, fourteen dessert plates, a small plate, two dinner plates, two saucer dishes, two bread and butter plates, and a slop basin, various printed and impressed marks (92) £500 - 700 42 An Extensive Masons Composite Ironstone Dinner Service, circa 1820, transfer printed and overpainted in colours with chinoiserie foliage and precious objects within foliate diaper, cell and scroll borders, comprising three soup tureens and covers, two vegetable tureens and four covers, five sauce tureens, three covers and five stands, twenty-three canted rectangular platters, two strainer dishes, two sauce boats and stands, eighty-two dinner plates, twenty-seven soup plates, forty-one dessert plates, and twelve side plates, printed marks (216) £4000 - 6000 43 A Pair of Staffordshire Porcelain Ewers, possibly Minton, circa 1840, of baluster form with crabstock handles, painted in colours with sprays of summer flowers within gilt and ecru scroll cartouche on a green ground within gilt borders, 21cm high £200 - 300

44 A Coalport Porcelain Centrepiece, circa 1820, the circular bowl painted with a crest, initials and a laurel wreath in a circular panel on a blue ground with further panels of pink roses within gilt borders, on a leaf sheathed cylindrical stem flanked by three scrolling acanthus on a conforming circular plinth, 20.5cm high £200 - 300 45 A Barr, Flight and Barr Worcester Porcelain Armorial Oval Platter, circa 1810, painted in colours with the arms and crest of Warren impaling Mangles, reserved on a faux marble ground within a gilt border with bell flowers, impressed mark, 41cm wide; and A Matching Soup Plate, printed and impressed marks, 24cm diameter (2) **See Christie's Important English Furniture and Ceramics Sale, New York, 11 October 2007 a matching soup plate £300 - 500 46 A Staffordshire Pottery Dinner Service, early 19th century, transfer printed in underglaze blue with a chinoiserie landscape within scroll, diaper and foliate borders, comprising a canted rectangular soup tureen and cover, a large oval vegetable tureen and cover, four square vegetable tureens and three covers, a sauce tureen, cover and stand, two crescent shaped supper dishes and covers, seven canted rectangular platters, thirteen plates, and four soup plates (42) £600 - 800

47 A Pratt-Type Pottery Cow Creamer and Cover, circa 1800, the standing beast with ochre spots and black sponging, a milkmaid at its side, on a green washed canted rectangular base, 15cm high £300 - 400 48 A Creamware Barber's Bowl, circa 1790, of traditional circular form, the rim with large pierced oval hole, painted in Pratt-type colours with a band of formal sprigs, 27cm diameter £200 - 300 49 A Creamware Teapot and Cover, circa 1770, of ovoid form with acanthus leaf sheathed spout and ear handle, printed in black with buildings in a river landscape, the reverse with verse within a scroll cartouche, 11.5cm high £150 - 200 51 A Creamware Mug, circa 1770, of cylindrical form, with strap handle, printed in black with THE TITHE PIG, with figures in landscape above verse, 15.5cm high £150 - 200 52 A Robert Fishley Fremmington Ochre Slipware Jug, circa 1840, the globular body with loop and scroll handle, incised with flags and emblems of the Union and Elizabeth Lakeman Port Isaac Cornwall, further incised with an oak tree and verse including the name Robert Fishley, 28cm £1000 - 1500

53 An English Delft Drug Jar, early 18th century, of globular form with cylindrical spout, on tall conical foot, painted in blue with the label S:VIOLAR within a scroll cartouche surmounted by a basket of fruit flanked by two putti playing trumpets over an angel apron and floral swags, 19cm high £1500 - 2000 54 An English Delft Wet Drug Jar, mid 18th century, of ovoid form with cylindrical spout, painted in blue with a label with a basket of flowers, putti, mask and swags, inscribed O:CHAMEM, 19.5cm high £400 - 600 55 A Liverpool Delft Meat Platter, mid 18th century, of canted rectangular form, painted in blue with chinoiserie foliage and a vase of feathers within diaper borders, 37cm wide £100 - 150 56 A Liverpool Delft Gugglet, circa 1760, with garlic neck, painted in blue with ribbon tied peony and with scattered sprigs, 24cm high £100 - 150 57 An English Delft Gugglet, possibly Liverpool, circa 1750, painted in blue with a peacock amongst foliage and rockwork below a scroll border, 25cm high £100 - 150

58 An English Delft Mug, probably Lambeth, circa 1730, of cylindrical form with strap handle, painted in blue, green, ochre and red with stylised Oriental foliage within blue line borders, 14cm high £400 - 600 59 A Staffordshire White Salt Glazed Stoneware Bear Jug and Cover, mid 18th century, of traditional form, the seated figure with brown muzzle and claws holding a small bear to his chest, 23cm high £400 - 600 60 A Pinxton Porcelain Cache Pot, circa 1800, of bucket form with ring handles, painted with a spray of summer flowers reserved on a yellow ground within gilt line borders, 13cm high £200 - 300 61 A Pinxton Porcelain Cache Pot, circa 1810, of bucket form with ring handles, painted with a basket of flowers reserved on a yellow ground within gilt borders, 10.5cm high £200 - 300 62 A Swansea Porcelain Botanical Dessert Plate, circa 1820, painted in colours with Orange Monkey Flower within a gilt line border, script mark in brown, pattern 356.X, 20.5cm diameter £500 - 700 63 A Swansea Porcelain Botanical Dessert Plate, circa 1820, painted in colours with Grass-Leafed Aristera within a gilt line border, script title in brown, impressed SWANSEA, patent pattern 458.XIII, 20.3cm £500 - 700

64 A First Period Worcester Porcelain Mask Jug, circa 1757, printed in black with a bust portrait of the King of Prussia, dated 1757, and with an angel allegorical of Fame and with trophies, 18.5cm high £150 - 200 65 A First Period Worcester Porcelain Cos Lettuce Leaf Sauceboat, circa 1758, of traditional moulded form painted in colours with scattered flower sprays and sprigs, 19cm long £150 - 200 66 A Pair of First Period Worcester Porcelain Dessert Plates, circa 1770, painted in Kakiemon style with the Joshua Reynolds pattern within gilt line scalloped borders, 19.5cm diameter £600 - 800 67 A Derby Porcelain Teapot and Cover, circa 1765, of globular form with leaf moulded spout and tau handle, painted with sprays of flowers and with scattered sprigs, 11cm high £200 - 300 68 A Chelsea Porcelain Oval Dish, circa 1765, of lobed form painted with exotic birds in landscape within reeded and scroll borders, gold anchor marks, 27cm wide £200 - 300 69 A Chelsea Porcelain Scalopendrium Moulded Tea Bowl and Two Saucers, circa 1755, of lobed circular form picked out in naturalistic enamels within pale turquoise line borders, red anchor marks £400 - 600

70 A Set of Four Dutch Delft Drug Jars, mid 18th century, of ovoid form with tall slightly flared necks, painted in blue with scroll labels with baskets of flowers, peacocks, swags and masks, inscribed MELISS, HYSSOP, CAMOMIL.R and PAPAVER.RH, 28cm high £700 - 1000 71 A Matched Pair of Dutch Delft Wet Drug Jars, mid 18th century, of ovoid form with tapering spouts and circular feet, painted in blue with scroll labels with baskets of fruit, peacocks, masks and swags, inscribed DE ALTHEA and BERBERORUM, 23cm high £500 - 700 72 A German Faience Circular Tureen and Cover, mid 18th century, with scroll handles, painted in blue with a chinoiserie landscape within a scroll border, 23cm wide; and A Faience Baluster Vase and Pierced Cover, with scroll handle, painted in blue with foliage, 16cm high (2) £200 - 300 73 A Maiolica Figural Salt, probably Caltagirone, 17th century, as a lady in long dress standing holding an oval bowl, on five scroll supports and a shaped flat plinth, 17.5cm £200 - 300 74 A Silver Mounted Rhenish Saltglazed Stoneware Teapot and Cover, the silver by John Wilmin Figg, London 1839, of ovoid form with foliate knop and scroll moulded spout, incised with lobed panels of strapwork picked out in blue, 17cm high £150 - 200

75 A Meissen Style Porcelain Cabinet Cup and Saucer, 19th century, with goat's mask sheathed handle, painted in colours with KAUFAHRTEI within laub und bandelwerk cartouches and formal rims £100 - 150 76 A Pair of Meissen Porcelain Figural Ewers, late 19th century, as a youth and girl in 18th century costume sitting next to a large ewer with fixed open cover, on a rocky moulded base, crossed swords mark in underglaze blue, 19.5cm high £400 - 600 77 A Meissen Porcelain Topographical Cabinet Cup, 19th century, of slightly flared cylindrical form with scroll and patera moulded handle, on three paw feet, painted with a view of Dresden within a jewelled gilt border, crossed swords mark in underglaze blue, script title in black, 13.5cm high £120 - 180 78 A Pair of Meissen Porcelain Candlestick Figures, late 19th century, as the musical shepherd and shepherdess, he standing in puce coat playing the bagpipes, his dog at his feet, she playing a recorder, a sheep at her feet, both standing before a tree trunk surmounted by a foliate sheathed sconce, on scroll moulded bases, crossed swords mark in underglaze blue, 35cm high £800 - 1200

79 A German Porcelain Cabinet Cup, mid 19th century, of campana form with two scroll handles, painted with a continuous Arctic scene with a nautical expedition on a gilt ground, the base inscribed in black

EISINSELN ENTDECKT DEN 9 JANUAR 1773, 12cm high £200 - 300

80 A Vienna Style Porcelain Cabinet Plate, late 19th century, painted with DIE SATYRISCHE MUSE within a typical panelled border, inscribed in black and mark in underglaze blue, 24.5cm diameter; and Another Vienna Plate, painted with DER GERUCH, inscribed in black and mark in blue, 24.5cm diameter (2) £300 - 400 81 A Pair of German Porcelain Plaques, possibly Berlin, circa 1830, painted with Renaissance scenes of lovers on a balcony and as musicians in an interior, one inscribed LC 1830, 22cm by 16cm, in gilt frames £800 - 1200 82 A German Painted Porcelain Plaque, Holy Family, after Del Sarto, 3rd quarter 19th century, 32cm by 26.5cm, inscribed verso in crayon Holy Family by

Del Sarto Old Pinakothek, Munich, copied F A Thallmaier, Munich with impressed number 317, in a decorative gilt and gesso frame

**Artist probably Xaver Thallmaier Franz £2000 - 3000

83 A KPM Berlin Porcelain Plaque, circa 1860, painted with two children sitting on a stone step reading a book, landscape beyond, impressed marks, oval, 16cm by 22cm, in gilt frame £2000 - 3000 84 A Continental Porcelain Figural Mantel Clock and Stand, late 19th century, as a figure on horseback, another seated below being attacked by a lion about a rocky outcrop containing the enamel face and movement, on a scroll and foliate moulded serpentine fronted base painted with a desert landscape, bears crossed swords mark in underglaze blue, 57cm high £300 - 500 85 A Pair of Gilt Metal Mounted Sèvres Style Porcelain Urn Shape Vases and Covers, with pine cone finials and foliate sheathed scroll handles, painted with rustic lovers in landscapes in gilt cartouche on a bleu de roi ground, on circular socles and square bases, signed GARNIER, 40cm high £300 - 400 86 A Pair of Carl Thieme, Potschappel Porcelain Vases and Covers, late 19th/early 20th century, the domed covers with coronet and putti about cartouche painted with an armorial, the baluster vases with flower maiden handles, painted with classical figures in landscape, on domed bases, the whole encrusted in naturalistic foliage, printed marks in underglaze blue, 51cm high £500 - 700

87 A Pair of Royal Dux Porcelain Figures of Water Carriers, early 20th century, the standing figures in traditional Arab dress each holding a terracotta jar, on moulded bases, pink patch marks, 49cm and 51cm high £400 - 600 88 A Montereau Pottery Charger, circa 1870, painted in faux cloisonné style with a parrot, other birds and butterflies amongst blossoming branches against a moonlit sky, impressed B&Cie Montereau mark, 44.5cm diameter £500 - 700 89 A Majolica Style Jardinière and Stand, late 19th/early 20th century, of fluted ovoid form with foliate and strapwork rim over moulded acanthus, the column with scroll and foliate capital on fluted column and foliate moulded base, 138cm high £200 - 300 90 A Majolica Style Figure of a Peacock, the standing bird with naturalistic foliage, on a square section rusticated column, 106cm high £200 - 300 91 A Majolica Style Figural Jardinière, late 19th/early 20th century, as a standing negro wearing a white hat and jacket, holding an oval basket, on a rocky moulded base, compressed numerals, 67cm high £200 - 300

92 A French Maiolica Pottery Figure of a Bulldog, the white coated dog seated on his haunches with studded collar, upon a cushion base with tasselled angles, unmarked, 45cm high £300 - 500 93 A Lladro Figure of the Good Shepherd, late 20th century, the standing figure in long cloak, a lamb over his shoulder, on a rocky moulded base, printed mark, 72cm high £300 - 500

97 A Pair of Arita Porcelain Circular Dishes, Meiji period (1868-1912), painted in colours with a central peony within panel foliage, the lappet moulded rim with green ground lattice border, script and seal marks, 18.5cm diameter £100 - 200 98 An Arita Porcelain Dish, in Kraak style, painted in underglaze blue with a jardinière of foliage within panels of foliage and precious objects, 39.5cm diameter £250 - 350

94 A Qajar Pottery Tile, 19th century, painted with a seated gentleman holding a glass and decanter in an oval panel on a turquoise ground with black foliage, 25.5cm by 18cm £150 - 200

99 A Pair of Imari Porcelain Dishes, 18th century, painted with jardinières of foliage in circular panels within scrolling foliate borders, 32cm diameter £300 - 500

95 An Arita Porcelain Figure Group, in 17th century style, as a man and an oni arm wrestling, both wearing traditional costume picked out in underglaze blue, on a hardwood table base, 54cm wide overall £1200 - 1500

100 A Near Pair of Imari Porcelain Baluster Vases, Meiji period (1868-1912), with everted rims, typically painted with figures of children in landscape in shaped panels on a brocade ground, 49cm and 50cm high £400 - 600

96 An Arita Porcelain Bowl, 18th century, with everted rim, painted in underglaze blue with flowering pine and bamboo within a cracked ice and prunus border, 19cm diameter £100 - 150

101 An Imari Porcelain Alcove Vase, Meiji period (1868-1912), the trumpet neck with twin handles and baluster body painted with birds in branches and boats on a lake within ogee panels on a foliate and lattice panel ground, 62cm high £250 - 350

102 An Imari Porcelain Dish, Meiji period (1868-1912), typically painted with a jardinière of foliage in a circular panel within a broad foliate and panelled border, bears spurious Wanli six character reign mark, 40.5cm diameter; and A Similar Dish, with central Persian character on a ground of wrythen radiating panels, 46cm diameter (2) £300 - 500 103 A Pair of Seto-Ware Vases, Meiji period (1868-1912), by Kawamoto Hansuke V, of baluster form painted with birds amongst moulded and painted chrysanthemums on a pale blue ground within form borders, seal mark in blue and seven character signature in red, 25cm and 25.5cm high £500 - 700 104 A Pair of Kutani Earthenware Chargers, late 19th century, painted with a central mon within three circular panels depicting pairs of phoenix on a ground of a profusion of foliage within a scroll and panel border, script marks, 45cm diameter £200 - 300 105 A Pair of Kutani Porcelain Baluster Vases, Meiji period (1868-1912), with everted rims, typically painted with mothers and children and with warriors in shaped panels on a brocade ground, 63cm high £400 - 600

106 A Chinese Celadon Glazed Five-Spouted Jar and Cover, Song Dynasty, of ribbed ovoid form, the domed cover with hollow baluster knop, 29.5cm high £300 - 500 107 A Jun Type Stoneware Bowl, Song Dynasty, of conical form, the duck egg glaze with single manganese splash, 18cm diameter **Provenance: Sotheby's, 6 May 1994, lot 22 £3000 - 4000 108 A Longquan Celadon Dish, Ming Dynasty, carved with a lotus blossom in a circular panel within a scroll panel, the broad fluted border with further foliate decoration within a barbed rim, 37cm diameter £4000 - 6000 109 A Chinese Celadon Glazed Bottle Vase, with garlic neck and collar to the stem over a swelling base, the lower portion with some sang de boeuf glaze, 15cm high £150 - 200 110 A Chinese Celadon Vase, late Qing Dynasty, of compressed ovoid form, with moulded rim, now adapted as an electric table lamp (not drilled), the vase only 37.5cm high £150 - 250

111 A Chinese Porcelain Robin's Egg Glazed Vase, of baluster form with flared neck applied with a tied rope band, 18.5cm high £200 - 300

116 A Chinese Porcelain Sang de Boeuf Vase, 19th century, of broad shouldered baluster form with everted rim, with rich toned glaze throughout, 31cm high £400 - 600

112 A Chinese Sang de Boeuf Baluster Vase, Qing Dynasty, 56cm, adapted as an electric table lamp (not drilled), with cream shade, 96cm high (excluding shade) £300 - 500

117 A Chinese Porcelain Ovoid Jar, 17th century, with four mask handles to the shoulders, painted in underglaze blue with birds amongst foliage in landscape beneath a lattice border within foliate panels, 25cm high £400 - 600

113 A Chinese Sang de Boeuf Vase, Qing Dynasty, of cylindrical form with slightly concave sided neck and cupped rim, 57cm high, adapted as an electric table lamp (not drilled), with cream shade, overall (excluding shade) 96cm £400 - 600 114 A Chinese Celadon Porcelain Vase, 19th century, with slightly flared rim and compressed ovoid body, circular foot, bearing seal mark of Emperor Qianlong in underglaze blue, 34.5cm high (the base drilled through the seal mark) £600 - 800 115 A Chinese Porcelain Moon Flask, 19th/20th century, with overall crazed cream glaze and scroll handles with fungus head terminals, on low foot, bearing seal mark of Emperor Qianlong in underglaze blue, also bearing paper labels of Davis

Collamore & Co Ltd, 5th Avenue and 48th St, New York, 48.5cm high £1500 - 2000

118 A Chinese Porcelain Bowl, bears Chenghua reign mark but probably 18th century, with slightly everted rim painted in underglaze blue with fruiting and flowering sprigs, the interior with circular foliate panel within lotus sprigs and a foliate border, six character reign mark in underglaze blue, 21.5cm diameter £100 - 200 119 A Chinese Porcelain Vase, bears Kangxi reign mark, of slightly flared cylindrical form with sloping shoulders and cylindrical neck, painted in underglaze red and blue with figures in an encampment and with script, bears six character reign mark, 21cm high £300 - 500 120 A Chinese Porcelain Bottle Vase, bears Kangxi reign mark, with garlic neck, painted in underglaze blue with figures in a mountainous landscape, 43cm high £200 - 300

121 A Chinese Porcelain Ginger Jar, in Kangxi style, painted in underglaze blue with precious objects within ogee panels on a cracked ice and prunus ground, 20cm high £300 - 400 122 A Chinese Porcelain Dish, Kangxi, painted in underglaze blue with peony and rockwork in a circular panel within a wrythen border of panels of foliage, leaf mark to reverse, 35.5cm diameter £400 - 600 123 A Matched Pair of Chinese Porcelain Tea Bowls and Saucers, Kangxi, painted in underglaze blue with foliage and rockwork within radiating foliate panels, the saucers with four character Kangxi mark; Three Similar Pairs of Tea Bowls; and Seven Similar Saucers (17) £200 - 300 124 A Chinese Porcelain Baluster Jar and A Cover, 17th century, painted in underglaze blue with scrolling lotus below a stiff leaf border, 39cm high £300 - 400 125 A Chinese Porcelain Baluster Jar, in Kangxi style, painted in underglaze blue with a scholar and children about a table in a fenced garden with precious objects, 27.5cm high £250 - 350

126 A Chinese Porcelain Saucer Dish, early 17th century, painted in underglaze blue with deer in landscape within radiating foliate panels, 20cm diameter; and A Similar Saucer Dish, Kangxi, painted with flowerheads within lappet shaped foliate panels, 22cm diameter (2) £300 - 400 127 A Pair of Chinese Porcelain Saucer Dishes, Kangxi, painted in underglaze blue with birds amongst foliage, six character mark, 15.5cm £300 - 500 128 A Chinese Porcelain Bottle Vase, bears Qianlong reign mark, of ovoid form with slender cylindrical neck, painted in underglaze blue with scrolling lotus blossom within formal lappet panels, the neck with formal scrolls and arrowheads, six character seal mark, 20cm high £10000 - 15000 129 A Chinese Porcelain Baluster Vase, bears Jiajing reign mark, of slender baluster form with trumpet neck, painted in underglaze blue with warriors in a mountainous landscape, bears six character reign mark, 44.5cm high £3000 - 5000 130 A Pair of Chinese Porcelain Large Baluster Vases, 19th century, with trumpet necks, painted in underglaze blue with birds amongst foliage and rockwork in rectangular panels on a ground of foliage, water lilies and insects, 91cm high £3000 - 5000

131 A Chinese Porcelain Tulip Vase, 19th century, the central cylindrical column with leaf moulded mouth, on a cinquefoil base painted with lion dogs and cloud scrolls, four character mark, 24.5cm high £300 - 500

137 A Chinese Porcelain Painted Plaque, Chen Men, late 19th/20th century, decorated with a fisherman on the banks of a lake by a willow tree, with inscription top right, 56.5cm by 33cm £2000 - 3000

132 A Pair of Chinese Blue and White Export Porcelain Octagonal Meat Dishes, circa 1760, each centrally painted with a pair of fenhuang birds amongst rocks and peonies, with formalised butterfly ruyi head and scroll borders, 36cm wide; and A Similar Smaller Dish, 31cm (3) £300 - 500

138 A Chinese Porcelain Baluster Vase, bears Kangxi reign mark, with trumpet neck, painted in famille verte enamels with a profusion of magpies amongst flowering prunus branches and rockwork on a celadon ground, bears six character mark in underglaze blue, 44.5cm high £1000 - 1500

134 A Chinese Porcelain Charger, Qianlong period, painted in underglaze blue with foliage and objects within a lattice border and foliate rim, 39.5cm diameter; and Two Similar Chargers, Kangxi, painted with radiating lappet shaped panels of foliage, 38cm and 39cm diameter (3) £400 - 600 135 A Pair of Chinese Porcelain Saucer Dishes, 18th century, painted in underglaze blue with a profusion of foliage, 34.5cm diameter £300 - 400 136 A Chinese Porcelain Blue and White Bottle Vase, the rim with repeat ruyi head motifs over tall leaf tips and thunder pattern shoulder band, the main body with a continuous mass of scrolling peonies and leaves, lappet base, bearing seal mark of Emperor Qianlong, 38.5cm high £1500 - 2000

139 A Chinese Porcelain Slender Rouleau Vase, bears Kangxi reign mark, painted in iron red and gilt with peacocks amongst foliage and rockwork within formal scroll, lappet and stiff leaf borders, bears six character reign mark in underglaze blue, 35cm high £200 - 300 142 A Matched Pair of Chinese Porcelain Sleeve Vases, in Kangxi style, with waisted necks, painted in famille verte enamels with children playing in fenced gardens and with auspicious objects, 25cm high £1000 - 1500 143 A Chinese Porcelain Punch Bowl, Qianlong, painted in famille rose enamels with a profusion of birds amongst foliage and rockwork, the interior with a flower spray within a cell and leaf scroll border, 40.5cm £800 - 1200

144 A Chinese Porcelain European Hunting Subject Punch Bowl, Qianlong, painted in famille rose enamels with a continuous landscape depicting two hounds chasing a hare, a huntsman with a rifle on horseback, the interior with cell border, 38cm diameter £400 - 600 145 A Pair of Chinese Porcelain Baluster Vases, in 18th century style, with trumpet necks, painted in famille rose enamels with dignitaries and children about a low table in a garden, 46cm high, mounted as table lamps £400 - 600 146 A Pair of Chinese Porcelain Square Section Baluster Vases, 19th century, with everted rims and ring and mask handles, painted in famille rose enamels with exotic bird amongst foliage and rockwork within shaped panels, on a yellow ground with scrolling lotus within foliate borders, 31cm high £500 - 700 147 A Chinese Famille Rose Plate, early 19th century, decorated with dignitaries in a palace interior within a border of baskets of flowers and insects, 20cm diameter £100 - 150 148 A Gilt Metal Mounted Chinese Porcelain Vase and Matched Cover, of baluster form with twin foliate sheathed scrolled handles, painted in Imari type colours with a river landscape and foliage within beaded and foliate borders, on square base with re-entrant corners, adapted to a lamp base, 44cm high £300 - 500

149 A Chinese Export Porcelain Figure of a Cockerel, late 18th/early 19th century, naturalistically modelled and with red painted bisque head, comb and wattle, on a brown washed pierced rockwork base, 39.5cm high **See Christie's King Street, 15 November 2000, lot 257 for a similar pair of cockerels £1000 - 1500 150 A Matched Pair of Chinese Export Porcelain Figures of Cranes, Qing Dynasty, late 18th/19th century, each black and white bird with red crest perched on a tree trunk base washed in colours, 42cm high **See Sotheby's New York, 29 March 2011, lot 183 for a related figure £3000 - 5000 151 A Cantonese Incense Holder, circa 1830, in the form of a ceremonial elephant, picked out in famille rose colours, iron red and gilding, 12.5cm £150 - 200 152 A Pair of Chinese Porcelain Mallet Shaped Vases, bear Kangxi reign marks, painted with three circular panels of chrysanthemums on a lilac ground, incised with scrolling fruit and foliage, 21cm high £2000 - 3000

153 A Chinese Porcelain Ogee Bowl, probably Daoguang (1821-1850), painted in famille rose enamels with sinuous dragons, characters and scrolls, the interior with a foliate and panelled border on a turquoise ground, six character seal mark in red, 18.5cm diameter £500 - 700 154 A Chinese Porcelain Butterfly Bowl, bears Qianlong reign mark, with slightly everted rim, painted en grisaille and gilt with scattered flying butterflies, bears six character reign mark in underglaze blue, 13.5cm diameter £2000 - 3000 155 A Pair of Chinese Porcelain Bottle Vases, bears Qianlong reign mark, painted in famille rose enamels with flowering chrysanthemum branches, bears six character seal mark in underglaze blue, 23cm high £500 - 700 156 A Matched Pair of Chinese Porcelain Bowls, bear Qianlong reign marks, painted in famille rose enamels with a continuous landscape with sages and bats, six character seal mark in red, 15.5cm diameter £200 - 300 157 A Pair of Chinese Wucai Porcelain Bowls, with everted rims, painted with foliage and rockwork, the interior with a lotus sprig, four character script mark, 13.5cm diameter £400 - 600

158 A Chinese Porcelain Hexagonal Bottle Vase, bears Qianlong reign mark, painted in famille rose enamels with pheasants amongst peony and rockwork on a robin's egg ground, six character seal mark in underglaze blue, 28.5cm high £300 - 400 159 A Chinese Porcelain Bowl, bears Jiaqing reign mark, with lappet moulded border and ogee rim, painted in green with dragons chasing the flaming pearl above flower sprigs, the turquoise interior with white enamel flower sprigs, six character seal mark in red, 18.5cm diameter £300 - 400 160 A Chinese Porcelain Bowl, bearing Daoguang reign mark, painted in enamels with dragons chasing the flaming pearl amongst clouds, on a blue ground, bearing four character seal mark, 17.5cm diameter; and A Rice Bowl, Cover and Stand, painted in famille rose enamels with foliate roundels on a carved foliate ground, six character seal mark in underglaze blue (4) £200 - 300 161 A Chinese Porcelain Tea Bowl, externally painted with stems of leafy bamboo in underglaze blue and two tones of green, bearing six character mark of Emperor Yongzheng within a concentric double circle, 6.6cm diameter, 4.1cm high £500 - 700 162 A Chinese Famille Rose Saucer, bears Qianlong reign mark, decorated with central mon and millefiori decorations, red Qianlong seal mark, 13cm £200 - 300

163 A Chinese Pale Jade Small Bowl, 17th/18th century, carved in Mughal style with panels of foliage within lattice bands on a petal form foot, 8.2cm diameter £500 - 800 164 A Chinese Spinach Jade Bowl, Qing Dynasty, the slightly everted rim with white metal mount, 14.5cm diameter £150 - 200 165 A Chinese Jade Carved Group of a Horse and Ape, in late Ming style, the recumbent horse turning its head to facing a monkey clambering on its back, in tones of soft celadon and russet, 7.5cm £450 - 550 166 A Chinese Carved Jade Model of a Recumbent Horse, in late Ming style, the animal turns to face backwards, in white with russet inclusions, 10cm long £350 - 450 167 A Chinese Jade Figure of Buddha, Qing Dynasty, the seated figure with flowing robes holding a bag under his left elbow, 16cm wide, wooden stand £300 - 400 168 A Chinese Carved Jade Phurba (Kila), 19th century or later, the stone a whitish colour, the pommel bearing the two faces of Vajrakila, the cross guard in the form of a double-sided taotie head, the blade four-faceted, 9cm long £200 - 300

169 A Carved Jade Figure of Bijin, 19th century, standing on a rocky base before a lappet shaped plaque, 18cm high £200 - 300 170 A Chinese Green Overlay Clear Glass Snuff Bottle, 19th century, carved with bats and a tiger, 8cm; A Red Overlay Clear Glass Snuff Bottle, with overlapping leaves, 6cm; and Three Coloured Glass Snuff Bottles (7) £150 - 250 171 A Chinese Opaque White Glass Snuff Bottle and Stopper, Qing Dynasty, with "ever foreseeing eye" decoration, 6.5cm £200 - 300 172 A Chinese Hardstone Snuff Bottle, Qing Dynasty, of flattened ovoid form, carved with a fish and lily leaves, 6cm £200 - 300 173 A Chinese Jade Type Snuff Bottle and Stopper, Qing Dynasty, of flattened ovoid form, carved with prunus and bamboo, 6cm £200 - 300 174 A Chinese Carved Horn Snuff Bottle and Stopper, 18th/19th century, of flattened ovoid form carved in relief with figures and animals in landscape within ogee panels, 7.2cm high £200 - 300

175 A Chinese Rhinoceros Horn Libation Cup, 17th/18th century, as an open mallow blossom, externally carved in relief with flowering prunus, the prunus branches forming an openwood foot, fine colour and deep patination, 13cm wide, 7.2cm high, 126g **From the Newby Hall, Yorkshire, Collections, sold on instruction from Richard Compton Sold with Animal Health permission letter 078-12/13 £20000 - 25000 176 A Chinese Reverse Painting on Glass, depicting figures on a terrace in a hardwood moulded frame, 33.5cm by 48cm £150 - 200 177 A Chinese Polychrome Figure, in Ming style, the bearded man in flowing robes holding a branch over his shoulder, on a rocky moulded base, 62cm high £200 - 300 178 A Chinese Polychrome Wood Figure of a Seated Dignitary, in Ming style, in formal dress holding a calligraphy brush and pot, sitting in an armchair, on a shaped rectangular base, 26.5cm high £400 - 600 179 A Chinese Marble Torso of a Bodhisattva, probably Tang Dynasty, 8th century, on a double lotus throne, 58.5cm high *Provenance: private Gloucestershire vendor, sold by auction in the Midlands 2009.

**See Watson (William) The Arts of China to AD900, chp.22 "Buddhist Sculpture under the Tang", pp.218-226, writes extensively on the influence upon 8th century sculpture of what he calls the "Indianising style". Also see figures 348, 349, 353, 356, and 359. ***The bluish colouration to the stone near the lotus base is a form of recognised stratum of rock. £12000 - 15000 180 A Large Chinese Canton Enamel Tea Caddy and Cover, late 18th/early 19th century, of rectangular section, decorated with figurative scenes and landscapes, in typical bright enamels, 13cm wide, 19cm high £200 - 300 181 An Cantonese Ivory Brisée Fan, circa 1820, carved and pierced with figures in landscapes, the guards with figures amongst trees, 19cm long £400 - 600 182 A Cantonese Ivory Brisée Fan, circa 1820, carved and pierced with figures amongst trees and pagodas, the guards with figures and mythical beasts, 19cm long £400 - 600 183 A Collection of Ninety-Five Cantonese Mother-of-Pearl Gaming Counters, 19th century, in various forms and sizes £150 - 200 184 A Pair of Chinese White Metal Scroll Weights, of rectangular form, cast with maidens and with calligraphy, two character mark, 14.5cm long £200 - 300

185 A Matched Pair of Chinese White Metal Scroll Weights, one cast with a dragon, phoenix and calligraphy, the other with children and calligraphy, two character marks, 23cm long; and A Similar Scroll Weight, with dragons and the signs of the Zodiac, 10cm (3) £200 - 300 186 A Chinese Bronze Mirror, in Tang style, of hexagonal form with ogee rim, 20cm diameter; and A Japanese Hand Mirror, cast with cranes and calligraphy, 32cm (2) £200 - 300 187 A Chinese Bronze Temple Bell, of archaic form cast with a dragon handle and a band of scrolls and foliage in rectangular panels over calligraphy and flowerheads, 24cm high £300 - 400 188 A Chinese Bronze Libation Cup of Archaic Jue Form, engraved with taotie on three splay supports, 20.5cm, carved hardwood stand £200 - 300 189 A Chinese Bronze Garment Hook (Daigou), Eastern Zhou Dynasty, Warring States Period, 4th/3rd century BC, of pipa type, with animal head terminal, the face inlaid in silver and malachite with scrollwork, 19cm long **For a similar garment hook see Orientations, October 2012, pg.68, fig.2 £400 - 600

190 A Chinese Bronze Figure of Buddha, in 17th century style, the seated figure with foliate crown sitting beside flowers on a double lotus oval plinth, 49cm high £2000 - 3000 191 A Pair of Chinese Bronze Lion Dogs, in archaic style, inlaid in gold with scrolls and foliage, 14cm long £1500 - 2000 192 A Chinese Bronze Incense Burner, in archaic style, in the form of a standing ox, the burner surmounted by a mythical bird on its back, the whole inlaid in silver and gold with scrolls and strapwork, 29cm high £1000 - 1500 193 A Thai Bronze Figure of Buddha, probably 17th or 18th century, the standing figure with flowing robe and right forearm outstretched, with remains of original gilding, 38cm high £400 - 600 194 A Chinese Watercolour on Silk, Qing Dynasty, with maidens in gardens and pagodas in an extensive wintery mountain landscape, seal marks and inscribed, 119cm by 29cm, framed and glazed £300 - 400 195 A Chinese Ivory Figure of a Maiden, 19th century, standing wearing flowing robes, a flowering branch in her left hand, a basket of flowers over her right arm, 24.5cm high £400 - 600

196 A Pair of Japanese Cloisonné Slender Baluster Vases, Meiji period (1868-1912), decorated with birds amongst blossoming branches on an ecru ground within formal borders, 60cm high £300 - 500

201 A Japanese Bronze Figure of a Water Buffulo, late 19th/early 20th century, naturalistically modelled and standing four-square, stamped six character seal mark, 50cm long, wooden plinth £400 - 600

197 A Pair of Japanese Bronze Reticulated Vases, Meiji period (1868-1912), the trumpet necks with birds amongst foliage on cylindrical liners, the semi-ovoid pierced bodies cast with animals amongst foliage, on stepped circular foliate bases, 46cm high £300 - 500

202 A Japanese Ivory Netsuke, Meiji period (1868-1912), as a seated man holding a goblet and oni pulling him to one side, signed to red lacquer panel, 5cm; Another, as a reclining figure on a stool, signed, 4cm; and Another, as two figures struggling before a lady, 4.5cm (3) £200 - 300

198 A Japanese White Metal Mounted Lacquer, Shibayama and Enamel Tray, Meiji period (1868-1912), of shaped oval form, the central crescent shaped plaque set with a father and child in a garden within a border of flying cranes and other birds, the foliate scroll pierced rim with flowerheads, four character seal mark, 27.5cm wide £3000 - 5000

203 A Japanese Ivory Netsuke, early 20th century, as a hermit crab on a shell base, signed, 3.5cm; Another, as a youth carrying a large brocade ball on his back, 5cm; Another, as a man with a small child at his side, 4.5cm; and Another, as two figures sitting on a bundle of sticks, 4cm (4) £200 - 300

199 A Japanese Cloisonné on Silver Vase, 20th century, of flattened baluster form with flared neck, decorated with a profusion of swallows amongst willow trees in landscape, seal mark, 30.5cm high £400 - 600 200 A Japanese Gold Inlaid Iron Tsuba, cast and pierced with a warrior and with foliage, 8cm £150 - 200

204 A Japanese Ivory Okimono, Meiji period (1868-1912), as a family of five about a cooking pot, 7cm; A Similar Netsuke, as children playing on a drum, 4cm; and A Hemispherical Plaque, carved with Buddha and chrysanthemums, 5.5cm (3) £200 - 300 205 A Japanese Ivory Clam Shell Okimono, Meiji period (1868-1912), the interior with farming scene, signed, 8.5cm wide £300 - 500

206 A Japanese Ivory Okimono as Hotei, early 20th century, the corpulent figure in flowing robes holding a bag on a branch over his shoulder, a fan in his left hand, signed to red lacquer plaque, 11.5cm high; An Okimono as a Vegetable Seller, 6cm; Four Various Seated Figures; and A Chinese Ivory Snuff Bottle (7) £300 - 400 207 A Japanese Ivory Okimono, Meiji period (1868-1912), as a sennin in flowing robes, a toad on his back, standing on a shell moulded base carved with a further toad, 12cm high £200 - 300 208 A Japanese Ivory Okimono, Meiji period (1868-1912), as a carpenter sitting planing a window frame, a box of tools at his side, two character signature to red lacquer plaque, 6cm high £300 - 500 209 A Japanese Ivory Okimono, Meiji period (1868-1912), as a man in loose robes standing, one foot on a large gourd, cutting into the fruit with a knife, three character signature, 7.5cm high £400 - 600 210 A Japanese Ivory Okimono, Meiji period (1868-1912), as a standing figure in traditional costume holding a fan and sword, a kneeling figure with covered bowl to one side, boxes and an open book at their feet, on a shaped oval base, two character signature to red lacquer plaque, 14.5cm £400 - 600

211 A Japanese Ivory Okimono, Meiji period (1868-1912), as a swordsmith, the kneeling figure in traditional dress holding a wakizashi, a kutana and various accoutrements about him, red lacquer plaque to base, 8.5cm high £400 - 600 212 A Japanese Okimono of a Fletcher, Meiji period (1868-1912), the seated figure wearing traditional robes, holding an arrow, three further arrows in a pot to his side, various other items about, black lacquer plaque to base, 8.5cm high £400 - 600 213 A Gandhara Schist Figure of the Buddha, 2nd-4th century AD, standing on a pedestal, 28cm high, now on a plinth *Provenance: Bought in the 1960's by the present owner in the Taxila region while on a diplomatic mission. **The 2nd -5th centuries AD saw artwork in the Buddhist kingdom of Gandhara at its pinnacle. The kingdom was situated in Eastern Afghanistan and North West Pakistan with the cities of Peshawar and Taxila being the focus points for Buddhist culture and worship. During this period Gandharan art particularly sculpture flourished in the distinctive Greco Buddhist style seen here. £1000 - 1500 214 A Gandhara Schist Elliptical Frieze, 2nd-4th century AD, depicting a column flanked by various robed figures and an elephant above a stepped plinth, 27cm wide £400 - 600

215 A Gandhara Schist Panel, 2nd-4th century AD, depicting a horseman, possibly Siddhartha, and various other figures, 19cm by 19cm £400 - 600

221 A Bronze Figure of Mercury after the Antique, the naked figure with winged sandals sitting on a grey marble rocky outcrop, 58cm high £600 - 800

216 A Gandhara Schist Panel, 2nd-4th century AD, depicting a male and female kneeling figure, 12cm by 26cm £400 - 600

222 A Bronze Figure Group of Horses and a Horseman, after the model by Rudolph Seifert, the young man riding one horse whilst holding the other's mane, on a rocky moulded base, signed R ZEIFER, BERLIN, 46.5cm high £600 - 800

217 A Gandhara Schist Panel, 2nd-4th century AD, depicting two female kneeling figures flanked by tapering columns, 12cm by 41cm £400 - 600 218 A Gandhara Schist Figure of Buddha, 3rd century style, the seated figure with circular halo on a rectangular plinth carved with figures and animals, 98cm high, on wooden plinth *Ex Spencers sale, circa 1970's £4000 - 6000 219 Eugène Delaplanche: Violinist, bronze, signed L Delaplanche, with réduction mechanqiue A Collas medallion, inscribed F Barbedienne Fondeur, Paris, brown patina, 56cm high (upper bow missing) £1200 - 1800 220 A Bronze Figure "Le Preur", after the model by Maurice Constant, 19th century, the standing crusader in full armour holding his sheathed broadsword in front of him, on a titled circular plinth, signed, 58cm high £800 - 1200

223 A Bronze Figure of a Huntsman, late 19th/20th century, standing wearing a cap, jacket and plus-fours, a short sword at his side, holding a bunch of flowers, a pointer on lead at his feet, on an oval moulded base, 61cm high; and A Similar Figure of a Goose Girl, standing in traditional costume holding a basket of goslings, a goose at her feet, on an oval base, 64cm high (2) £800 - 1200 224 Caroline Wallace: A Bronze Study of HRH Princess Anne on a Dressage Horse, on a textured shaped integral plinth, initialled CW 85 2/6 IT, 38cm, on a moulded wood plinth, 42.5cm high overall £1000 - 1500 225 An Austrian Cold Painted Bronze Inkwell, circa 1900, as a tree stump with hinged cover, an owl on a branch to one side, 15cm high £200 - 300

226 A Pair of Austrian Cold Painted Bronze Figures, by Franz Bergman, late 19th century, depicting an Arab huntsman with deer and rifle and an Arab with three hawks, each picked out in cold decoration on circular green marble plinths, with cast B mark, 32cm and 41cm £600 - 800 227 A French Bronze Ewer, in Renaissance style, of baluster form with slender neck inlaid with silver and figural handle, the neck inlaid with scrollwork over an ovoid body cast with grostequerie, on a circular socle, 47cm high £250 - 350 228 A Pair of French Bronze Candelabra, early 19th century, with central sconce flanked by five further foliate sheathed sconces issuing from a circular platform, on a foliate and shell capital, fluted column and acanthus leaf sheathed base, on three paw feet and marble tricorn plinth, 70cm high £400 - 600 229 A Pair of Bronze Figures of Mercury and Fortuna, after Giambologna, 19th century, he holding a bag and the caduceus, she holding a flower sprig and horn, each on a breche marble and bronze circular column cast with putti, 57cm and 55cm high £400 - 600 230 A French Bronze Figure of a Soldier, late 19th century, standing wearing a plumed hat, his sword in his right hand, his pistol in his belt holding a flag, on a circular moulded base and black marble plinth, 65cm high £600 - 800

231 A Bergman Cold Painted Bronze Figure of a Negro Boy, early 20th century, lying on his front smoking a pipe, impressed mark, 8cm long £120 - 180 232 A Bergman Cold Painted Bronze Figure of a Bulldog, early 20th century, standing on its hind legs wearing a lifebelt, unmarked, 8.5cm £150 - 200 233 After Isidore Bonheur: A Bronze Equestrian Group, as a thoroughbred with jockey up, on a rectangular moulded base, 73cm high £600 - 1000 234 An Austrian Cold Painted Bronze Model of a Hare, Franz Bergman, early 20th century, seated on its haunches upright in alert pricked ear pose, naturalistically detailed fur and colouration, cast vase and B mark, 15cm high £300 - 500 235 An Austrian Cold Painted Bronze Group of a Vixen with Two Cubs, naturalistically observed, the adult holds a mallard prey in its jaw, apparently unmarked, 14.5cm long, 9.5cm high £300 - 500

236 An Austrian Cold Painted Bronze Model of a Red Grouse, by Bergman, early 20th century, in standing alert pose with naturalistically detailed plumage and painted detail, impressed Bergman vase and B mark and GESCH, 9.2cm high; and Three Other Game Birds, Austrian, 20th century, comprising a pair of partridge, 3.6cm high and a cock pheasant, 7cm high, 16cm long (4) £300 - 500 237 An Austrian Cold Painted Bronze and Silvered Bronze Chick and Egg Group, early 20th century, the crouched chick realistically detailed by a broken half-egg, stamped GESCH (twice), 4.2cm high £150 - 200 238 A Persian Copper Jardinière, 19th century, of ovoid form with everted rim, engraved with bands of ogee panels and arabesques, 53cm high £300 - 500 239 A Set of Four George III Brass Candlesticks, with waisted sconces, knopped baluster stems, wrythen fluted bases and stepped square feet, 25cm high £300 - 400 240 A Set of Three Georgian Steel Fire Irons, with urn finials, the shovel with pierced foliate decoration, comprising tongs, poker and shovel (74cm long) £200 - 300

241 A Pair of Gilt and Patinated Metal Andirons, late 19th century, each as an owl perched on scrolling oak leaves, branches and acorns, on stepped square bases with beaded edges, 36.5cm high £200 - 300 242 A Pair of Brass Andirons, in late 17th century style, the urn finials with mask handles hung with swags, on shaped scroll bases with female masks and peg feet, 58cm high £300 - 400 243 A Brass Fender, in Regency style, of pierced form centred by a lion's mask flanked by scroll moulded andirons with urn finials and lion's mask and ring handles, on scroll bases, 146cm wide £250 - 350 244 A Set of Three William IV Steel Fire Irons, with faceted knops and wrythen twisted stems, comprising shovel, tongs and poker, the shovel 75cm long £300 - 400 245 A Pair of Gilt Metal Mounted White Marble Cassolettes, in Louis XVI style, of ovoid form the reversible covers with pine cone finials and foliate sheathed sockets, on three slender scroll supports with mask terminals hung with foliage swags, on circular bases centred by a foliate boss, 25cm high £300 - 500 246 A Burr Walnut Workbox, early 19th century, the hinged domed cover opening to reveal a lift-out tray, 31cm wide £200 - 300

247 A Victorian Brass Bound Burr Walnut Travelling Jewellery Case, the hinged rectangular top inlaid with a monogram, opening to reveal a fitted interior with an arrangement of trays and compartments over a secret drawer, the lockplate inscribed Patent S Mordan & Co London, 33.5cm wide £250 - 350 248 A George III Mahogany Tea Canister, of square section, the hinged caddy top with brass loop handle and plaque inscribed BOHEA within a carved foliate and scroll border, 17cm high £200 - 300 249 A Tortoiseshell Small Casket, probably Indian Colonial, late 19th century, of fluted rectangular form, with silvered metal hinges and strengthening angles, central elephant crest to the lid, raised on sphere feet, 18.5cm wide, 7.5cm high £200 - 300 250 An Early Victorian Tortoiseshell Tea Caddy, of bombé rectangular form, the hinged cover with ball knop, opening to reveal two covered compartments, 17cm wide £300 - 500 251 A Renaissance Revival Oak Stationery Casket and Cover, 19th century, of rectangular form, the hinged caddy top with recumbent lion finial opening to reveal an arrangement of drawers, pigeon holes and compartments, the base carved with panels of formal scrolling foliage on paw feet, 46cm high £400 - 600

252 A Victorian Brass Bound Calamander Decanter Box, of domed rectangular form, with hinged loop handles and strapwork decoration, the hinged cover and twin doors opening to reveal a fitted interior with three cut glass spirit decanters, eight drinking glasses and a circular tray, the hinge signed MANOAH RHODES & SON, BRADFORD, 32cm diameter £600 - 800 253 An Indian Ivory Inlaid Hardwood Table Cabinet, probably Gujarat or Sindh, late 17th/early 18th century, the fall opening to reveal an arrangement of six drawers with stained ivory handles, the whole profusely inlaid with stylised flowers within floral meander borders, 40.5cm wide £3000 - 4000 254 E Phillipe of Paris, 19th century: An Ebonised and Silver Plate Mounted Casket, in Renaissance style, the canted rectangular cover with griffin cartouche and fruit finial, the whole cast with panels and bands of putti, scrolling foliage, fruit and cartouches, on peg feet, signed on the hinge, 23cm high £600 - 800

255 A Napoleonic Prisoner of War Straw-Work Jewellery Box, early 19th century, of rectangular form, the hinged cover decorated with boats on a river, opening to reveal the inner cover decorated with doves and trophies and three compartments with two hinged covers depicting a lady and gentleman, all within herringbone and floral meander borders, 24.5cm wide, with paper label describing provenance, attributing the work to Jean de la Parte and its purchase at Norman Cross, Huntingdonshire in 1810 for the price of £1, the label dated 1936 £250 - 300 256 A Gilt Metal Mounted Ivory Jewellery Casket Necessaire, mid 19th century, of lobed oval form, the hinged cover inscribed with a monogram and set with an oval porcelain plaque supported by twin putti within foliate cast borders, the base with a further plaque depicting Cupid, and with mask handles, opening to reveal two lift-out trays, one containing a silver gilt mounted glass scent bottle, pair of scissors, button hook and needle case, and with four six-point stars, 24cm wide £600 - 800 257 A Victorian Brass Bound Burr Walnut Travelling Writing Cabinet, with strap hinges and loop handles, the hinged top over a folding fall writing slope, an arrangement of drawers, stationery racks and pen trays, 42cm wide £200 - 300

258 An Elkington's Patent Oak, Silver Plate and Glass Three-Bottle Tantalus, mid 19th century, surmounted by an eagle, on three foliate carved and turned baluster supports, and circular base and plinth, containing three cylindrical spirit decanters and stoppers, stamped ELKINGTON'S PATENT, 42.5cm high (no key) £500 - 700 259 A Russian Carved Wood Plaque, 19th century, depicting the Last Supper within an architectural surround, 11cm by 20.5cm, framed and glazed, the reverse of the frame inscribed Bought at the Troitsa

Monastery near Moscow August 1887 £100 - 150

260 A Boulle Inkstand, 19th century, of rectangular form with rectangular concave pen tray flanked by two clear glass ink bottles and stoppers before a further concave rectangular tray over a shaped apron with frieze drawer, on scroll and paw feet, the whole with foliate and scroll decoration, 34cm wide £250 - 350 261 A Brass Bound, Oyster Veneered Casket, in 17th century style, of rectangular form with strap hinges, the hinged top and fall front opening to reveal a compartment and two drawers, 45cm wide £300 - 500

262 A Charles II Needlework Panel, worked in coloured threads with a scene possibly depicting Salome and the head of John the Baptist within an oval panel on a ground of exotic beasts, foliage and insects in a mountainous landscape, 43cm by 51cm, in a tortoiseshell veneered frame £1000 - 1500 263 A Black Forest Dancing Bear Figure Group, as a bagpiper in hat and long cloak playing to a bear standing on its hind legs, on a rectangular base, 48cm high £300 - 400 264 An Ivory Figural Diptych, probably Dieppe, circa 1870, as the bust of a 17th century figure, opening to reveal soldiers on foot and horseback, on a matched shaped base moulded with lion's masks, 14cm high £300 - 400 266 A Nicole Frères Cylinder Music Box, 19th century, the 20” cylinder playing on a comb within a rectangular walnut, kingwood and ebonised case with brass carrying handles, retailer's mark for IMHOF & MUKLE, 103cm wide £2000 - 3000

267 A Continental Enamel and Paste Set Three Piece Buckle Set, 19th century, comprising circular buckle mount decorated with a figure blessing a young couple beneath the branches of an oak tree, within a frame of alternating white and red pastes, removable clasp, 7.5cm diameter, and a pair of belt mounts, of rounded rectangular form, each decorated with a maiden admiring a bird in a cage hung from the branch of a tree, with hinged ribbon tied openwork devices below, each 10.5cm high £150 - 250 268 A Blue John Derbyshire Spa Paperweight, 19th century, of egg form, on a black marble base, 10cm wide; A German Agate Octagonal base, 10.5cm; A Hardstone Snail; Four Bowls; A Pestle and Mortar; and Two Paperweights (12) £300 - 400 269 Society of California Pioneers: A Lithographic Poster, inscribed This is to

certify that D Hoffman Burrows who arrived in California November 1st 1849 is a member of the Society of California Pioneers, no.73, signed and dated September 20th 1859, printed by L Nagel, 67cm by 51cm, framed and glazed £700 - 1000

270 A Tunbridgeware Tea Caddy, mid 19th century, of waisted rectangular form, the hinged cover set with a rectangular panel depicting a castellated country house within geometric and foliate borders, opening to reveal a central well flanked by two canisters, the hinged covers with foliate panels, the whole with further foliate and geometric bands, 32cm wide £400 - 600

271 A Russian Pocket Icon, 19th century, as Christ Pantocrator with engraved silver oklad, 8.5cm by 7cm £150 - 200 273 A Set of Four French Enamel Plaques, circa 1900, each rectangular, painted after Watteau with courting couples in wooded landscapes, three examples initialled on the reverse EH ENAMEL, 7.3cmby 9.3cm, in gilt metal frames (one with different frame pattern) and rings for suspension £200 - 300 274 An Italian White Marble Figure of a Cherub, 19th century, sitting holding a dolphin and trident on a rocky moulded base, 43cm high, on a green serpentine pedestal, 110cm high £400 - 600 275 A Waterford Glass Electrolier, 20th century, with knopped baluster stem and central dished boss issuing ten scroll branches with dished drip pans hung with spear drops, the terminal with further spear drops and a faceted ball drop finial, approx 97cm high £800 - 1200 276 A Pair of Louis XVI Style Gilt Metal Wall Lights, each with three scroll branches with foliate drip pans issuing from a ribbon tied vase column applied with serpents over a Bacchus mask, 57cm high £300 - 400

277 A Pair of Parcel Gilt Bronze Candlesticks, 19th century, the scroll and grape cast sconces supported by winged cherubs riding on the backs of tortoises, 23cm high, converted to electricity £300 - 400 278 A Pair of Gilt Metal Mounted White Marble Lamp Bases, in George III style, issuing five branches with leaves and flowerheads, on a baluster stem with ram's mask handles hung with swags, on circular bases, 56cm high £400 - 600 279 A Brass Mounted Bonn Pottery Oil Lamp Base, late 19th century, of cylindrical form, painted with an owl perched on a branch, the moon beyond, on a scroll cast base, 35cm high, with etched globe and chimney £200 - 300 280 A Set of Four Gilt Metal and Cut Glass Basket Shades, cast with foliage and stiff leaves, and hung with seven bands of faceted drops and a faceted ball terminal, 39cm diameter £400 - 600 281 A Pair of Gilt Metal Five-Light Wall Sconces, in George III style, with foliate cast sconces and drip pans, leaf sheathed scroll arms issuing from an urn shaped stem with ribbon tied cresting and foliate pendant terminal, 70cm high £300 - 400

282 A Pair of Gilt Metal Mounted Breche Marble Urns and Covers, 19th century, the domed covers with floriform finials over a pierced Vitruvian scroll border, the ovoid bodies with Bacchus mask handles, on fluted circular socles and square bases, 27.5cm high £600 - 900 283 A Gilt Metal Holy Water Stoop, after a model by Jean Garnier, 19th century, as the Virgin Mary carrying a sprig of lilies above a flowerhead within a strapwork and foliate border, signed J GARNIER, on a gilt metal backed white marble cartouche shaped plaque, 39cm £200 - 300 284 A Carved White Marble Figure of Venus, by G Niccolla, late 19th/early 20th century, kneeling partially on a shell, on a canted rectangular waisted base, signed, 67cm high £800 - 1200 285 Georg O Wild (Sculptor): A Carved Dolomite Polar Bear Group, circa 1973, comprising two polar bears, one standing (18.5cm long) and one recumbent (20cm long), with inset red mineral eyes, upon a rock crystal rustic plateau base, 44.5cm wide *The base, according to the sculptor's affidavit is signed GW and numbered (but this has not been found by the auctioneers). The piece is sold together with photocopies of the sculptor's affidavit dated October 29th 1973 and a questionnaire relating to the artist, who states he began to produce statuary in 1921 and that his grandfather and great-grandfather worked as engravers for Faberge in St Petersburg. £250 - 350

286 Pasquale Romanelli (Italian 1812-1897): Paolo e Francesca from Dante's Divine Comedy, a white Carrara marble figure group, signed P. Romanelli, Firenze 1875, 116cm high *Provenance: Formerly in the grounds of a manor house in Bathampton, Bath, Wiltshire. **Pasquale Romanelli was the first in an impressive family line of artists and sculptors. He trained at the Accademia delle Belle Arti di Firenze and worked with Lorenzo Bartolini, acquiring his mentor's studio on his death which continues in the family today as Studio Romanelli, a unique working artist studio in Florence. The Romanelli studio has a smaller version of Paolo e Francesca in their archive collection. Pasquale Romanelli exhibited at the Paris Salon in 1851 and is renowned for his public monuments in Italy. His works can be found in numerous museums worldwide, including Ruth e la Delusa in the Hermitage, St. Petersburg, The Smithsonian, The Crocker Art Museum, California and the Museo Poldi Pezzoli, Milan. £3000 - 5000 287 A Pair of Composition Figures of Lions, after Canova, the recumbent beasts on rectangular plinths, 87cm long £400 - 600 288 A Pair of Gilt Metal Mounted French Porcelain Bottle Vases, late 19th century, painted in iron red, green and gilt with squirrels and foliage within diaper borders, 29cm high, adapted as table lamps £250 - 350

289 A Pair of Renaissance Revival Walnut Bellows, late 19th century, carved in relief with masks, scrollwork and birds within leaf and scroll borders, with figural and scroll handles, brass baluster nozzle, 64cm long £300 - 400 290 A Russian Icon, depicting Christ Pantocrator with silver oklad, 22cm by 18cm, in a glazed and gilt frame £300 - 400 291 A Canton Lacquer Stationery Cabinet, circa 1840, the two-hinged sloping doors gilt with an armorial and crest within a motto cartouche within foliate meander borders, opening to reveal an arrangement of compartments over a frieze drawer and plinth base, 44cm wide £200 - 300 292 An Enamel Plaque, late 17th century, painted with a half length portrait of lovers, originally from a watch case, 3.5cm diameter, in a turned wood frame £150 - 200 293 English School (late 18th century): Miniature Portrait of an Officer, bust length, turned to sinister, wearing a red jacket, oval, 4.5cm by 3.5cm, gilt frame £100 - 150

294 Continental School (mid 18th century): Miniature Portrait of a Gentleman in Armour, his grey powdered hair tied with a blue ribbon, blue eyes, wearing a red cloak over armour, shaded background, oval, 4.5cm by 3.5cm, in a gold metal frame with closed back engraved with elaborate armorial headed by a dragon and with Latin legend MERE VEL MUTARE SPERNO, oval suspension loop, in a black crushed morocco case £700 - 1000 295 French School (18th century): Portrait of a Gentleman, with brown hair, wearing ruffled jabot and blue jacket with red wrap, oval, 6.5cm by 5.2cm, in a later early 19th century chiselled gilt metal frame with inner glazed rosewood and brown velvet lined frame, overall 17cm by 15.8cm £600 - 800 296 Follower of Robert Mussard (18th century): Portrait Miniature of a Young Woman, with white jewelled hair, wearing a lace trimmed pink dress and blue wrap enriched with pearls, 7.5cm by 6cm, in a later gilt and gesso frame within a rosewood and glazed brown velvet lined display case, overall 15.5cm by 17.8cm £300 - 500

297 A Miniature Portrait of C.. William, Viscount Aghrim, 6th Earl of Athlone, bust length in profile, facing to sinister, his powdered grey hair en queue, wearing a braided blue jacket with epaulettes and ruffled jabot, gouache possibly on paper or velum, oval, 8cm by 6.5cm in a papier mâché frame, the aperture mount with inscription (as above); and A Portrait of a Gentleman, probably George Washington, oval, 8cm by 6.5cm, in a boullework rectangular frame decorated with scrollwork (2) £400 - 600 298 A 19th Century Carved Stone Sculpture of a Classical Nude Maiden, on circular base with carved tree stump, secured by a metal ring to the original coping stone, the base 117cm by 78cm, 210cm high *Provenance: Part of a grouping that looked down from their lofty perch atop the old Port Admiral Pub in Preston Lancashire. Erected in about 1854, and demolished in 1969. It's facade and architecture was a landmark, and the statues were a talking point for over 100 years. However the sculptor of the statues remains unidentified., They had, until recently, been on display in a private garden in Lancashire for more than 30 years; any damage sustained being prior to this time. Popular belief (unlikely), held the controversial nude lady to be Lady Hamilton. This statue, however, bears some resemblance in style to "the Greek slave" statue by Hiram Powers in the great exhibition of 1851. £800 - 1200

299 A 19th Century Carved Stone Sculpture of Napoleon, raised on a square section stepped base, the base 76cm by 63cm, 230cm high *Provenance: Part of a grouping that looked down from their lofty perch atop the old Port Admiral Pub in Preston Lancashire. Erected in about 1854, and demolished in 1969. It's facade and architecture was a landmark, and the statues were a talking point for over 100 years. However the sculptor of the statues remains unidentified. They had, until recently, been on display in a private garden in Lancashire for more than 30 years; any damage sustained being prior to this time. £1500 - 2000 300 An 18ct Gold Wristwatch, Tavannes W Co, 1930, lever movement, silvered dial with minute track, Arabic numeral front, snap-on back numbered 0828469 133, Glasgow import mark 1930, associated bracelet stamped 9ct, 22mm by 31mm £400 - 500 301 A 9ct Gold Wristwatch, signed Rolex, Ref:2008, 1936, lever movement, silvered dial with applied Arabic numerals, subsidiary seconds, cushion shaped case with snap-on back numbered 26591 2008, stamped RWC Ltd, Glasgow import mark 1936, 29mm wide £300 - 500

302 A 9ct Gold Wristwatch, signed Rolex, Chronometer, retailed by Northern Goldsmiths, Ref: 2942, 1937, 18-jewel lever movement signed Rolex Ultra Prima, timed to six positions, silvered dial with applied Arabic numerals, subsidiary seconds, snap-on back numbered 30104 2942 and engraved inscription, stamped RWC Ltd and with convention hallmark 375 for 9ct gold, Glasgow import mark 1937, 31mm wide £600 - 800 303 A 9ct Gold Automatic Calendar Centre Seconds Wristwatch, signed Omega, model: Seamaster, 1968, (calibre 751) lever movement numbered 24000900, gilt coloured dial with applied baton markers, day/date aperture, screw back engraved with initials and Seamaster monogram, London 1968, 37mm wide £250 - 350 304 A 14ct Gold Triple Calendar Chronograph Moonphase Wristwatch, signed Universal, Geneve, Tri-Compax, circa 1947, (calibre 287) 17-jewel lever movement signed Universal Watch Co Geneve and numbered 236940, silvered dial with applied baton markers, outer tachymeter scale, four subsidiary dials for seconds, date combined with moonphase aperture, 30-minute and 12-hour registers, day/month apertures, button in the band to operate chronograph and calendar adjustment pushers, engraved inscription, stamped Universal, convention hallmark 14k 0.585 for 14ct gold and numbered 1069020 52502, 36mm wide, strap with deployant folding clasp stamped 750 £1800 - 2200

305 An 18ct Gold Limited Edition Wristwatch, signed Longines, Number 329/500, Heritage DolceVita Collection, circa 1999, lever movement, silvered dial with applied Arabic numerals, subsidiary seconds, rectangular case with rounded lugs and secured with four screws, convention hallmark for 18ct gold, numbered L5662.6 29558235, 27mm by 41mm £700 - 900 306 A Lady's 18ct Gold Wristwatch, signed Jaeger LeCoultre, 1965, lever movement, silvered dial with baton markers, snap-on back numbered 944124 1693, convention hallmark for 18ct gold, Jaeger LeCoultre strap and gilt metal buckle, 18mm wide £350 - 450 307 An Unusual Shaped Lady's Wristwatch, signed Longines, circa 1910, (calibre 12.91) lever movement numbered 2292503, silvered dial with enamel Arabic numerals, hinged lugs, secured with four screws to the sides, convention hallmark 56, 30mm by 45mm £1000 - 1500 308 A Lady's 18ct White Gold Wristwatch, signed Universal, Geneve, circa 1960, 17-jewel lever movement adjusted in two positions, silvered textured dial with baton markers, stamped 66561 and secured by four screws, also stamped 99201 and a convention hallmark 18k 0.750 for 18ct gold, 24mm wide, integral bracelet with oval shaped links, stamped 750 to the clasp £600 - 800

309 A Midsize Stainless Steel Centre Seconds Calendar Wristwatch, signed Omega, Seamaster Professional, 300m/1000ft, circa 2004, quartz movement, dark blue wavy dial with luminous batons, date aperture, screw down crown, rotating bezel (helium valve crown missing), screw back, Omega steel bracelet with deployant clasp, 38mm wide, with Omega boxes, warranty card dated 22/8/4, and instruction booklet £300 - 500

312 A Stainless Steel Calendar Centre Seconds Wristwatch, signed Rolex, Oysterdate, Precision, Ref: 6694, 1964, lever movement, silvered dial with applied baton markers, date aperture, screw down winding crown, screw back, numbered 6694 and dated IV64, serial number 1180314, Rolex oyster stainless steel bracelet with deployant clasp, 34mm wide, with Rolex guarantee booklet dated 11.03.66 and service paperwork £300 - 500

310 A Stainless Steel Automatic Centre Seconds Calendar Wristwatch, signed Omega, Seamaster Planet Ocean, Professional, Co-Axial, Chronometer, 600m/2000ft, circa 2010, lever movement with hacking seconds and quick date change, black dial with applied luminous baton markers, screw down crown, helium valve, rotating bezel, screw back with Seamaster monogram, Omega steel bracelet with concealed deployant clasp, 45mm wide, with Omega boxes and one spare bracelet link £1200 - 1500

313 A Lady's Stainless Steel Wristwatch, signed Cartier, circa 2005, quartz movement, silvered dial with Roman numerals and a inner 24-hour dial, secret signature at 10, case with cabochon set crown, case back secured by four screws and numbered 2933 752942NX, Cartier steel bracelet with a concealed double deployant clasp, 30mm wide, with Cartier boxes and booklets £400 - 600

311 A Stainless Steel Automatic Centre Seconds Calendar Wristwatch, signed Rolex, Oyster Perpetual, Superlative Chronometer Officially Certified, model: Datejust, Ref: 16000/16030, circa 1987, (calibre 3035) lever movement with hacking seconds and quick date change, adjusted to five positions and temperature, white dial with applied Roman numerals, case with screw down winding crown, screw back, serial number 9790307, Rolex steel jubilee bracelet with deployant clasp, 36mm wide, with Rolex boxes, three spare bracelet links, booklets and Rolex service guarantee dated 19/05/06 £1200 - 1500

314 A Stainless Steel Centre Seconds Wristwatch, signed Rolex, Oyster, Precision, Ref: 6427, 1967, 17-jewel lever movement, silvered dial with applied baton markers, screw down winding crown, stamped 6427 and dated III67, Rolex steel spring loaded riveted oyster bracelet with deployant clasp, 34mm wide £300 - 500 315 A Stainless Steel Centre Seconds Wristwatch, signed Rolex, Oyster, Speedking, Precision, Ref: 6421/6420, 1958, lever movement, silvered dial with applied baton markers, screw down winding crown, screw back, stamped 6421 6420 and dated III.1958, serial number 406713, 30mm wide £300 - 400

316 A Stainless Steel Chronograph Wristwatch, signed Omega, Speedmaster, Professional, Moon Watch, 1970, (calibre 861) lever movement numbered 31619431, dust cover, black dial with luminous baton markers, three subsidiary dials for seconds, 30-minute and 12-hour recorders, buttons in the band to operate chronograph, tachymeter bezel, screw back inscribed The First Watch Worn On

receipt and Omega guarantee booklet dated 1973 £1000 - 1500

319 An 18ct White Gold Wristwatch, signed Patek Philippe, Geneve, retailed by Gubelin, Ref: 3468D, circa 1970, (calibre 23-300) 18-jewel lever movement stamped twice with Geneva seal and numbered 1146631, movement adjusted to heat, cold, isochronism and five positions, gyromax balance, blued overcoil hairspring, textured silvered dial with applied baton markers, snap-on back stamped with convention hallmark 18k 0.750 for 18ct gold and numbered 2664007 3468, 33mm wide, Patek Philippe strap and 18ct white gold buckle stamped 750, with Patek Philippe case, certificate and service history paperwork £4000 - 5000

317 A Rare Stainless Steel Automatic Centre Seconds Wristwatch with Roulette Calendar Display, signed Rolex, Oysterdate Perpetual, Ref: 6518, 1956, (calibre 1030) lever movement, silvered dial with applied dagger markers, date aperture with red/black "roulette" date disc, screw down winding crown, screw back stamped 6518 and dated II.56, Rolex steel riveted oyster bracelet, 34mm wide, with Rolex box £1200 - 1500

320 A Lady's 18ct Gold Tonneau Shaped Wristwatch, signed Franck Muller, Geneve, model: Sunset 1750 S6, No.290, circa 2002, mechanical lever movement, silvered engine turned dial with blue Arabic numerals, seconds, blued luminous hands, tonneau shaped case secured by four screws and stamped with convention hallmark 750 for 18ct gold, buckle stamped 750, 25mm by 35mm, with Franck Muller boxes £2000 - 3000

318 An 18ct Gold Rectangular Wristwatch, signed Cartier, Paris model: Tank, circa 1975, mechanical lever movement, white dial with Roman numerals, four screws to the sides securing the back, case numbered 780863243 and convention hallmark for 18ct gold, cabochon set winding crown, buckle stamped 0.750 18k, 24mm by 31mm £1200 - 1500

321 A Rare Two Colour 9ct Gold Flared Rectangular Wristwatch, signed J W Benson, Duo-Dial, circa 1933, 15-jewel lever movement with three adjustments, silvered duo dial with two dials with baton and Arabic numerals and seconds, yellow gold bezel and white gold flared sides, curved snap-on back stamped with convention hallmark 375 for 9ct gold and Glasgow import mark 1933, numbered 827086, 28mm by 42mm, with original J W Benson warranty paperwork £1800 - 2200

The Moon Flight Qualified By Nasa For All Manned Space Missions, numbered 145022-69ST, 42mm wide, with original

322 A Rare 18ct Gold Curved Rectangular Wristwatch, signed Patek Philippe & Co, Geneve, Ref: 425, 1937, (calibre 9-90) 18-jewel damascened nickel lever movement numbered 831966, adjusted to heat, cold, isochronism and five positions, silvered dial with Breguet numerals, subsidiary seconds, snap-on back, stamped with convention hallmark 0.750 for 18ct gold and numbered 615629, leather strap with deployant folding clasp stamped 750, 21mm by 43mm *Sold with an extract from the Archives, stating that this watch was manufactured in 1937, was sold on December 9th that year, and left the factory with baton numerals. £5000 - 7000 323 An 18ct Gold Curved Rectangular Wristwatch, signed Longines, circa 1937, (calibre 2517) lever movement numbered 5504883, bimetallic balance with overcoil hairspring, silvered dial with Arabic numerals, subsidiary seconds, step sided case with snap-on back numbered 5504883, stamped with convention hallmark 18k 0.750 for 18ct gold, 20mm by 43mm £1200 - 1500 324 An 18ct Gold Triple Calendar Chronograph Wristwatch, signed Le Phare, circa 1950, 17-jewel lever movement, silvered dial with dot and Arabic numerals, outer date ring with corresponding central date hand, three subsidiary dials for seconds, 30-minute and 12-hour registers, day/month apertures in Italian, buttons in the band to operate chronograph, calendar adjustment pushers, screw back signed Le Phare,

waterproof, shock protected, antimagnetic and numbered 11293 3155, 36mm wide £2500 - 3500

325 A 14ct Gold Tonneau Shaped Wristwatch, signed Rolex, 1976, (calibre 1600) lever movement, silvered dial with applied baton markers, snap-on back, stamped Rolex DS&S, numbered 94690, convention hallmark 585 for 14ct gold and London 1976, Rolex gilt buckle, 28mm by 35mm, with Rolex boxes and guarantee paperwork dated 21/09/78 £500 - 700 326 A 14ct Gold Triple Calendar Chronograph Wristwatch, signed Baume & Mercier, circa 1950, 17-jewel lever movement signed Gallet & Co, silvered dial with applied dot and Arabic numerals, outer date ring with corresponding central date hand, day/month apertures, three subsidiary dials for seconds, 30-minute and 12-hour registers, buttons in the band to operate chronograph and calendar adjustment pushers, snap-on back stamped 14k, stamped Gallet & Co Switzerland, convention hallmark 14k 0.585 for 14ct gold and numbered 35618, 35mm wide £1200 - 1500 327 An Unusual Purse Watch, signed Rolex, 1928, 15-jewel lever movement signed Rolex, silvered dial with baton markers, central sliding case (bezel missing), snap-on back with enamelled flag, stamped 925, release button to the side, stamped Rolex W&D, Glasgow import mark 1928, sterling 925, 31mm by 37mm £300 - 400

328 A Rare Giant-Sized Second World War Luftwaffe Aviator's Wristwatch, signed Wempe, so called B-Uhr, circa 1941, (calibre 31) frosted gilt finished lever movement signed Wempe, bimetallic balance with blued overcoil hairspring, original finished black dial with luminous markers, blued steel luminous hands, large hacking centre seconds hand, nickel plated case with snap-on back numbered 1025, case band numbered FL 23883, inner case back with full details and matching number, onion shaped winding crown, 55mm wide The German Air Ministry recognised the need for an accurate observer's watch to navigate and assist crews on long range flying missions. The watches are known as B-Uhrs (Beobachtungsuhr or observer's watch). They were tested by the Deutsche Versuchsanstalt fur Luftfahrt DVL Institute. From 1941 they were classified with an FL number (for flight and control), the 23 stands for navigation, followed by the three digit DVL number. A well tested watch with a high quality movement, and arguably the most desirable WWII German aviator's watch on the market today. £1000 - 1500 329 An Oversized Stainless Steel Wristwatch, signed Omega, circa 1950, (calibre 265) lever movement numbered 11663474, silvered dial with applied Arabic and dagger markers, subsidiary seconds dial, snap-on back numbered 2505-7, 38mm wide £250 - 300 330 A First World War Military Wristwatch, 1915, lever movement, white enamel dial with Arabic numerals, wire lugs, hinged back with Admiralty arrow and numbered 60040M, Glasgow import mark 1915, 40mm wide £200 - 300

331 A Silver Wristwatch, signed Rolex, 1919, lever movement, silvered engine turned dial with Arabic numerals, square case with hinged back and wire lugs, stamped W&D, London import mark 1919, numbered 1092288, 26mm wide £200 - 300 332 A Silver Duplex Pocket Watch, gilt fusee duplex movement inscribed Johnson, London Francis Street 5764, dust cover, three-armed gold balance, temperature compensation regulator curb, diamond endstone, enamel dial with Roman numerals inscribed Carter London No.1035, seconds, maker's mark WL, London 1824 and number 1035, (later dial and re-cased), 53mm wide £500 - 600 333 A Pair Cased Pocket Watch, gilt fusee verge movement signed Wm Holloway, London No.484, vase shaped pillars, enamel dial with Roman and Arabic numerals, beetle and poker hands, both cases with plain polished finish and different maker's initials, movement circa 1715, dial and cases later, 58mm wide £600 - 700 334 A Silver Pocket Watch, signed Barwise, No. 7360, 1818, gilt fusee lever movement with dust cover signed and numbered, diamond endstone, enamel dial with Roman numerals, seconds, London 1818 and numbered 7360, 52mm wide £500 - 600

335 A Gilt Metal Pair Cased Verge Pocket Watch, signed Symons, London, circa 1700, gilt fusee verge movement signed, divided tulip pillars, champleve dial with Roman and Arabic numerals, beetle and poker hands, numbered 917, 55mm wide £1200 - 1500

339 A Silver Pair Cased Verge Pocket Watch, signed C Norton, London, 1839, gilt fusee verge movement, enamel dial with Roman numerals and central locomotive scene, both cases Birmingham 1839, 56mm wide £200 - 300

336 A Silver Pair Cased Verge Pocket Watch, signed William Stone, London, No.1693, 1770, gilt fusee verge movement, square baluster pillars, enamel dial with Roman chapter ring and painted to the borders with a gentleman shooting and a figure fishing, both cases with maker's mark IP, London 1770, 49mm wide £400 - 600

340 A Silver Centre Seconds Duplex Pocket Watch, Made for the Chinese Market, signed Ilbery, London, No. 3936, 1821, highly engraved duplex movement signed and numbered, enamel dial with Roman numerals, London 1821, 60mm wide £700 - 900

337 An Early 18th Century Champleve Dial and Movement, signed Windmills, London, circa 1705, gilt fusee verge movement, top plate signed Windmills London, three-armed steel balance, glazed silvered balance cock with a green coloured endstone, engraved urn shaped pillars, champleve dial with Roman and Arabic numerals, dial also signed Windmills London, later hands, later inner and outer cases, London 1813, 54mm wide £600 - 800 338 A Silver Pocket Watch, with Improved Rolling Detached Lever Movement, signed Brookhouse & Tunnicliff, Derby, No. 2502, 1822, gilt fusee lever movement with dust cover signed Brookhouse's Improved Rolling Detached Lever, three armed steel balance, diamond endstone, maker's initials HJ, London 1822, cuvette with engraved inscription, 49mm wide £250 - 300

341 An 18ct Gold Full Hunting Cased Pocket Watch, signed Waltham, Riverside Maximus, 1917, 23-jewel lever movement with lossier inner terminal hairspring, numbered 17083598, enamel dial with Roman numerals, seconds, Chester 1917, 55cm wide £600 - 800 342 An 18ct Gold Open Faced Pocket Watch, signed John Forrest, London, No.65334, 1857, gilt fusee lever movement with dust cover signed, enamel dial with Roman numerals, seconds, engine turned case with vacant cartouche, London 1857 and numbered 5343, 49mm wide £600 - 800 343 An 18ct Gold Open Faced Pocket Watch, retailed by J W Reeley & Sons, 1893, lever movement, enamel dial with Roman numerals, slide in the band to operate chronograph hand, Chester 1893, 53mm wide £600 - 800

344 An 18ct Gold Full Hunting Cased Pocket Watch, 1875, gilt fusee lever movement with dust cover, enamel dial with Roman numerals and numbered 6781/7, seconds, engine turned case with vacant cartouche, London 1875 and numbered 76781, 50mm wide £600 - 800

347 An 18ct Gold Full Hunting Cased Pocket Watch, signed J W Benson, London, 1910, lever movement, enamel dial with Roman numerals, seconds dial, cuvette with engraved inscription, London 1910, numbered 781, 51mm wide, with JW Benson fitted case £800 - 900

345 An 18ct Gold Pocket Watch, Inscribed "Presented by the Daughter of Robert Burns to Mr D McNaught Head of the Burns Society", signed C Williamson, London, No.788, circa 1810, fusee movement with duplex escapement, diamond endstone, signed and numbered dust cover, gold coloured dial with applied Roman numerals, seconds, case cuvette with engraved presentation inscription, indistinct hallmarks, 54mm wide

348 An 18ct Gold Open Faced Chronograph Pocket Watch, signed J Hargreaves & Co, Liverpool 1898, lever movement, enamel dial with Roman numerals, slide to the band to operate chronograph hand, engraved monogram, Chester 1898, 53mm wide £600 - 800

*The inscription on the cuvette reads, Her

Father's Watch, presented to D McNaught LLD JP Kilmaurs by Mrs A.V.Burns Scott Adelaide Australia, Daughter of Mrs S.Burns Hutchinson, Daughter of James Glencairn Burns, Son of Robert Burns, The Poet, 25th Jany 1921. £700 - 900

346 An 18ct Gold Half Hunting Cased Keyless Pocket Watch, signed Dent, 61 Strand & 4 Royal Exchange, London 49794, 1897, lever movement, enamel dial with Roman numerals, subsidiary seconds, engraved inscription, London 1897, 51mm wide £900 - 1100

349 An 18ct Gold Half Hunting cased Keyless Lever Pocket Watch, signed Longines, 1924, (calibre 19-96) 17-jewel lever movement signed and numbered 3840761, enamel dial with Roman numerals, seconds, maker's mark AB, London 1924 and numbered 346, 50mm wide, with white and yellow metal chain with link stamped 18c, 11.3g £600 - 800 350 An 18ct Gold Full Hunting Cased Pocket Watch, signed Waltham, Vanguard Mass, 1920, 19-jewel lever movement adjusted to five positions, numbered 20001322, enamel dial with Roman numerals, seconds, engraved monogram, inscribed cuvette, Birmingham 1920, 50mm wide £600 - 800

351 An Open Faced Pocket Watch, circa 1890, lever movement, enamel dial with Roman and Arabic numerals, seconds, engine turned case with vacant cartouche, stamped with the eagle's head convention French hallmark symbol for 18ct gold, 47mm wide, with fancy linked chain with eagle's head stamped clasp £1000 - 1500 352 An 18ct Gold Open Faced Chronograph Keyless Lever Pocket Watch, signed J Hargreaves & Co, Liverpool, 1886, gilt fusee lever movement, enamel dial with Roman numerals, slide to the band to operate chronograph hand, engraved monogram, Chester 1886, 54mm wide £600 - 800 353 An Art Deco Open Faced Keyless Pocket Watch, signed International Watch Co, circa 1925, 21-jewel lever movement signed and six adjustments, silvered dial with applied Roman numerals, seconds dial and applied plaque inscribed Tiffany & Co, engraved presentation inscription to the cuvette and stamped 18k, 44mm wide £800 - 1200 354 A 9ct Gold Full Hunting Cased Keyless Lever Pocket Watch, signed Thos Russell & Son, Liverpool, 1918, 15-jewel lever movement signed Crown Watch Co, enamel dial with Roman numerals, seconds, Chester 1918, 52mm wide, with watch chain (each link stamped 375), 61g, and attached two pound Victorian coin dated 1887 £600 - 800

355 A Lady's Enamel Fob Watch, retailed by Breguet a Paris, No.2853, circa 1840, cylinder movement, engine turned silvered dial with Roman numerals, enamel floral decoration case, cuvette signed and numbered, 37mm wide, with Breguet type ratchet key £300 - 400 356 A Silver Rack Lever Pocket Watch, gilt fusee rack lever movement signed P Litherland Liverpool No.1485, thirty-two tooth escape wheel, enamel dial with Roman numerals, eccentric winding, later case London 1831, movement circa 1795, 48mm wide £150 - 200 357 A Silver Deck Watch, signed Henderson Greenwich Time, Buren, 1927, 3.5 day duration lever movement signed and numbered 2622975, enamel dial with Roman numerals, seconds, case with convention mark 925 for silver and London import mark 1927, numbered 1582010, 59mm wide, in a mahogany box £250 - 350 358 A Victorian Ruby and Diamond Bracelet, nine graduated cushion shaped rubies spaced by pairs of single cut diamonds, in yellow claw settings, to an expanding link bracelet £500 - 800 359 A Garnet and Diamond Set Bangle, seven graduated oval cut garnets spaced by pairs of brilliant cut diamonds, on a hinged and engraved knife edge bangle £400 - 600

360 A Victorian Diamond Set Flower Brooch, set with old cut diamonds in white claw and collet settings, total estimated diamond weight 4.25 carat approximately, measures 3cm by 3.3cm £1500 - 2000 361 A Diamond Set Mourning Ring, the old cut diamond in a yellow eight claw setting, within a scalloped border, to a chunky polished shank, with black enamel detail, estimated diamond weight 2.04 carat approximately, finger size K £2500 - 3000 362 A Victorian Gem Set Butterfly Brooch, set with rose cut diamonds, rubies, sapphires, demantoid garnets and pearls, in white and yellow claw settings, with pierced details, measures 4.7cm by 3.7cm £400 - 600 363 A Lady's Diamond Set Fob Watch, cylinder movement, enamel dial with Roman and Arabic numerals, rose cut diamond border around the aperture, with diamond set trefoil motifs to the outer edge, the reverse set with a large central rose cut diamond and similar decoration around it, total estimated diamond weight 1.50 carat approximately, measures 2.6cm by 3.4cm £500 - 800 364 A Victorian Diamond Brooch/Pendant, with a floral centre in a swirl outer form, set throughout with old cut diamonds in white claw and collet settings, total estimated diamond weight 4.00 carat approximately, measures 3.9cm by 6.4cm (inclusive of pendant loop) £1000 - 1500

365 A Victorian Amethyst and Diamond Bangle, a central oval mixed cut amethyst within yellow double claws, to a foliate motif set throughout with old cut diamonds in white claw and collet settings, to a yellow trifurcated half hinged bangle, total estimated diamond weight 1.25 carat approximately £500 - 800 366 A Gentleman's 18 Carat Gold Diamond Solitaire Ring, the brilliant cut diamond in yellow claw scalloped edge lined shoulder setting on a plain polished shank, diamond weight 0.84 carat approximately, finger size T1/2 £700 - 1000 367 A Diamond Navette Cluster Ring, set with old cut diamonds in white and yellow claw settings, to an indented shank, total estimated diamond weight 0.90 carat approximately, finger size H £400 - 600 368 A Gentleman's 18 Carat Gold Diamond Solitaire Ring, the old cut diamond in a yellow claw scalloped setting with carved shoulders, to a plain polished shank, diamond weight 1.80 carat approximately, finger size P £2500 - 3500 369 A Gentleman's 18 Carat Gold Diamond Solitaire Ring, the round brilliant cut diamond in a yellow claw setting, to a lined shoulder plain polished shank, diamond weight 0.64 carat approximately, finger size R £300 - 400

370 A George III Mourning Ring, a locket panel centres a border of foil backed garnets, to a wavy shank, enamelled in white, to read 'SUSANNA BAXENDALE OB 23 AP 1766 AE 4', finger size M £250 - 350 371 A George II Mourning Ring, set with three white stones (one diamond, two paste), to a shank with the inscription 'R. WEEKSY OB 3 JULY 1733 AE 77', finger size P £200 - 300 372 A George III Mourning Brooch, of marquise form with a locket panel to the front containing hair with a plaque overlaid depicting a floral frame with a central sepia painted ivory panel with initials 'MB', to an outer seed pearl border, engraved to the reverse 'Mary Burn Ob 11 Mar. 1791 At 71', measures 2.2cm by 3.4cm £150 - 200 373 A Victorian Locket on Chain, the oval locket with overlaid entwined initials 'LIS', inset with old cut and rose cut rubies, sapphires and diamonds respectively, within a scalloped border with rose cut diamonds in collet settings, on a long length brick link chain, locket measures 3.6cm by 5.7cm, chain length 133cm £1500 - 2000

374 A Suite of Coral Jewellery, including a long length branch coral necklace with a cluster centre and drop tassels, length 128cm, a four row coral bead bracelet, with a carved cameo set clasp, length 18cm, a carved cameo coral ring, finger size K1/2 and a carved coral cameo brooch in a beaded frame, measures 2.4cm by 3.3cm (4) £300 - 400 375 An Early 20th Century Diamond Five Stone Bar Brooch, graduated old cut diamonds in white millegrain settings within disk frames, spaced along a three row bar, total estimated diamond weight 0.85 carat approximately, length 6.4cm £300 - 400 376 A Labradorite, Onyx, Coral and Ruby Necklace, four strands of briolette cut stones and beads, strung to a grooved spherical clasp, length 44.5cm £300 - 500 377 A Pair of Aquamarine, Ruby and Diamond Drop Earrings, an aquamarine and diamond cluster suspends a drop of chain linked round cut rubies and diamonds, to a terminal of a step cut aquamarine within a spaced border of round brilliant cut diamonds, with post fittings for pierced ears, drop length 6.5cm £600 - 800 378 A Multi-Gemstone Necklace, comprising briolette aquamarine and citrine, with tourmaline drops and coral-type beads, length 43cm £600 - 800

379 An 18 Carat Gold Emerald and Diamond Cluster Ring, the step cut emerald with truncated corners in a yellow six claw setting, above a border of ten round brilliant cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.75 carat approximately, finger size M £800 - 1200 380 A Platinum Diamond Three Stone Ring, the round brilliant cut diamonds in claw settings to a tapered shoulder plain polished shank, total diamond weight 1.25 carat approximately, finger size L £800 - 1200 381 An Emerald and Diamond Three Stone Ring, the step cut emerald with truncated corners, flanked by a round brilliant cut diamond to each side, in white claw settings on a pointed shoulder plain polished shank, total estimated diamond weight 0.20 carat approximately, finger size M1/2 £500 - 700 382 A Diamond Triple Cluster Ring, the round brilliant cut stones held in white claw settings to a polished shank, total estimated diamond weight 2.20 carat approximately, finger size M1/2 £800 - 1200

383 An Emerald and Diamond Cluster Ring, the square step cut emerald with truncated corners held in a white millegrain setting, within a double border of single cut diamonds in a white claw and millegrain setting, to a yellow plain polished shank, total diamond weight 0.50 carat approximately, finger size P £500 - 800 384 A Pink Tourmaline and Freshwater Cultured Pearl Torsade, the shaded faceted beads of pink tourmaline strung at intervals with freshwater pearls, to white polished cupola clasps, length 48cm £700 - 900 385 A Pair of Citrine, Diamond and Pink Sapphire Drop Earrings, each comprising a round cut citrine which suspends a drop of chain linked pink sapphires and diamond clusters, to a cluster terminal of a round cut citrine within a border of round brilliant cut diamonds, all in white claw settings, with post fittings for pierced ears, drop length 6.9cm £500 - 700 386 A Fancy Link Bracelet, articulated links joined by series of beads, length 17.5cm £200 - 300 387 A Victorian Jet Necklace, a graduated loop link necklace suspends a drop shaped pendant, carved with a portrait of a lady, length 45.5cm, pendant measures 4.5cm by 7.8cm £250 - 350

388 A Parrot Brooch, the bird with pavé set rose cut diamonds throughout the body, the wings and tail set with rubies, emeralds and sapphires, holding a cultured pearl in its’ claws, measures 3.2cm by 5.1cm £500 - 700 389 An Amethyst Bracelet, of graduated oval mixed cut amethysts, in collet settings with bead decoration, length 17cm and A Pendant Drop Necklace, a trace link chain hung with nine briolette amethyst drops, length 38.5cm £500 - 700 390 A Georgian Mourning Ring, set with a step cut rock crystal over gold wire spelling 'DO', within a scrolling frame, finger size M £300 - 400 391 A Sapphire Set Spray Brooch, the cushion shaped sapphires in white claw settings in the form of a tied spray, measures 3.6cm by 6.1cm £200 - 300 392 A Victorian Cameo Portrait Brooch, a central amethyst carved to depict a maiden, within a beaded and engraved frame, with applied floral motifs, and split pearls set at intervals, measures 4.3cm by 5.2cm £300 - 400

393 A Late Victorian Butterfly Brooch, the eyes set with rubies, and the body with sapphires, the wings set throughout with rose cut diamonds, with sapphire tips, measures 4.8cm by 3.2cm £400 - 500 394 A Pair of Victorian Coral Drop Earrings, a ram's head motif suspends beads, and strung miniature branch coral, with hook fittings for pierced ears, drop length 7.9cm £200 - 300 395 An Amethyst and Onyx Necklace, strung with graduated faceted drops, to a grooved spherical clasp, length 48.5cm £500 - 700 396 An Enamelled Locket, the shield shaped locket with scroll surmount, to a shaped pendant loop, enamelled to the front with a portrait of a lady, with rose cut diamond accents, in a black enamel and textured border, the reverse engraved and with the initial 'S', opens to reveal two locket panels, measures 2.9cm by 6.1cm £800 - 1200 397 An Early 20th Century Bracelet, of curb links spaced by baroque pearls within cage type settings at intervals, with a fob suspended, engraved to one side with entwined initials 'SIE' and 'June 15th 1905', and to the other entwined initials 'WAE' and 'Aug 19th 1906', bracelet length 22cm, fob diameter 2.4cm *NB one baroque pearl loose from its setting £200 - 300

398 An Art Nouveau Brooch, by Murrle Bennett & Co., a central round cabochon turquoise, within a pierced bar brooch frame, measures 4.9cm by 1.1cm £150 - 200 399 An 18 Carat White Gold Diamond Cluster Ring, seven round brilliant cut diamonds arranged in a flower cluster shape, in claw settings to a tapered shoulder plain polished shank, total estimated diamond weight 0.50 carat approximately, finger size L1/2 £250 - 350 400 A Two Colour Purse, the yellow and white mesh in an entwined geometric design, with a solid hinged section and a sapphire set twist clasp, and a chain link handle, measures 15cm by 14.2cm £2500 - 3000 401 An Amethyst and Diamond Ring, a round cabochon amethyst within a border of rose cut diamonds, in a white setting, to a plain polished shank, finger size L £200 - 300 402 A Pair of Cultured Pearl Earrings, the cultured pearls clustered with tiny diamond details amongst them, with clip fittings, diameter 2cm £200 - 300 403 A Silver Necklace and Bracelet Set, by Georg Jensen, of shaped drop form, each numbered '115', bracelet length 19cm, necklace length 39cm, boxed £200 - 300

404 A Yellow and White Diamond Knot Ring, brilliant cut and single cut diamonds pavé set into yellow and white mounts, to a heavy white dual shank, total estimated diamond weight 1.30 carat approximately, finger size O £1000 - 1500 405 A Diamond Solitaire Ring, the brilliant cut diamond in a white eight claw setting, to a tapered shoulder plain polished shank, diamond weight 0.75 carat approximately, finger size K £800 - 1000 406 An 18 Carat White Gold Yellow Sapphire and Diamond Cluster Ring, the yellow oval mixed cut sapphire within a border of round brilliant cut diamonds, a tapered baguette cut diamond to each shoulder, in claw settings, on a lined shoulder plain polished shank, total estimated diamond weight 0.45 carat approximately, finger size N £500 - 700 407 An 18 Carat White Gold Diamond and Citrine Pendant, a drop of round brilliant cut diamonds and a baguette cut diamond surmount the triangular faceted citrine, in claw settings, total estimated diamond weight 0.65 carat approximately, measures 2.3cm by 3.5cm £600 - 800 408 A Diamond Solitaire Pendant on Chain, the round brilliant cut diamond in a white eight claw setting, on a plain pendant loop, hung on a 9 carat white gold serpent link chain, diamond weight 0.60 carat approximately, chain length 50cm £400 - 600

409 An Amethyst and Diamond Ring, the oblong mixed cut amethyst with truncated corners, in white corner double claw settings, to balloon shoulders set with a trio of single cut diamonds, to a white plain polished shank, finger size N £600 - 800 410 A Smokey Quartz and Diamond Ring, the round cut smokey quartz in a yellow chunky four claw setting, a trio of round brilliant cut diamonds to each shoulder, on a plain polished shank, total estimated diamond weight 0.20 carat approximately, finger size L, and A Smokey Quartz and Diamond Pendant, the oval cut smokey quartz in a four claw setting above a shaped border, surmounted with a trio of round brilliant cut diamonds, to a pendant bale, total estimated diamond weight 0.10 carat approximately, measures 2.5cm by 4.4cm, on a fancy link chain, length 56.3cm £500 - 800 411 A Multi-Coloured Sapphire and Diamond Bracelet, the oval cut sapphires run in colour sequence from yellow to orange and green, spaced by pairs of small round diamonds, with a secondary white link bracelet attached to the side, length 18.5cm £300 - 400 412 A Diamond Bombé Ring, the domed cluster of single cut diamonds in white claw settings, to a collar of yellow leaf motifs, on a plain polished shank, total estimated diamond weight 1.50 carat approximately, finger size M £400 - 600

413 An 18 Carat White Gold Garnet and Diamond Cluster Ring, the oval mixed cut garnet within a border of round brilliant cut diamonds, three further diamonds clustered to each shoulder, in white claw settings to a tapered shoulder plain polished shank, total estimated diamond weight 0.80 carat approximately, finger size N £700 - 1000 414 An 18 Carat White Gold Yellow Scapolite and Diamond Ring, the oblong scapolite with truncated corners in a four claw setting, three round brilliant cut diamonds to each side, on a plain polished shank, total estimated diamond weight 0.50 carat approximately, finger size N £400 - 500 415 A Pair of 18 Carat White Gold Diamond and Peridot Drop Earrings, a string of round brilliant cut diamonds suspends an oval cut peridot, surmounted by two further diamonds, in white claw settings, total estimated diamond weight 0.70 carat approximately, with post fittings for pierced ears, drop length 4cm £600 - 800 416 An 18 Carat White Gold Peridot and Diamond Cluster Ring, the oval cut peridot within a border of round brilliant cut diamonds, in white claw settings to a tapered shoulder plain polished shank, total estimated diamond weight 1.00 carat approximately, finger size M1/2 £600 - 800

417 A Pair of 18 Carat Gold Diamond Solitaire Stud Earrings, the round brilliant cut diamonds in white six claw settings on yellow post fittings for pierced ears, total estimated diamond weight 0.40 carat approximately £300 - 400 418 A Pair of Cufflinks, a central dark cat's-eye cabochon stone, within a yellow asymmetric frame, chain linked to barrel end pieces, heads measure 2.3cm by 2.6cm £400 - 600 419 A Diamond Solitaire Ring, the round brilliant cut diamond in a white six claw setting above shoulders each inset with four round brilliant cut diamonds, on a plain polished shank, total estimated diamond weight 0.70 carat approximately, finger size L £400 - 500 420 An Art Deco Style Diamond Cluster Ring, an old cut diamond centrally, spaced to a border of brilliant cut and baguette cut diamonds in white millegrain settings, to a plain polished shank, total estimated diamond weight 0.85 carat approximately, finger size N1/2 £750 - 850 421 A Heart Shaped Diamond Pendant on Chain, the heart shaped diamond held in a white three claw setting with a plain pendant loop, on a white fine trace link chain, estimated diamond weight 0.90 carat approximately, chain length 41cm £1500 - 2000

422 An Early 20th Century Diamond and Ruby Pendant on Chain, the geometric design comprising a marquise cut diamond centrally within pierced borders set with baguette cut and brilliant cut diamonds, and calibré cut rubies, in white millegrain settings, total estimated diamond weight 2.50 carat approximately, measures 2cm by 4.3cm, chain length 41cm £4000 - 5000 423 A Diamond Solitaire Ring, the round brilliant cut diamond in a white eight claw setting, to a tapered shoulder plain polished shank, diamond weight 4.65 carat approximately, finger size O1/2 £10000 - 12000 424 An Art Deco Lady's Diamond Set Wristwatch, lever movement, dial with black Arabic numerals, within a round bezel set with brilliant cut diamonds, and rose and single cut diamond details, a trio of brilliant cut diamonds leading to each side of the bracelet, formed as blocks of pavé set brilliant and single cut diamonds, with channel set baguette cut diamond bars at intervals, total estimated diamond weight 12.00 carat approximately, length 17.5cm £10000 - 12000 425 An Art Deco Lady's Diamond Set Wristwatch, 16-jewel lever movement, silvered dial with black Arabic numerals, within a bezel set with single cut diamonds, a geometric plaque top and bottom, also diamond set, to a black cord strap, total estimated diamond weight 1.00 carat approximately, length 16cm £400 - 600

426 A Pearl Necklace, sixty-nine pearls knotted to a lozenge shaped clasp, with three old cut diamonds in spaced frames, with rose cut diamond details inset, length 42cm *NB the pearls have not been tested £500 - 700 427 An Art Deco Lady's Diamond Set Wristwatch, 15-jewel lever movement, oblong dial with Arabic numerals, bezel set throughout with single-cut diamonds, to graduated geometric links, set with further diamonds, on a white mesh link bracelet with diamond set slider detail, total estimated diamond weight 1.50 carat approximately, length 17.3cm £500 - 800 428 A Diamond Three Stone Ring, the graduated old cut diamonds in white claw settings on a yellow gold plain polished shank, total diamond weight 0.85 carat approximately, finger size P1/2 £500 - 700 429 A Pair of Onyx and Diamond Drop Earrings, an old cut diamond in a white collet setting suspends a cup set with rose cut diamonds, holding a polished onyx drop, with post fittings for pierced ears, drop length 4.9cm £400 - 500 430 An Onyx and Diamond Brooch, of diamond shaped outer form, with an open centre, scissor cut onyx stones are spaced by series of old cut diamonds, in white millegrain settings, measures 5.3cm by 2cm £500 - 600

431 A Diamond Cluster Ring, a round brilliant cut diamond spaced to an outer border of ten smaller diamonds, in white millegrain settings, to a yellow fancy shouldered shank, total estimated diamond weight 1.80 carat approximately, finger size O £1400 - 1600 432 An 18 Carat White Gold Amethyst and Diamond Ring, an oval cut amethyst between a pair of graduated baguette cut diamonds, in white claw settings, finger size M1/2 £250 - 350 433 A 14 Carat Gold Turquoise and Diamond Ring, an oval cabochon turquoise between a trio of round brilliant cut diamonds on each shoulder, in white claw settings, total diamond weight 0.40 carat approximately, finger size N £300 - 500 434 A Silver Enamelled Brooch, by Charles Horner, the Art Nouveau form decorated with blue and green enamel, measures 3.7cm by 2.3cm £120 - 180 435 An 18 Carat Gold Sapphire and Diamond Cluster Ring, a round brilliant cut sapphire in a yellow claw setting, within a border of eight round brilliant cut diamonds and two marquise cut diamonds, one to each shoulder, in white claw settings on a yellow tapered shoulder plain polished shank, total estimated diamond weight 1.00 carat approximately, finger size Q £500 - 700

436 An 18 Carat White Gold Synthetic Blue Spinel, Sapphire and Diamond Ring, the blue step cut spinel with truncated corners, set with a sapphire to each side, and round brilliant cut diamonds complete the outer border, in claw settings, total estimated diamond weight 0.65 carat approximately, finger size M1/2 £500 - 700

441 A Late Victorian Sapphire and Diamond Ring, the five graduated cushion shaped sapphires in yellow claw settings, with pairs of tiny rose cut diamonds between, on a carved setting, to an engraved shoulder plain polished shank, finger size M1/2 £600 - 800

437 An Art Nouveau Style Pendant, of entwined form, set with a ruby and a pearl, and a houndstooth pearl suspended from the base, measures 2.6cm by 5.5cm £150 - 200

442 A Cultured Pearl Necklace and A Pair of Cultured Pearl Earrings, retailed by Boodles, the sixty-five uniform pearls to a spherical clasp, and the earrings as single pearl studs, with post fittings for pierced ears, necklace length 42cm £300 - 400

438 An 18 Carat White Gold Kunzite and Diamond Pendant, the oval cut kunzite within a border of round brilliant cut diamonds, suspended from a pendant loop set with two further diamonds, total estimated diamond weight 1.33 carat approximately, measures 2.1cm by 3.8cm £600 - 800

443 An 18 Carat Gold Diamond Solitaire Ring, the old cut diamond in a white claw setting, to a yellow tapered shoulder shank, diamond weight 2.00 carat approximately, finger size R1/2 £3000 - 4000

439 A Tanzanite and Diamond Three Stone Ring, the oval cut tanzanite flanked by a round brilliant cut diamond on each side, in white claw settings, to a tapered shoulder plain polished shank, total diamond weight 0.65 carat approximately, finger size N1/2 £1400 - 1600

444 An 18 Carat White Gold Amethyst and Diamond Ring, the emerald-cut amethyst in a corner claw setting, with a triangular shaped cluster of six round brilliant cut diamonds to each side, on a tapered shoulder plain polished shank, total estimated diamond weight 0.55 carat approximately, finger size M1/2 £600 - 800

440 An 18 Carat Gold Sapphire and Diamond Cluster Ring, the oval mixed cut sapphire within a double border of round brilliant cut diamonds, in white claw settings, to a yellow pointed shoulder plain polished shank, total estimated diamond weight 0.85 carat approximately, finger size N £500 - 700

445 An 18 Carat White Gold Diamond Cluster Ring, nine round brilliant cut diamonds in claw settings form a square, to pointed shoulders set with round brilliant and single cut diamonds, on a plain polished shank, total estimated diamond weight 0.33 carat approximately, finger size K1/2 £300 - 400

446 A Pair of Amethyst and Diamond Drop Earrings, a trio of marquise cut amethysts suspend chain linked alternating round cut amethysts and clusters of round brilliant cut diamonds, to a terminal of a round cut amethyst within a border of diamonds, in white claw settings, with post fittings for pierced ears, drop length 8.4cm £600 - 800 447 A Pair of Lapis Lazuli and Diamond Drop Earrings, a string of graduated round brilliant cut diamonds in white claw settings suspends a polished lapis lazuli drop, total estimated diamond weight 0.45 carat approximately, with post fittings for pierced ears, drop length 5.3cm £400 - 600 448 A Pair of Sapphire and Diamond Earrings, of domed circular form, with square step cut sapphires and round brilliant cut diamonds set into a grid formation, in yellow claw and bar settings, total estimated diamond weight 1.10 carat approximately, with hinged post and clip fittings, measure 1.9cm in diameter £800 - 1200 449 A Diamond Set Floral Brooch, the bloom modelled with a cluster of old single cut and brilliant cut diamonds to the centre, and diamond accents around, measures 2.6cm by 3.7cm £300 - 400 450 A Diamond Cluster Ring, a round brilliant cut diamond centrally, within a border of eight smaller brilliant cuts, in white claw settings to a tapered shoulder plain polished shank, total diamond weight 2.60 carat approximately, finger size N £1500 - 2000

451 A Platinum Diamond Solitaire Ring, a baguette cut diamond in a four claw setting to collet set baguette cut diamond shoulders, on a plain polished shank, principal diamond weight 1.10 carat approximately, finger size N1/2 £1500 - 2000 452 A Diamond Set Collar Necklace, by Wellendorff, a round brilliant cut diamond of 2.75 carat approximately, in a rubbed over and collet setting, to a double silk woven chain, length 43cm £8000 - 10000 453 An Early 20th Century Diamond Bracelet, seven graduated old cut diamonds in white millegrain fronted collet settings, pierced to an outer boat shaped frame, with diamond detail, total estimated diamond weight 0.60 carat approximately, on a yellow plain polished expanding link bracelet £300 - 400 454 A Diamond Two Stone Ring, the step cut diamonds side by side in white claw settings, to twist shoulders on a plain polished shank, total diamond weight 0.90 carat approximately, finger size N £500 - 800 455 A Diamond Solitaire Ring, the old brilliant cut diamond in a white eight claw setting, to a tapered shoulder plain polished shank, diamond weight 1.25 carat approximately, finger size L1/2 £1000 - 1500

456 A Diamond Three Stone Ring, the graduated old cut diamonds in white claw settings to a shaped shoulder plain polished shank, total diamond weight 2.40 carat approximately, finger size K1/2 £2000 - 3000

461 A Pair of Diamond Solitaire Stud Earrings, the round brilliant cut diamonds in white four claw settings, total diamond weight 0.40 carat approximately, with post fittings for pierced ears £300 - 400

457 An 18 Carat Gold Diamond Three Stone Ring, by Boodle & Dunthorne, the graduated round brilliant cut diamonds in white claw settings, to a yellow tapered shoulder plain polished shank, total diamond weight 1.60 carat approximately, finger size G1/2 £3000 - 4000

462 A Victorian 18 Carat Gold Opal and Diamond Three Stone Ring, the oval cabochon opal flanked by an old cut diamond on each side in yellow claw settings to a plain polished shank, total estimated diamond weight 1.00 carat approximately, finger size M £1000 - 1500

458 An 18 Carat Gold Diamond Eternity Ring, by Boodle & Dunthorne, princess cut diamonds channel set into a yellow flat sided band, total estimated diamond weight 2.00 carat approximately, finger size I £400 - 600

463 A Pair of Emerald and Diamond Drop Earrings, an old cut diamond in a white collet setting suspends a cluster of an oval cut emerald within a border of eight old cut diamonds, in white millegrain settings, total estimated diamond weight 1.50 carat approximately, with post fittings for pierced ears, drop length 1.9cm £1500 - 1800

459 An 18 Carat Gold Snaffle Bit Motif Bracelet, in the style of Rosemary Hetherington, the bits joined by diamond set sections, length 21cm £600 - 800 460 A Diamond Necklace, three graduated round brilliant cut diamonds in white claw settings, on a bar drop, to a fine trace link chain, total estimated diamond weight 0.65 carat approximately, necklace length 41cm, drop length 1.9cm £400 - 600

464 An Emerald and Diamond Necklace, eleven clusters of oval cut emeralds within round brilliant cut diamonds surmounted by trios of diamonds, alternated with emeralds, and all suspended from diamond set looped links, to plain polished swirl links either side, total diamond weight 7.00 carat approximately, length 44cm £2000 - 2500 465 A South Sea Baroque Pearl Necklace, thirty-one pearls strung to an 18 carat gold spherical diamond set clasp, length 44cm £500 - 700

466 An Emerald Six Strand Necklace, the graduated faceted beads spaced at intervals by gold coloured beads, length (of shortest strand) 38cm £900 - 1100 467 An Early 20th Century Opal Necklace, an oval cabochon opal suspends a knife edge bar to a heart shaped cabochon opal, on a fine trace link chain, chain length 39.5cm, drop length 4.9cm £200 - 300 468 A Synthetic Emerald and Diamond Three Stone Ring, the emerald-cut emerald flanked by a round brilliant cut diamond on each side, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 0.55 carat approximately, finger size S1/2 £600 - 800 469 An Emerald and Diamond Three Stone Ring, the emerald-cut emerald in a white four claw setting, with a round brilliant cut diamond on each side, in white collet settings, to a plain polished shank, total estimated diamond weight 0.25 carat approximately, finger size N £1200 - 1500 470 An 18 Carat White Gold Emerald and Diamond Cluster Ring, the central step cut emerald in yellow claw settings, within a border of alternating round brilliant cut and tapered baguette cut diamonds in white claw settings, on a polished shank, with lined shoulders, total estimated diamond weight 0.75 carat approximately, finger size M1/2 £600 - 800

471 An 18 Carat White Gold Opal and Diamond Pendant, a triangular domed cabochon opal within a border of round brilliant cut diamonds, surmounted by a pendant bale set with tapered baguette cut and a round brilliant cut diamond, in claw settings, total estimated diamond weight 1.00 carat approximately, measures 2cm by 3.7cm £700 - 900 472 A Mabe Pearl and Diamond Abstract Brooch, three mabe pearls in yellow collet settings, and single cut diamonds in white triangular mounts set over yellow textured bars, with branch like and granulated details, total estimated diamond weight 0.60 carat approximately, measures 7cm by 6.3cm £800 - 1200 473 A Cultured Pearl Necklace, sixty-three graduated pearls knotted to an Art Deco diamond set clasp, length 51cm £300 - 400 474 A Late Victorian 18 Carat Gold Emerald and Diamond Ring, the five graduated step cut emeralds held in yellow claw settings, with pairs of tiny rose cut diamonds in between, in a carved setting on a lined shoulder plain polished shank, finger size N £500 - 800 475 An Emerald and Diamond Half Eternity Ring, five round cut emeralds alternate with six smaller round brilliant cut diamonds, in white claw settings to a plain polished shank, finger size M £300 - 400

476 A Pair of 18 Carat Gold Mabe Pearl Earrings, a central mabe pearl within a yellow matt finish disk border with bead decoration, with post and clip fittings for pierced ears, measure 2.8cm in diameter £400 - 600

481 A Diamond Five Stone Ring, graduated old brilliant cut diamonds in white claw settings, on a yellow tapered shoulder shank, total estimated diamond weight 1.50 carat approximately, finger size N £400 - 600

477 A Cultured Pearl Bracelet, articulated links of clusters of slightly off-round pearls, with scroll settings, length 18.5cm £400 - 600

482 An Art Deco Lady's Diamond Set Wristwatch, the octagonal face with black Arabic numerals and blue pointers within a bezel set with old cut and brilliant cut diamonds, the lugs similarly set, to a bracelet set throughout with old cut diamonds in articulated square links, all in white claw and millegrain settings, total estimated diamond weight 3.00 carat approximately, length 17.5cm £600 - 800

478 A Turquoise Set Diadem, of scrolling form, graduated to the centre point, with a spray of cabochon turquoise on wires to the centre, with an elasticated cord to the back section, measures 7.9cm in height £200 - 300 479 An Edwardian Necklace, a pendant of diamond set foliate motif above a slightly domed round blue enamelled disk, with scalloped millegrain overlay, and diamonds inset, a cultured pearl centrally, hung from a white trace link chain with diamond details to the centre section, length 47.5cm, drop length 4.2cm £700 - 1000 480 A Diamond and Ruby Ring, circa 1930, an old cut diamond centrally spaced to a border of calibré cut rubies, in white millegrain settings, with diamond details to the shoulders of a lined shank, estimated diamond weight 0.30 carat approximately, finger size L1/2 £500 - 700

483 A Jadeite Bead Necklace, spherical beads knotted as one strand, length 115cm £500 - 700 484 An Early 20th Century Aquamarine and Diamond Necklace, a cushion cut aquamarine within a spaced border of old cut diamonds suspends a string of diamonds to a cluster terminal comprising a pear cut aquamarine centrally, within a border of old cut diamonds, in white millegrain settings, on a fine trace link chain, total estimated diamond weight 2.00 carat approximately, pendant drop length 6.3cm, chain length 43cm £2000 - 3000

485 An 18 Carat White Gold Aquamarine, Sapphire and Diamond Ring, the step cut aquamarine flanked by a baguette cut sapphire on each side, each sapphire edged on three sides with round brilliant cut diamonds, in claw settings, to a lined shoulder plain polished shank, finger size M £600 - 800 486 An Aquamarine and Diamond Three Stone Ring, the emerald-cut aquamarine between two round brilliant cut diamonds in white claw settings, to pointed shoulders on a plain polished shank, total estimated diamond weight 0.25 carat approximately, finger size M £500 - 700 487 A Pair of Aquamarine, Sapphire and Diamond Drop Earrings, two pear cut aquamarines chain linked with an oval cut sapphire between, a trefoil of round brilliant cut diamonds to the base, in white claw settings, with post fittings for pierced ears, drop length 4cm £400 - 600 488 A Lady's Art Deco Diamond Set Wristwatch, signed Norma, lever movement, silvered dial with Arabic numerals, single cut and baguette cut diamond set bezel and lugs, total estimated diamond weight 0.85 carat approximately, snap-on back, 11mm by 24mm, later bracelet with clasp stamped 9ct, length 16.2cm £1200 - 1500

489 An Aquamarine Pendant, the light green oblong step cut stone with truncated corners, in a yellow forked claw setting, to a scroll pendant bale, estimated aquamarine weight 11.50 carat approximately, measures 1.5cm by 3.5cm £200 - 300 490 A Pair of Turquoise and Diamond Drop Earrings, the graduated round brilliant cut diamonds in white claw settings suspend a drop of turquoise, total estimated diamond weight 1.00 carat approximately, with post fittings for pierced ears, drop length 5.9cm £600 - 800 491 A Pair of Diamond Cluster Earrings, each as a stylised flower, a cluster of round brilliant cut diamonds centrally, within five open-centred loops, inset with further round brilliant cut diamonds, in white claw settings, total estimated diamond weight 3.00 carat approximately, with clip-on fittings, measure 2.5cm by 2.5cm £800 - 1200 492 A Pair of Aquamarine and Black and White Diamond Drop Earrings, a string of three pear cut aquamarines spaced by black diamonds suspend a cluster of a fourth aquamarine within a spaced border of white diamonds at the terminal, in white claw settings, with post fittings for pierced ears, drop length 7.1cm £700 - 1000

493 A Lady's Diamond Set Wristwatch, signed Audemars Piguet & Co, Geneve, circa 1930, lever movement signed and numbered 18626, silvered octagonal dial with Roman numerals, diamond set bezel, total estimated diamond weight 0.80 carat approximately, snap-on back numbered inside 18626, 22mm wide £250 - 350 494 A Clutch Bag with Diamond Set Plaque, of black satin with cream interior, fitted purse, compact case and mirror, with diamond set plaque to the outer corner, depicting the letter 'G', within a foliate decoration, in white tubular frames, measures 18.7cm by 11.7cm £600 - 800 495 An Edwardian Diamond Necklace, a drop comprising an old cut diamond to a knife edge bar, with a larger old cut diamond terminal, in white claw settings, on a fine white trace link chain, total estimated diamond weight 3.00 carat approximately, chain length 41.7cm, drop length 3.6cm £4000 - 6000 496 An Edwardian Seed Pearl and Diamond Necklace, a floral and foliate panel of seed pearls, single cut and rose cut diamonds in white millegrain settings, with a drop pendant from the base, on a trace link chain, stone set panels measures 4.4cm by 6.8cm, chain length 39cm £300 - 500

497 A Pair of Cultured Pearl and Diamond Drop Earrings, a pearl set chain suspension to a foliate style motif set with single cut diamonds, with post fittings for pierced ears, drop length 3.1cm £300 - 400 498 A Diamond Solitaire Ring, the old brilliant cut diamond in a millegrain squared setting, to forked shoulders set with single cut diamonds, to a white knife edge shank, finger size S *The ring is accompanied by GIA report 1132776150, dated August 22, 2011 which states the principal diamond to be 1.38 carat, colour J, clarity SI1. £4000 - 5000 499 An Early 20th Century Diamond Three Stone Ring, the graduated old cut diamonds in white double claw settings to a pointed shoulder plain polished shank, total diamond weight 2.85 carat approximately, finger size K £3000 - 4000 500 An 18 Carat White Gold Pear Shaped Diamond Pendant on Chain, the pear cut diamond in a claw setting on a diamond set pendant loop, hung on a fine trace link chain, principal diamond weight 0.90 carat approximately, chain length 40.5cm £1500 - 2000 501 A Diamond Set Floral Bracelet, six floral motifs alternate with cross shaped links, with old cut and single cut diamonds throughout in white claw settings, total estimated diamond weight 3.50 carat approximately, length 17.6cm £2500 - 3000

502 A Pair of Early 20th Century Diamond and Pearl Drop Earrings, a trio of rose cut diamonds in white collet settings suspends a knife edge bar with three further diamonds set at intervals, to a diamond set cup surmounting a baroque pearl, with screw fittings, drop length 4.2cm *NB one diamond deficient £300 - 400 503 A Diamond Five Stone Ring, the graduated round brilliant cut diamonds in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 1.30 carat approximately, finger size P1/2 £1000 - 1500

507 A Diamond Cluster Ring, a round brilliant cut diamond within a border of six slightly smaller diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 2.30 carat approximately, finger size O £1800 - 2200 508 A Turquoise, Pearl and Diamond Pendant, floral motifs of rose cut diamonds and seed pearls, spaced by foliate designs set with rose cut diamonds, four cabochon turquoise details, in an open and wirework frame, measures 3.8cm by 4.6cm £500 - 600

504 An 18 Carat Gold Diamond Solitaire Ring, the round brilliant cut diamond in a white six claw setting, to a yellow tapered shoulder plain polished shank, diamond weight 1.28 carat approximately, finger size J £700 - 1000

509 A Pair of Victorian Silver Plated Table Centrepiece Stands, circa 1880, each modelled as an animated Italian greyhound on a rocky plateau flanked by two palm trees whose fronded branches support chevron and rib cut circular shallow bowls, 30cm high £500 - 700

505 A Diamond Three Stone Ring, the graduated old cut diamonds in white claw settings, to a tapered shoulder plain polished shank, total diamond weight 1.35 carat approximately, finger size N1/2 £500 - 700

510 An Electroplate Oil Lamp, early 20th century, of corinthian column form on a swept square base with swags, cut glass reservoir and etched glass shade, stamped Fattorini & Sons, Bradford, 66cm high £250 - 350

506 An Aquamarine and Seed Pearl Necklace, the emerald-cut aquamarine in white double corner claw settings surmounted by two knife edge bars which meet at the top with a pearl, to a white trace link chain, with seed pearls spaced at intervals, pendant drop measures 4.4cm, chain length 80cm £1000 - 1500

511 Yorkshire Interest: An Electroplated Bowl and Cover, by Clarkson of Northallerton, circa 1930, of plain compressed spherical form on a collet foot, 14cm diameter £150 - 250

512 A Pair of Silvered Brass and Copper Renaissance Style Table Candlesticks, Ferdinand Barbedienne, circa 1868, designed by Constant Sevin (1821-1888), made by D Atarge, of tapering columnar form, goat masks and swags to the urn socles, the main stems with entrelac, pendant fruits, musical trophies and leafage, on a beaded domed foot, inscribed on the rims F Barbedienne Paris C Sevin inv 1868 D Atarge Fit, 28cm high £200 - 300 513 A Russian White Metal Basket, maker's mark MT, St Petersburg 1856, the spreading foot rising to a panelled oval bowl with simple reeded rim and swing handle, 27cm long, 19oz 3dwt £600 - 800 514 An Ottoman White Metal Scribe's Box and Inkwell, Tughra mark, 19th century or earlier, of typical form engraved with figures and calligraphy with arabesque borders, 28.5cm long, 14oz 8dwt £600 - 900 515 Two French White Metal Wine Tasters, circa 1750-70, the circular bowls with crescent scroll and ring handles, variously inscribed, 8cm diameter; and A Later Small Wine Taster, 5.5cm diameter, 7oz 8dwt (3) £300 - 500 516 A Persian White Metal Tray, probably Damascus, 19th century or earlier, circular, profusely engraved with foliate motifs within arabesque, 30cm diameter, 21oz 4dwt £300 - 500

517 A Continental White Metal Soup Tureen and Cover, pseudo French marks, Hanau workshops, circa 1890, the lobed oval base rising to a bellied oval bowl with twin reeded loop handles applied with cast leopards, the domed cover with wounded deer finial, 52cm across handles, 104oz £4000 - 6000 518 A Chinese White Metal Teapot, circa 1880, of baluster form with C scroll handle and waved everted rim beneath a lobed domed cover with stylised foliate finial, chased and engraved with birds and flowers on a matted ground, 12cm high, 9oz 13dwt £200 - 300 519 A Swedish White Metal Beaker, maker's mark LB, 1798, of flared cylindrical form with stylised foliate engraved bands, 11cm high, 2oz 19dwt £150 - 250 520 An Indian White Metal Three Piece Teaset, circa 1880-1900, the globular body with waved everted rim, figural cast scroll handle and domed cover with cast elephant finial, profusely chased with dense foliate scrolls throughout, 11cm high, 463 grams £200 - 300

521 A Pair of Portuguese Silver Altar Candlesticks, maker's mark AIG, unidentified, Lisbon, 18th century, in baroque style, of triangular section tripod form, of multi-knopped form with high relief neo-classical elements including husks, scrolls, masks and shells, the capitals with later associated white metal mounts with tongue and dart detail, leaf sheathed campana nozzles and removable sconces (sconces Joseph & John Angell, London 1838), 55cm high (excluding later lamp fittings) £2000 - 3000 522 A Dutch Five Piece White Metal Tea Service, 1st half 20th century, of fluted rectangular section, comprising tea kettle, stand and spirit burner with ebonised detail, 38.5cm high, teapot, two-handled sugar basin, milk jug and flower vase, lion mark in hexagon and 2, also E VK, gross weight combined 71oz £800 - 1000 523 A Chinese White Metal Cigarette Case, marked “EHLING”, circa 1939, rectangular with chased rural scenes within a dragon border, inscribed ELENA 31-7-39, 15.5cm, 9oz 3dwt £300 - 500 524 An Indian White Metal and Gilt Metal Mounted Walnut Casket, circa 1900, of rectangular form, the hinged rectangular top with tiger finial flanked by four peacocks and scroll panels, the base with panels depicting a lion hunt, bear baiting and animals in landscape within Art Nouveau style borders, on a rectangular plinth with paw feet, 35.5cm wide £800 - 1200

525 A Chinese Export White Metal Two-Handled Bowl, Sing Fat, Canton, early 20th century, of oval section, open pierced with four dragons amongst clouds, two of the dragons with heads as the handles with rings dependant, on four horned dragon feet, stamped SF 90 WH and three character mark, 41cm wide, 15.5cm high, 26oz, on the original carved and pierced rounded rectangular two-tier wooden stand £2000 - 3000 526 An Elizabeth II Service of Silver Flatware, James Dixon & Sons, Sheffield 1999, for twelve place settings, of ornamental beaded “knurled” pattern, parcel gilt, anthemion backed bowls and stems, comprising table forks, dessert forks, dessert spoons, soup spoons, teaspoons, coffee spoons, two sauce ladles, two sugar ladles, twelve table knives with stainless blades and filled handles, twenty-four dessert knives with stainless blades and filled handles, twelve fish knives with silver blades and filled handles, twelve fish forks with silver tines and filled handles, cake slice with stainless steel blade and filled handle, cheese knife similar, weighable silver 167oz £3000 - 5000 527 An Irish Silver Four Piece Teaset, Garrard & Co Ltd, Dublin 1970, in 18th century style, the baluster body on a spreading foot with leaf capped wood scroll handle and flush fitting cover with ball finial, lambrequin borders to the body, the teapot 17cm high, 77oz 7dwt all in £1200 - 1800

528 An Elizabeth II Four Piece Silver Coffee Set, PP Ltd, Sheffield 1967, of bracketed circular cushion form, scroll handles, domed covers with leafing finials, two-handled sugar also with cover, the coffee pot 24.2cm high, gross weight 92oz £1000 - 1400

533 A George V Wine Waiter, maker's mark DF(untraced), London 1929, of bracket angled square shape with moulded rim with tiny leaf detail, with central dragon and crown crest, on four hoof feet, 23cm wide, 16oz £400 - 500

529 A George VI Four Piece Silver Tea Service, Huttons, Sheffield 1937/38/40, each piece inscribed Reproduction 1780, comprising rounded cushion teapot with ebonised finial and handle, baluster hot water jug with ebonised finial and handle, two-handled sugar and helmet milk jug, all on four sphere feet, the hot water jug 23.5cm high, gross weight 63oz £800 - 1200

534 A George V Silver Tray, Walker & Hall, Sheffield 1924, of rounded rectangular form with gadrooned border and reeded scroll handles, 59cm wide, 99oz 16dwt; and A Three Piece Silver Tea Service, Birmingham 1928, with ogee rims and pad feet, comprising teapot with ebonised handle and knop, milk jug and twin-handled sugar bowl, and a matched coffee pot, Sheffield 1955, 59oz 12dwt all in (5) £1800 - 2500

530 A George V Silver Wine Tray, maker's mark IS, Sheffield 1932, rounded rectangular with shell and acanthus leaf punctuated gadrooned rim, raised on four out-knurled acanthus cast feet, 48.5cm wide, 81oz 11dwt £1500 - 1800 531 A Pair of George V Silver Table Candlesticks, Walker & Hall, Sheffield 1930, of bracketed oval outline, the removable sconces and slender tapering stems to weighted bases with reeded rims, 29cm high £400 - 600 532 A George V Silver and Lacquer Cigarette Case, Adie Bros Ltd, Birmingham 1929, rectangular with black lacquer decorated with a gilded leaping carp, signed, 9.5cm long £300 - 500

535 A George V Silver Model of a Racehorse with Jockey Up, Mappin & Webb, Sheffield 1921, with well-detailed coat, reins and colours, on a grass effect oval flat integral plinth affixed to ebonised wood plinth, the model 19cm high, 21cm long, 22cm high overall £800 - 1200

536 A George V Canteen of Silver Flatware, Hunt & Roskell Ltd, Hanovarian with rattail, each piece with twin-winged star crest, comprising: tray 1: 20 dessert spoons, 17 soup spoons, 4 dessert spoons (2 Elkington plate), 18 coffee spoons, 2 sugar spoons, 6 mustard spoons, 2 sugar sifters, and 2 cream ladles; tray 2: 54 table forks, 6 butter knives, 18 teaspoons, and 24 dessert forks; Tray 3: 18 (scroll edged) fish servers, 8 fish knives, 24 cheese knives with stainless blades and filled handles, 1 fish slice and fork (scroll edge), 12 salt spoons, and 1 grape scissors; Tray 4: 18 table spoons (3 Elkington plate), 6 sauce ladles, 4 gravy spoons, and 2 soup ladles; Tray 5: 2 sugar tongs, 2 salad forks, 2 salad servers, 1 asparagus tongs, 18 egg spoons; Tray 6: 34 table knives with steel blades and silver filled handles, 4 pedestal helmet sauceboats with reeded rims; and An Associated Presentation Wine Salver, J Parkes & Co, London 1926, of bracket cornered square form, the field with inscription amongst facsimile signatures and crests, raised on four in-knurled feet, 35.8cm wide, contained in the original iron-strengthened oak silver chest with original under lid Hunt &

Roskell Ltd, Late Storr & Mortimer, By Warrant of Appointment to His Majesty The King & HRH The Prince of Wales list of contents of chest (written in ink), with green felt lined trays and compartments internally, the chest labelled on the frontal rim, weighable silver 583oz £8000 - 12000 537 A George V Five Piece Silver Teaset, Fenton Bros Ltd, Sheffield 1917, of tapering oval plain form with C scroll ebonised handles, mushroom finials, comprising two sizes of teapot, hot water jug (21cm high), milk and sugar, gross weight 67oz £700 - 900

538 A George V Silver Four Piece Teaset, Adie Bros Ltd, Birmingham 1917, the melon form body with ivory scroll handle and flush fitting cover with knop finial, engraved with Berainesque ornament throughout, the teapot 15cm, 77oz 6dwt all in £800 - 1200 539 A George V Dressing Case, maker's mark NM, London 1912, retailed by Pittway Brothers, crushed green leather case, rectangular, with outer protective pigskin cover, opening to reveal a fitted interior with three lift-out trays containing numerous vanity utensils, including five slice cut jars/bottles and covers, pair of hair brushes, pair of clothes brushes, hand mirror, double-ended spoon, shoe horn, glove stretchers, manicure items and a curling tongs and heater box, the case (excluding the cover) 46cm wide; and A Leather and Gilt Metal Mounted Calling Card Case (2) £450 - 650 540 A Matched Pair of George V Dessert Baskets, Goldsmiths & Silversmiths Co Ltd, London 1910 and Sheffield 1911, each of flared circular shape with undulating reel rims, each fretted with grille encircling band, florets and engraved with swags of husks and medallions, raised on four husk and tab feet, 21cm diameter, 22oz combined ANS £300-500 £500 - 700 541 A Set of Four Edward VII Silver Menu Holders, Grey & Company, Chester 1910, each with trefoil base supporting a glazed circular panel enclosing a fishing fly, 4cm high, in fitted case £400 - 600

542 A Set of Four Edward VII Silver Menu Holders, Samson Mordan & Co, Chester 1907, modelled as owls on plain circular bases, Reg Nos 433091, 3.5cm high, 2oz 14dwt all in, in fitted case £400 - 600 543 An Edward VII Silver Spirit Kettle on Stand, Mappin & Webb, London 1907, of octagonal panelled form with caryatid arched part ebonised handle and vase finial, the conforming stand with burner, 32cm high, gross weight 42oz £400 - 600 544 A Pair of Edward VII Silver Gilt Pedestal Pepperettes, Sydney Bellamy Harman, London, 1906, the drum bodies with capstan pull-off pierced covers, the bodies cast in low relief with dense foliage within horizontal bands of leaves, on a conforming circular foot, numbered 888 and 891 respectively, and Harman 177 New Bond St London, 10.5cm high, 8oz combined £250 - 350 545 A Set of Six Edward VII Silver Menu Holders, Samson Mordan & Co, Chester 1904, Reg Nos 433091, modelled as owls on a circular base, 3.5cm high, 4oz all in £1200 - 1800

546 An Edward VII Scottish Silver Rose Bowl, maker's mark JAF, Glasgow 1903, the large bowl with cast twin drop ring handles supported by Green Man masks amidst dense scrolling foliage beneath a pierced foliate “monteith” rim, with twin vacant cartouches, on ebonised pedestal stand, 21cm high excluding stand, 48oz 8dwt £1000 - 1500 547 An Edward VII Silver Salver, J Rodgers & Sons, Sheffield 1902, shaped circular on three cast claw and ball feet, the scrollwork and trellis field engraved beneath a shell and scroll rim, 35.5cm diameter, 36oz 9dwt £500 - 800 548 A Set of Six Edward VII Menu Holders, Thomas Kanzow Bowley, London 1902, each modelled as a parrot holding a “menu”, 7cm long, 3oz 12dwt £400 - 600 549 A Victorian Silver Dessert Basket, Charles Stuart Harris, London 1899, oval, foliate scroll edged rim and richly pierced with blossoming foliage, crested (with legend), on scroll form feet, 28.7cm wide, 26oz £300 - 500 550 A Victorian Four Piece Tea and Coffee Service, Walker & Hall, Sheffield 1898, of cape teapot with ebonised C handles and mushroom finial, baluster coffee pot similar (23.5cm high), two-handled sugar basin and helmet milk, gross weight 107oz all in £1100 - 1300

551 A Victorian Silver Mounted Claret Jug, J Grinsell & Sons, London 1897, the flattened vase shape “rock crystal” glass body with engraved wrythen foliate bands beneath an angular handle and foliate chased lip and domed cover, 26cm high £200 - 300 552 A Victorian Silver Tankard, Henry Lewis, London 1896, in the form of a Norwegian peg tankard with three ball feet and scroll handle with domed cover beneath a cast iron thumbpiece, the whole inset with coins with the monarch's name below, inscribed to the base This Tankard

Weight 33oz was made to receive 39 coins of English history, 24cm high, 40oz 16dwt £1000 - 1500

555 A Victorian Silver and Tortoiseshell Page Turner, Samuel Jacob, London 1892, the chased foliate hand with scimitar blade,45cm long; and Another, in Ivory, Birmingham 1887, the tusk handle with foliate engraved arabesque mounts and plain straight blade, 47cm long (2) £300 - 500 556 A Victorian Silver Spirit Kettle, Burner and Stand, Charles Stuart Harris, London 1891, three shell and scroll feet supporting a plain circular burner below a foliate chased globular body with ebonised overhead handle and flush fitting cover with finial modelled as a family crest, 32cm high, 35oz 8dwt all in £500 - 800

553 A Victorian Silver Cup and Cover, Edward Barnard & Sons, London 1896, the pedestal foot rising to a girdled vase shape body with twin cast leaf capped scroll handles and domed cover with acorn finial, foliate chased throughout, inscribed as a swimming trophy, 28cm high, 30coz 8dwt £500 - 700

557 Seven Victorian and Later Condiment Frames, various makers, Birmingham and London, 1881/2/98 and 1904, each of trefoil form with plain double scroll handle supporting a glass salt, pepper and mustard pot with silver mounts, 6cm and 8cm high £400 - 600

554 A Set of Four Late Victorian Silver Table Candlesticks, maker's mark HE, Sheffield 1894, in George II style, each with concave sided sconces and campana nozzles, on waisted stems and foliate shaped square weighted bases engraved with monograms, 27cm high £350 - 450

558 A Set of Twelve Victorian Silver Fruit Eaters, John Edward Bingham, Sheffield 1881, each with mother-of-pearl handles and silver blades and tines engraved with Grecian foliage, the handles initialled, in the original fitted walnut case £200 - 400

559 A Victorian Silver Salver, probably Henry Stratford, Sheffield 1879, circular, beaded rim, chased with repeat formal strapwork, floral and bead festoons, centrally initialled, raised on four leaf cast knurled feet, 36.4cm diameter, 39oz £300 - 500 560 A Victorian Wine Waiter, Mappin & Webb, Sheffield 1878, of bracketed circular form, the beaded rim punctuated with anthemion motifs, the ground chased with rose swags, on four half round feet, 26.5cm diameter, 60oz £200-300 £350 - 450 561 A Pair of Victorian Silver Gilt Claret Jugs, Elkington & Co, Birmingham 1868, the beaded pedestal foot rising to slender plain baluster bodies with classical acanthus scroll handles and flat flush fitting covers, 30cm high, 37oz 5dwt £1000 - 1500 562 A Victorian Silver Teapot, maker's mark HH, London 1859, of compressed cushion form, C scroll handle, the domed cover with lotus finial, repoussé with scrolls throughout and on four out-knurled anthemion feet, 18cm high, gross weight 25oz £300 - 400 563 A Victorian Silver Claret Jug, J S Hunt, London 1859, of Cellini pattern with stopper, crested, retailer's stamp to the foot, 30cm high, 37oz 5dwt all in £1000 - 1500

564 A Victorian Silver Inkstand, Charles Thomas & George Fox, London 1852, the shaped rectangular base raised on four cast shell and scroll openwork bracket feet, with twin pen wells flanking twin ink bottles and central wafer box with chamberstick cover, gadrooned borders throughout, 29.5cm long, 30oz 10dwt excluding bottles £900 - 1200 565 A Suite of William IV Kings Pattern Silver Flatware, William Theobalds & Lockington Bunn, London 1835, each with stag head erased crest, comprising eighteen table spoons, seventeen table forks, six dessert spoons, and six dessert forks, combined weight 137oz 12dwt £1500 - 2000 566 A Pair of William IV Scottish Silver Serving Spoons, J McKay, Edinburgh 1833, Old English pattern, initialled AC, 31.5cm long, 6oz 16dwt £150 - 200 567 A William IV Silver Gilt Travelling Teapot, Reily & Storer, London 1833, the cast foliate trefoil stand fitted with a burner and supporting a cylindrical lipped pot with cushion form domed cover and turned wooden detachable handle, profusely cast and chased with C scrolls and foliage on a matted ground throughout, 23cm high, 27oz 7dwt all in £800 - 1200

568 A William IV Silver Cake Basket, by the Barnards, London 1832, of pedestal shaped circular form, the rim punctuated with floral scroll devices, well chased and repoussé with foliage, leaf cast arched handle, initialled, on bracket circular foot, 33.8cm diameter, 23cm high over handle, 34oz 12dwt £700 - 900 569 A Set of Six William IV and Later Silver Salt Cellars, Joseph & John Angell, London, four 1831, two 1841, of cauldron form on three lion's mask and paw feet with everted C scroll and shell rim, chased throughout with foliage, crested, 9cm diameter; and Six Silver Salt Spoons, three Paul Storr, London 1819, three G Adams, London 1841, 41oz 9dwt £1000 - 1500 570 A Composite Suite of Hourglass and Kings Pattern Silver Flatware, various makers, dates and crests, including 9 table spoons, William Eaton, London 1831, 14 dessert spoons (12 Joseph & Albert Savory, London 1832, 2 (slightly smaller) Eley & Fearn, London 1822), 6 table spoons (maker's mark TF, Dublin 1876), 12 dessert forks (Charles Eley, London 1828), 10 other dessert forks (various makers and crests), 6 table forks (various dates and makers, including Dublin), 23 teaspoons, 2 sauce ladles (London 1901), 24 table knives with silver (filled) handles and steel blades, and 24 dessert knives (of two sizes), weighable silver 173oz 6dwt £2000 - 3000

571 A Pair of William IV Silver Tureens and Covers, Robert Hennell, London 1830, shaped oval with detachable foliate cast ring handles, each engraved with armorials, with later electroplated stands and burners, 33cm long, 108oz 5dwt weighable silver £1500 - 2000 572 A Composite Service of King's Pattern Silver Flatware, William IV to Edward VII, partly crested, comprising 12 table forks, all crested (2 maker's mark EE&JE, London 1859, 4 maker's mark MC, London 1835, 1 London 1855, 2 London 1853, 3 Chawner & Co, London 1865), 12 dessert forks, not crested (maker's mark indistinct, London 1902), 1 sugar tongs, crested (maker's mark rubbed, London 1835), 6 dessert spoons, not crested (maker's mark indistinct, London 1902), 7 teaspoons, all crested (maker's mark JNM, London 1894), and 12 plated table knives, no crest, 147.3oz (50) £2000 - 3000 573 A George IV Silver Three Piece Teaset, Benjamin Smith III, London 1827, the spreading foot supporting a compressed ogee body with chased acanthus border, leaf capped scroll handle and domed cover with fruiting bud finial, the teapot 16cm high, 54oz 4dwt all in £1800 - 2500 574 A George IV Silver Soup Ladle, James Barber, George Cattle & William North, York 1827 with town mark, fiddle pattern, crested, 33.5cm long, 7oz 17dwt

*This uncommon variation of the date letter for 1827 is illustrated in Baggott (Michael) An Illustrated Guide to York Hallmarks 1776-1858, Birmingham 2010, pg.98 £500 - 800 575 A George IV Silver Coffee Pot, Joseph Angell, London 1824, of heavy pedestal baluster form with leaf and flower capped scroll handle and domed cover with flowerhead finial, foliate chased throughout, crested, 24cm high, 31oz 16dwt all in £600 - 800 576 A George IV Silver Egg Frame, Cups and Spoons, William Bateman, London 1824, the rectangular frame on four cast paw and scroll feet with anthemion columns supporting six reeded cup and spoon holders beneath a central C scroll leaf capped handle, fitted with six egg cups and spoons, all initialled JB, 20.5cm long, 28oz 15dwt £500 - 700 577 A George IV Silver Tea Caddy, maker's mark WE, London 1824, of cube form with skirted base and domed slide cover, each of the four sides chased with classical and rural scenes within acanthus cartouches on a matted ground, 16cm high, 28oz 10dwt £1000 - 1500 578 A Set of Four George III Silver Wine Labels, John Reily, London 1819, each of acanthus scroll escutcheon form, pierced Madeira, Port, Sherry and Claret, each 6cm long; and Sundry Electroplated Wine Labels, 2oz 8dwt weighable silver £200 - 400

579 A Part Service of George III Silver Flatware, Paul Storr, London 1819, hourglass pattern, comprising twenty-one table spoons, thirty-six table forks, four dessert spoons, twelve dessert forks, twelve dessert knives, four teaspoons, a fish slice, and a large strainer spoon with central divide, all crested, 229oz 18dwt excluding knives £4000 - 6000 580 A Pair of Rococo Revival Silver Table Candlesticks, John Watson, Sheffield 1817, with shell moulded sconces and bulbous nozzles, on waisted stems enriched with acanthus leaves, to deeply moulded shaped circular weighted bases, each numbered S25 and S26, 29cm high £400 - 600 581 A George III Bread Basket, John Terry, London 1817, of rectangular shape with scroll and floral borders and gadrooned cavetto, with foliate hinged arched handle, centrally engraved with an armorial, rounded rectangular foot, 31cm wide, 24cm high over handle, 36oz £800 - 1000 582 A George III Silver Two-Handled Cup, maker's mark worn, London 1808, the pedestal foot rising to a girdled vase shaped bowl with twin scroll handles, 13cm high, 9osz 19dwt £200 - 300

583 A George III Silver Cruet Stand, John Emes, London 1802, of navette form, engraved with cursive initials, raised on four reeded outswept feet, raised rim line, central ring handle and seven original glass topped bottles (three with silver rim bands), and two associated fiddle pattern condiments spoons, London 1806, 26cm high, 26oz 6dwt (excluding bottles) £500 - 700

588 A George III Silver Teapot and Stand, Benjamin Montague, London 1789, of oval form with wood scroll handle and domed cover with oval button finial, bright cut engraved borders and twin circular cartouches engraved with initials and crest beneath a motto, the stand conforming on four bracket feet, the teapot 14.5cm high, 14oz 8dwt all in £700 - 1000

584 A Set of Twenty-Four George III Silver Table Forks, William Eley & William Fearn, London 1802, Old English thread edge, single struck, crested, 60oz 5dwt £800 - 1200

589 A George III Silver Basket, maker's mark possibly TH, London 1784, the pale pierced collet foot rising to a large oval bowl with beaded and foliate pierced rim beneath a reeded swing handle, bright-cut throughout, 38.5cm long, 41oz 12dwt £800 - 1200

585 A Pair of George III Silver Pepperettes, no maker's mark, London 1801, the square pedestal foot rising to a part lobed vase shaped body with tapering neck and ogee domed pierced cover with wrythen finial, crested, 22cm high, 14oz £250 - 350 586 A Set of Four George III Silver Salt Cellars, William Frisbee, London 1793, the beaded pedestal foot rising to a navette bowl with twin-reeded loop handles, crested, 14cm long, 15oz 6dwt £500 - 700 587 A George III Silver Sugar Basket, Hester Bateman, London 1790, the indented navette shaped pedestal foot supporting a conforming bowl with swing handle, bright cut engraved throughout, twin vacant cartouches, 16cm across, 6oz 6dwt £400 - 600

590 A George III Silver Cruet Frame and Five Bottles, William Abdy, London 1780, the pierced circular base raised on three claw and ball feet with central turned column supporting a ring handle, fitted with five unmarked topped glass bottles, 22cm high £500 - 600 591 A George III Scottish Silver Teapot and Stand, Robert Gray, Glasgow, circa 1776-84, of shaped oval form with angular wood scroll handle and flush-fitting cover with button finial, bright-cut engraved borders throughout, crested, with conforming stand on four cast claw and ball feet, 12.5cm high, 21oz 17dwt all in £600 - 900

592 A George III Silver Salver, John Carter, London 1775, shaped circular on four cast claw and ball feet with gadrooned rim and later foliate engraved field, crested, 35cm diameter, 39oz £700 - 1000 593 A Suite of Four George III Silver Gilt Goblets, John Carter, London 1772, two matching pairs in sizes, each with pedestal gadrooned foot rising to an ovoid bowl applied with garya husk calyx beneath husk swags and paterae, crested, 15cm and 16.5cm high, 33oz 4dwt £1000 - 1500 594 A George III Silver Salver, Ebenezer Coker, London 1771, shaped circular, raised on four cast pad feet with cast shell and scroll rim, engraved with an armorial and later foliate chased, 36.5cm diameter, 41oz 1dwt £700 - 1000 595 A George III Silver Waiter, Ebenezer Coker, London 1770, of shaped circular form raised on three pad scroll feet, with cast shell and scroll border, later foliate chased field, engraved with an armorial, 17.5cm diameter, 6oz 18dwt £200 - 300 596 A George III Silver Waiter, Ebenezer Coker, London 1769, shaped circular raised on three paw scroll feet with shell and gadrooned border, crested beneath a Baronial crest, 23.5cm diameter, 14oz 4dwt £300 - 400

597 A George III Silver Salver, Ebenezer Coker, London 1767, shaped circular raised on four cast leaf capped knurl feet, with shell and scroll border, later engraved with an armorial, 37cm diameter, 33oz 6dwt £1000 - 1500 598 A George II Silver Mug, Whipham & Wright, London 1758, of plain baluster form with leaf capped scroll handle, 10cm high, 8oz 3dwt £250 - 350 599 A George I Silver Brandy Warmer, maker's mark AD conjoined, London 1723, the bellied lipped bowl with turned wood handle and later silver cover for London 1799, 10cm high, 7oz 16dwt all in £250 - 350 600 A Queen Anne Silver Marrow Scoop, Henry Miller I, London 1716, of typical double ended form, 23cm long, 1oz 14dwt £150 - 200 601 A Queen Anne Silver Porringer, Seth Lofthouse, London 1709, the gadrooned spreading foot rising to a part lobed bowl with twin scroll handles and scroll and scalework vacant cartouche, inscribed 1710, 14cm high, 14oz 7dwt £400 - 600

602 A Yellow Metal Snuff or Comfit Box, in late 18th century style, oval section, the lid sides and base engine turned with a repeat concentric grid of circular motifs with chevron border to the lid, the plain interior stamped GB beneath a crown (and also to the underside of the lid), 3.9cm wide £200 - 300

606 A Pair of 9ct Gold Wine Labels, maker's mark DJS, London 1972, of rectangular form with gadrooned and shell rim, inscribed Madeira and Port, 6cm long, 24.4 grams £200 - 300

603 A Victorian Silvered Metal Desk Seal, circa 1850, the handle modelled as conjoined classical busts, the matrix engraved with an Imperial eagle, 6cm high £180 - 250

Shipyard scene

604 A Very Rare James II Steel Seal and Shagreen Case, circa 1685-8, the circular steel matrix engraved with the Royal coat of arms and the motto

JACOBUS II DEI.GRA.MAG.BRITAN.FRAN.ET.HIB.REX.F IDEI,DEFENSOR, 6cm diameter, all in a silk lined shagreen case £500 - 1000

605 An Early 19th Century Fob Seal, the carnelian face uncarved, on a deeply carved yellow metal head with shell scroll and wrythen fluted decoration, the arch and ring similarly enriched, 37cm high; and A 19th Century Carved and Polished Coal Seal, of flared octagonal panelled form, the face intaglio carved with the head of a classical man, suspended from a shell and scroll carved yellow metal ring, 4.5cm long (2) £150 - 200

610 Sir David Muirhead Bone NEAC, HRWS (1876-1953) Signed artist's proof, black and white lithographic print, 53cm by 37cm £80 - 120 611 Sir Frank William Brangwyn RA, RWS, PRBA, RE, HRSA (1867-1956)

"Barges in Bruges"

Signed artist's proof, black and white etching, 35cm by 38cm (pl) £150 - 200 612 Sir Frank William Brangwyn RA, RWS, PRBA, RE, HRSA (1867-1956)

Fortified Continental town

Signed artist's proof, black and white etching, 30.5cm by 38.5cm (pl) £80 - 120 613 William Lionel Wyllie RA, RBA, RI, RE, NEAC (1851-1931)

“Children Playing with Pond Yachts Scarborough”

Signed artist's proof, inscribed Scarborough, black and white drypoint etching, 12.5cm by 38cm (pl) £250 - 300

615 William Lionel Wyllie RA, RBA, RI, RE, NEAC (1851-1931)

620 Circle of Joseph Mallord William Turner RA (18th/19th century)

Signed artist's proof, black and white drypoint etching, 16.5cm by 37.5cm (pl)

Inscribed on the mount, pencil and watercolour, 15.5cm by 24cm

"Steamships off the Gibraltar"

*Provenance: W.R. Howell & Co, Albert Square, Manchester £350 - 400 618 William Lionel Wyllie RA, RBA, RI, RE, NEAC (1851-1931)

“Westminster Hospital”

Signed artist's proof, inscribed verso, black and white drypoint etching, 19cm by 25cm (pl) *Provenance: Albert Gardner & Co, Portsmouth Fine Art Gallery, 3 Pembroke Road, Havant £300 - 350 619 Joseph Mallord William Turner RA (1775-1851)

"The Mouth of the Avon, near Bristol, seen from Cliffs below Clifton" Inscribed verso, pencil and watercolour heightened with white, 22cm by 28.5cm *Included in 1887 Burlington House Exhibition, from the collection of W G Rawlinson Esq **Inscribed verso in a letter from Ann Dart, describing the artist when he stayed with her Uncle ***Possibly the untraced picture referred to in Wilton (Andrew) The Life and Work of JMW Turner, page 302 ****Sold by Sothebys 6 June 1951 £15000 - 20000

Continental lake scene with mountains

*Possibly after a drawing by John Robert Cozens **Ex. collection: Crewe Hall £250 - 350 621 Edward Lear (1812-1888)

"Val Montone, near Tivoli"

Inscribed and dated 8th May 1840, inscribed verso, pencil drawing, 21cm by 41.5cm *Provenance: Thomas Agnew & Sons Ltd, 43 Old Bond Street, Piccadilly, London W1, exhibition no.47560, Collection Sir Robin Darwin £800 - 1200 622 Thomas Miles Richardson Snr (1784-1848)

River scene with anglers in the foreground

Signed, pencil and watercolour heightened with white with wiping out, 24cm by 36cm £350 - 400 623 Joseph Murray Ince (1806-1859)

Boys on a beach at low tide, fishing fleet beyond Signed and dated 1837, pencil and watercolour with wiping out, 11.5cm by 20cm £300 - 400 624 Albert Goodwin RWS (1845-1932)

Continental valley landscape

Signed, indistinctly inscribed, pencil and watercolour, 16cm by 25cm £200 - 300

625 Henry Bright (1810-1873)

629 Attributed to William Collingwood Smith RWS (1815-1887)

“View at Bettwys-y-Coed”; “Slaughdem Vale, Suffolk”

Religious procession on a path beside an Italian lake

Both signed and inscribed, one indistinctly dated, pencil drawing, 26cm by 46.5cm and 23cm by 34.5cm respectively (2)

Inscribed on the frame and verso, pencil and watercolour, 19cm by 28.5cm £250 - 300

*Provenance: Richard Ivor, 13 Dover Street, London, stock no. R350 (2nd example) £300 - 400

630 Joseph Kirkpatrick (1872-1930)

626 John Christian Schetky (1778-1874)

"Capture of the British Man-o-War, Warspite of 74 Guns, by the French Squadron of Four 74 Gun Ships"

Signed and indistinctly dated, inscribed on the mount, pencil and sepia watercolour, 22cm by 35.5cm *Ex. collection: Crewe Hall £400 - 600 627 Circle of Charles Antoine Coypel (18th century)

Study of winged putti

Preparatory unfinished study, partially squared for transfer, red chalk drawing heightened with white, on tinted paper, 25cm by 20cm, unframed £200 - 300 628 John Wilson Carmichael (1800-1868)

"A Quiet Anchorage"

Signed and indistinctly dated, inscribed verso, pencil and watercolour with scratching out, 15.5cm by 26cm *Provenance: Abbey Antiques & Arts, 97 High Street, Hemel Hempstead £200 - 300

"Springtime"

Signed, pencil and watercolour, 48cm by 72cm *Provenance: Walker Galleries, Harrogat Exhibited at the Royal Academy in 1900, no. 1237 £1500 - 2000 631 Augustus Walford Weedon (1838-1908)

Cattle on open moorland

Signed, inscribed on the mount below, pencil and watercolour with wiping out, 31cm by 49cm £150 - 200 632 M...L...Riley (19th/20th century)

"In England's Green and Pleasant Land" Signed, inscribed on the mount below, pencil and watercolour with wiping out, 50cm by 73.5cm £200 - 250

633 Samuel John Lamorna Birch RA, RWS, RWA (1869-1955)

"This our Quiet Woodland"

Signed, inscribed verso, pencil and watercolour with scratching out, 48.5cm by 58.5cm *Provenance: Fine Art Society Ltd, New Bond Street, London, 1922 Exhibition no 12 £1000 - 1200

634 Henry John Sylvester Stannard RBA (1870-1951)

"Carting Hay on Flitwick Moor"; "By the Brook, Maulden, Bedfordshire"

Both signed and dated (19)08, inscribed on the mounts, pencil and watercolour with wiping out, each 25cm by 34.5cm (pair) £600 - 800 635 Robert Buchan Nisbet RSA, RSW, RI, RBA (1857-1942)

“Landscape”

Initialled, inscribed verso, pencil and watercolour, 11cm by 17cm *Provenance: Fine Art Society Ltd, New Bond Street, London, August 1981 £150 - 200 637 William Frederick Settle (1821-1897)

639 William Frederick Settle (1821-1897)

Warship and fishing boat in a swell

Monogrammed and indistinctly dated, pencil and watercolour, 22cm by 33cm *Provenance: James H. Starkey Galleries, Highgate, Beverley, Yorkshire £600 - 800 640 William Frederick Settle (1821-1897)

Fishing boats and other vessels off Kingston upon Hull

Monogrammed and dated (18)91, pencil and watercolour, 22.5cm by 33.5cm £600 - 800 641 Stephen Frank Wasley (1848-1934)

“Whitby Harbour, Misty Morning”

Signed, inscribed verso, watercolour and gouache heightened with white, 53cm by 73cm £800 - 1000

Shipping off Spurn Head

Monogrammed, inscribed and dated 1868 on the mount, pencil and watercolour, 16.5cm by 36.5cm

642 Stephen Frank Wasley (1848-1934)

*Provenance: James H. Starkey Galleries, Highgate, Beverley, Yorkshire £200 - 300

Signed, watercolour and gouache heightened with white, 33.5cm by 25.5cm

638 William Frederick Settle (1821-1897)

Fishing boats and other vessels off a coastline

Monogrammed and dated (18)78, pencil and watercolour, 21.5cm by 33cm *Provenance: James H. Starkey Galleries, Highgate, Beverley, Yorkshire £600 - 800

“Ancient Rome”, misty river scene

*Provenance: Henry Whiteley & Son, 15 St Nicholas Street, Scarborough £300 - 400 643 Charles Rowbotham (1856-1921)

“Scylla Calabria, Italy”

Signed and dated 1898, inscribed verso, watercolour and gouache heightened with white, 23cm by 50cm *Provenance: Hampton & Sons Ltd, Pall Mall East, London £600 - 800

644 Cyril Hardy (fl.c.1900-1940)

“In Old Arabia”; “An Eastern Archway”

Both signed, inscribed on the mounts, pencil and watercolour with wiping out, each 19.5cm by 37cm (pair) £400 - 500 645 Cyril Hardy (fl.c.1900-1940)

649 Guido Bach (1828-1905) German

Woman and child on the outskirts of Rome Signed, pencil and watercolour, 50cm by 35cm £300 - 400

650 ....Dominguez (19th century) Spanish

“Reflections”

"Street in Algiers"

Signed, inscribed on the mount below, pencil and watercolour, 53.5cm by 33cm £180 - 200

*Provenance: Mawson, Swan & Morgan Ltd, Grainger Street, Newcastle, 20 December 1945, stock no 623 £300 - 350

651 Eugene Louis Boudin (French 1824-1898)

Signed, inscribed on the frame, pencil and watercolour, 37.5cm by 27cm

646 Francesco Gamba (19th century) Italian

"The Art Collectors"

Initialled, inscribed verso, pencil and watercolour, 33.5cm by 23.5cm £180 - 200 647 A…Gargiullo (19th/20th century)

"Les Crinolines et Cabines sur la Plage"

Signed and dated 1870, pencil drawing heightened with watercolour, 13.5cm by 26.5cm *Label verso of William Marchant and Co, The Goupil Gallery, 5 Regent Street, Waterloo Place, London, and old auction stencil no 751 JA, also stamped... Francaises Services Des Expositions Paris, part of title label on the reverse inscribed in pencil, also label with pen inscription 1647 R.T Ex Q IOZV

Interior scene with a cavalier and monk playing cards

**For comparative work see Artnet: Nos 5, Lot 57, June 6 2010, Perrin, Royere, Lajeunesse: drawing heightened with watercolour, also Nos 49 £5000 - 7000

648 P…Laniner (19th century) Italian

652 Attributed to Sir Edwin Landseer RA (1802-1873)

Signed, pencil and watercolour, 72.5cm by 52.5cm £600 - 800

"Napoli Dal Carmine"

Indistinctly signed, inscribed, gouache heightened with white, 43.5cm by 63cm £600 - 800

Hounds cornering a stag in a river

Preparatory unfinished study, pen, ink and sepia watercolour, 21.5cm by 30cm £400 - 600

653 Attributed to Sir Edwin Landseer RA (1802-1873)

“Deer in a Bag”

Preparatory unfinished study, pen, ink and sepia watercolour, 16.5cm by 21.5cm £300 - 400 654 John Murray Thompson RSA, RSW (1885-1974)

"Flossie - a Scots Collie and her Pups"

658 Robin Furness (b.1933)

"Into the Lane, Bellerby"

Signed, inscribed verso, watercolour and gouache, 25cm by 38cm £180 - 220 659 Lionel Dalhousie Robertson Edwards RI, RCA (1878-1966)

"Horses Grazing on Withypool Common"

Signed, inscribed verso, pencil and watercolour, 42cm by 54.5cm

Initialled, inscribed verso, pencil drawing, 17.5cm by 27.5cm £800 - 1000

*Provenance: Fine Art Society Ltd, 148 New Bond Street, London £500 - 700

660 P. Theodor Flugel (19th century)

655 Basil Nightingale (1864-1940)

“Midnight”

Signed, dated 1922 and inscribed, pencil and watercolour heightened with white, 37cm by 54.5cm £250 - 300 656 D…M…Henry (20th/21st century)

"The End of the Day"

Signed, inscribed verso, gouache heightened with white, 18.5cm by 25cm *Provenance: Rowland Ward's Sporting and Natural History Galleries, 166 & 167 Piccadilly, London £350 - 400 657 William Woodhouse (1857-1939)

Two woodcock nesting beside a tree; Pheasants in undergrowth

Both signed, pencil and watercolour heightened with white, each 39cm by 46cm (pair) £600 - 700

Tromp L'Oeil depicting a portrait of Rembrandt and other objects

Pencil and watercolour, sepia, 26.5cm by 36cm £150 - 200 661 Attributed to Georgius Jacobus Johannes van Os (1782-1861)

Still life of fruit entwined with flowers

Pencil and watercolour heightened with white, 46cm by 34cm £1500 - 2000 662 Lucy Bentley-Smith (ex.1881-1914)

"Dreaming of Fairyland"

Monogrammed and dated 1881, pencil and watercolour heightened with white, 35cm by 27cm £180 - 200 663 Anna Airy RI, ROI, RP, RE, PS, GI (1882-1964)

"The Boat-Train"

Signed, inscribed verso, pencil and watercolour, 35.5cm by 34.5cm *Exhibited at the Royal Institute of Painters in Watercolours no. 2

**Sold in Christies' sale of Women Artist's Through the Centuries, 1 December 1994, sale 1459, Lot 11 £600 - 800 664 Henry Mayo Bateman (1887-1970)

668 Arthur Reginald Smith ARA, RWS, RSW (1871-1934)

“Cader Idris, North Wales”

Signed, inscribed verso, pencil and watercolour with scratching out, 35cm by 52cm

"The Wife Who Was Early"

*Provenance: Fine Art Society Ltd, 148 New Bond Street, London, July 1939 £600 - 700

*Provenance: Leicester Galleries, 22a Cork Street, London W1 Caricatures by H M Bateman Exhibition, 28 February-10 April 1974 Sotheby's, 6 June 1991, lot 446 £1500 - 2000

669 George Fall (1848-1925)

Signed, inscribed on the mount, pencil, pen, ink and watercolour, 35.5cm by 24.5cm

665 Frederick (Fred) Lawson (1888-1968)

"Washing-Day in the Dales"

Signed, inscribed verso, pencil and watercolour, 28cm by 26cm £500 - 600 666 Frederick (Fred) Lawson (1888-1968)

"Repairs to Middleham Castle"; "The Old Couple"

Both extensively inscribed verso, pen, ink and watercolour, vignettes, 18.5cm by 21cm and 18.5cm by 22.5cm respectively (2) £400 - 600 667 Frederick (Fred) Lawson (1888-1968)

"A Fresh Day"

Signed and dated 1918, inscribed verso, pencil and watercolour, 26.5cm by 36.5cm £250 - 300

“Ripon”; “York”

Both signed, pencil and watercolour heightened with white, vignettes, each 26cm by 19.5cm (pair) £300 - 400 670 George Fall (1848-1925)

“Water Tower, York”; “Castle, Clifford's Tower, York”

Both signed and inscribed, pencil and watercolour heightened with white, vignettes, each 19.5cm by 27.5cm (pair) £400 - 500 671 George Fall (1848-1925)

"Cathedral, York"; "Old Guildhall, York"

Both signed and inscribed, pencil and watercolour heightened with white, vignettes, each 16cm by 25cm (pair) £300 - 400 672 George Fall (1848-1925)

"Marygate Postern, York"; "Water Tower, York"

Both signed and inscribed, also inscribed on the mounts, pencil, watercolour and gouache, each 20cm by 24.5cm (pair) £300 - 500

673 George Fall (1848-1925)

York Minster from the River Ouse

Signed, pencil and watercolour heightened with white, vignette, 19cm by 22.5cm £200 - 250 674 Geoffrey Jenkinson RCam A (1925-2005)

"Hull, Yorkshire"

Signed, dated 30 April 1948 and inscribed, pencil, pen, ink and watercolour, 28cm by 41cm, unframed £300 - 400

679 Robert Leslie Howey (1900-1981)

Lakeland landscape, possibly Ullswater

Signed, pencil, watercolour and gouache heightened with white, 21.5cm by 26.5cm £150 - 200 680 Robert Leslie Howey (1900-1981)

Figures unloading fishing boats, early morning

Signed, pencil, watercolour and gouache heightened with white, 46.5cm by 54cm £700 - 900

675 Geoffrey Jenkinson RCam A (1925-2005)

681 Robert Leslie Howey (1900-1981)

Signed, dated 1943 and inscribed, pencil, pen, ink and watercolour, 23cm by 31cm, unframed £300 - 400

Signed, pencil, watercolour and gouache heightened with white, 21.5cm by 26.5cm £400 - 450

"Leeds"

676 Robert Leslie Howey (1900-1981)

Point to Point scene

Signed, pencil, watercolour and gouache heightened with white, 12cm by 16.5cm £200 - 250 677 Robert Leslie Howey (1900-1981)

Lakeland landscape with figures beside a river; Lake scene with trees and mountains Both signed, pencil, watercolour and gouache heightened with white, each 36.5cm by 44.5cm (pair) £600 - 800

678 Robert Leslie Howey (1900-1981)

Lakeland landscape by moonlight Pastel, 11cm by 13.5cm £120 - 150

Beach scene with sailing boats off a coastline

682 Robert Leslie Howey (1900-1981)

Beach scene at low tide, figure in a small boat; Coastal scene with waves breaking on the beach; Lakeland landscape with trees in the foreground Two signed, pencil and watercolour heightened with white,14cm by 18cm, 11.5cm by 15.5cm and 11cm by 13.5cm respectively (3) £300 - 500 683 Robert Leslie Howey (1900-1981)

Fishing boats and figures on a beach at low tide

Signed, pencil and watercolour, heightened with white, on tinted paper, 11.5cm by 22.5cm £250 - 300

684 Bertha Rhodes (Carrick) (ex.1905-1912)

“Whitby from the Esk Valley”

689 John Atkinson (1863-1924)

“Donkeys on Whitby Sands”

Signed and dated 1910, pencil and watercolour heightened with white, 46cm by 58cm

Signed, inscribed verso, pencil and watercolour heightened with white, 26cm by 37cm £2500 - 3500

*Provenance: Tennants, 26 March 2010, Lot 734 £300 - 500

690 Italian School (17th/18th century)

685 George Weatherill (1810-1890)

“Whitby from Meadowfields”

“Jacob & Laban's Daughter” Inscribed on a plaque Pietro Di Castena, oil on canvas, 74cm by 98cm £3000 - 4000

Signed and dated 1878, pencil and watercolour heightened with white, 25cm by 42cm £2000 - 3000

691 Circle of Titian (16th/17th century)

686 George Weatherill (1810-1890)

Inscribed and dated 1576 on a plaque, further inscriptions verso, oil on canvas, 45cm by 51cm

Signed, pencil and watercolour with scratching out, 11.5cm by 21cm £2000 - 3000

*Provenance: The property of Sackville, 5th Earl of Yarborough From the Worsley Collection Bearing an old label with the description of the picture and the number 105 £3000 - 4000

“Staithes”

687 George Weatherill (1810-1890)

Whitby from Sandsend

Signed and indistinctly dated, pencil and watercolour with scratching out, 12.5cm by 21cm £2500 - 3000 688 John Atkinson (1863-1924)

“Haymaking”

Signed, inscribed verso, pencil and watercolour, 26cm by 37.5cm £500 - 700

Heads of four ladies, a group of four ladies in vari-coloured dresses

692 Follower of Gaspard Dughet (17th/18th century)

Classical landscape with religious figures Oil on canvas, 53.5cm by 64.5cm £800 - 1200

693 Lucas Achtschelinek (1626-1699) Flemish

Wooded landscape with figures on a path Oil on panel, 19cm by 25cm £600 - 800

694 Circle of Bonaventura Peeters (17th/18th century)

Dutch warships in a rough sea Oil on panel, 35.5cm by 49cm £3000 - 4000

695 Follower of Claude Joseph Vernet (18th century)

Stormy coastal scene

Oil on panel, 42cm by 61.5cm *Stylistically the work also resembles Julius Porcellis (c.1609-1645) £300 - 500 696 Circle of Francis Swaine (1740-1782)

17th century warships and other vessels off a fortified castle Inscribed and dated 1750 on the frame, oil on canvas, 63cm by 83cm £1500 - 2500 697 Dutch School (early 18th century)

Coastal scene with fishing boats and figures beside a quayside Oil on canvas, 48cm by 73.5cm £2000 - 3000

698 Follower of Evert Collier (17th/18th century)

Portrait of a gentleman, seated at a desk examining valuable objects Oil on canvas, 86cm by 69cm £3500 - 4500

699 Follower of Gerard Ter Borch (19th century)

Interior scene with cavalier holding gold coins, a young lady seated Oil on panel, 32cm by 27cm, unframed £250 - 350

700 Attributed to Pieter Hardime (1677-1758)

Still life of carnations and other flowers in a stone urn Inscribed on the frame, oil on canvas, 76cm by 63cm £6000 - 8000

702 Follower of Antonis Mor (1519-1575)

Portrait of Mary Tudor (1516 - 1558) Oil on panel, 43.5cm by 31cm £1000 - 1500

703 Attributed to George Jameson (1586-1644)

Portrait of a lady, wearing period costume, a pearl necklace and a yellow veil Inscribed verso, oil on canvas, 51cm by 42cm £500 - 600 704 English School (17th/18th century)

Portrait of James II, standing, three-quarter length, wearing a red velvet and gilt embroidered cloak with ermine accessories, a gold order and chain with powdered wig Oil on canvas, 110cm by 84cm £3000 - 4000

705 English School (18th century)

Portrait of an elegantly dressed gentleman, standing, three quarter length, wearing a period costume and powdered wig Oil on canvas, 113cm by 94cm

*Stylistically the work is similar to John Verelst (c.1618-1668) £1000 - 1500

706 Studio of Joseph Wright (of Derby) (1734-1797)

Portrait of Lady Anne Howard, wife of Richard, 1st Viscount Preston, seated, three quarter length, wearing period costume

Inscribed on a plaque, oil on canvas, oval, 102cm by 86cm £4000 - 6000 707 English School (17th/18th century)

Portrait of an elegantly dressed lady, half length, wearing period costume Oil on canvas, oval, 73cm by 59cm £1500 - 2000 708 English School (18th century)

Portrait of an elegantly dressed lady, seated, three quarter length, wearing period costume Oil on canvas, 33.5cm by 27.5cm

*Stylistically the work resembles the artist Thomas Murray (1663-1735), Charles D'Agar (1669-1723), John Fayram (fl.1713-1743), Charles Jervas (c.1675-1739) who were all pupils or imitators of Sir Godfrey Kneller £400 - 600 709 James Northcote (1746-1831)

Portrait of Emily St Clare with a falcon

Signed and dated 1803, oil on canvas, 126cm by 101.5cm *Literature: J. Wilson, ' Hoppner's "tamborine girl' identified', Burlington Magazine, CXXX, October 1988, p. 767, no. 5; J. Simon, 'An Account Book of James Northcote', Walpole Society, LVIII, 1995/6, p. 76, no. 406

**Emily St Clare was the mistress of Sir John Leicester (1762-1827), later 1st Lord de Tabley of Tabley Hall, Cheshire. He was obsessed with her and commissioned at least fourteen portraits of her by John Hoppner, William Owen, Henry Thomson and John Northcote during the first decade of the 19th century. A major patron of British Art, Leicester also commissioned paintings by Turner, Sir Thomas Lawrence and James Ward. After Leicester's marriage to Georgiana Maria Cotton in 1810, he hid the portraits of his mistress from his wife. He died in 1827 and shortly afterwards they were sold as subject paintings. Northcote painted Miss St Clare no less than seven times, portraying her twice with a falcon. In the earlier canvas she is seated with the bird in profile on her hand, a head and shoulders canvas for which Leicester paid £21.10s in 1801 (see J. Simon, Walpole Society, pp. 73-74, no. 382). The painting has recently been identified in a private collection. The second painting is on a larger canvas and shows the sitter standing on garden steps with the falcon alighting on her hand. This portrait, which appears in the artist's account book in 1803, is the one offered in this sale. St Clare is shown wearing a white muslin cap, a white dress with a matching cape around her shoulders tied with a blue ribbon around her neck. It rehearses the self-portrait as a falconer Northcote painted of himself in 1823 (Royal Albert Memorial Museum, Exeter).

The history and portrait painter James Northcote was self-taught before he joined Sir Joshua Reynolds's studio as a pupil and assistant between 1771 and 1776. He considered himself an authority on his master and in 1813, after Reynolds' death, he published his posthumous Memoirs of Sir Joshua Reynolds. Northcote also advised his patron Sir John Fleming Leicester on the formation of his gallery of contemporary British art and painted grandiose scenes from Shakespeare for John Boydell's Shakespeare Gallery. £4000 - 5000 710 James Northcote (1746-1831)

Portrait of Mrs Frederick, half length, wearing a cream lace dress decorated with yellow flowers Inscribed and dated 1783 verso, oil on canvas, 76.5cm by 63cm

*Mrs Frederick was born Miss Ann Gregson, daughter of Francis Gregson, close friend of the Mervyn's who had no children of their own, she later married a naval captain Thomas Frederick, but also had no children. The present work is associated to the Baylay family of Stoke Damerall near Plymouth. Said to have been painted by James Northcote under the supervision of Sir Joshua Reynolds. **Provenance: Commissioned from the artist in 1782 for 8 guineas. Bequeathed to Charles Frederick Baylay, godson of Mr Frederick. Thence by family descent to the present owner. ***Sold with photocopies of various pieces of provenance

James Northcote was one of the most prolific portrait painters of the late 18th and early 19th centuries. In 1777, following a period of apprenticeship in the studio of Joshua Reynolds, James Northcote journeyed to Paris, Rome and Germany on a prolonged Grand Tour. In Rome he was elected to the Accademia del Forti and, like so many artists before him, took the opportunity to learn from the old masters through sketches and observational studies. On his return to England in 1780, his new found appreciation for the Classical manner increasingly informed his own work. Northcote's principal talent lay as a portraitist though forays into the genre of History Painting, notably with The Wreck of HMS Centaur (1784,) helped establish his reputation. Through economic necessity Northcote was compelled to pander to the popular taste for small fancy subjects, 'hack-work' as he called it, illustrating novels from the celebrated authors of the day. An ambitious moral series, entitled Diligence and Dissipation, which was intended to rival Hogarth's Marriage a la Mode (1796) proved a financial failure and Northcote returned to portrait painting in earnest. £3000 - 4000 711 English School (18th century)

Portrait of a gentleman, head and shoulders, wearing a brown jacket, armour and powdered wig, possibly the Old Pretender Oil on canvas, 76.5cm by 63.5cm £800 - 1200 712 English School (18th century)

Portrait of a clergyman, three-quarter length Oil on canvas, 76cm by 63.5cm £400 - 600

713 Follower of Wilem Verelst (fl.1734-c.1756)

Portrait of a gentleman, half length, wearing a red velvet coat, cream scarf and powdered wig Oil on canvas, oval, 76cm by 63cm £1000 - 1500

714 Circle of Allan Ramsay (18th century)

Portrait of James Spedding Esq of Whitehaven and Summergrove (b.1726), standing half length, wearing a brown coat with embroidered gilt thread, holding his tricorn hat under his left arm Inscribed verso, oil on canvas, 76cm by 62cm £3000 - 5000

718 English School (18th century)

Portrait of a lady, bust length, wearing a brown dress with embroidered pearls and jewels Oil on canvas, oval, 56cm by 46cm £600 - 800 719 English School (18th century)

Portrait of a gentleman, standing, three-quarter length, wearing a green velvet jacket and waistcoat, cream stock and powdered wig Oil on canvas, 132cm by 101.5cm £4000 - 5000 720 English School (19th century)

715 English School (18th century)

Portrait of a lady seated beside a writing desk, pointing at an engraving in a book, a gentleman standing nearby

Oil on canvas, oval, 56cm by 47cm £500 - 700

*The sitters are believed to be direct descendants of the Plowden Family of Plowden Hall, Shropshire £1500 - 2000

716 English School (18th century)

721 English School (19th century)

Portrait of a gentleman, head and shoulders, wearing armour and a brown powdered wig

Portrait of a gentleman, head and shoulders, wearing red robes, a cream scarf and powdered wig

Oil on canvas, within a painted oval, 76cm by 63.5cm £800 - 1200 717 English School (18th century)

Portrait of a gentleman, half length, wearing period costume and white collar Oil on canvas, 76cm by 63.5cm £500 - 700

Oil on canvas, 225cm by 162cm

Portrait of a clergyman, standing, half length, wearing black robes, white collar and powdered wig Oil on canvas, 76cm by 63.5cm £500 - 600

722 English School (19th century)

Portrait of a child, seated in a red chair holding a coral and silver teething rattle Oil on canvas laid down, oval, 60cm by 50cm £300 - 400

723 English School (19th/20th century)

Portrait of a bearded gentleman, head and shoulders, possibly Henry Ditmas Oil on canvas, 65cm by 53cm £300 - 400

724 Stephen Pearce (1819-1904)

Portrait of an army officer, standing, half-length Oil on canvas 76.5cm by 63.5cm £800 - 1000

725 Circle of Danloux (19th century)

Portrait of a gentleman, seated, three-quarter length wearing period costume, antiquarian books on a shelf nearby Oil on canvas, 110cm by 84cm £1000 - 1500

726 Continental School (early 19th century)

Portrait of a gentleman, wearing a red and blue coat embroidered with gold thread, purple sash and powdered wig

Oil on canvas laid on panel, 69cm by 56cm £700 - 900 727 Continental School (19th century)

Portraits of Sir Anthony Van Dyke, Rembrandt, Leonardo da Vinci, Sir Peter Paul Rubens, Michelangelo and Sebastiano Ricci Some inscribed verso, oil on board, oval, each 21cm by 16.5cm (2 frames with 3 within each) £1500 - 2000

728 John Henderson (1860-1924)

“Stepping Stones”

Signed, inscribed verso, oil on canvas, 61cm by 46.5cm *Provenance: Fine Art Society, New Bond Street, London, March 1992 £1000 - 1500 729 Alexander Nasmyth (1758-1840)

Scottish landscape with trees beside a bridge

Inscribed on a plaque, oil on canvas, 69cm by 89cm £3000 - 4000 730 Sarah Ferneley (1812-1903)

The outskirts of Melton Mowbray, a young boy flying a kite, a lady painting at her easel and other figures Signed, dated 1836 and inscribed on a plaque, oil on canvas, 63cm by 91cm

*Inscribed on a later label verso View of

Melton Mowbray £12000 - 15000

731 Circle of Julius Caesar Ibbetson (18th/19th century)

“Woody Landscape with River and a Man Fishing” Inscribed verso, oil on panel, 21cm by 30.5cm £600 - 800 732 Robert Tonge (1823-1856)

"Brotherwater and Kirkstone Pass from Haws"

Signed and dated 1846, inscribed verso, oil on board, 37cm by 47cm *Provenance: Grindley & Palmer, 75 Church Street, Liverpool

**Robert Tonge was the most influential landscapist of the Liverpool School at the beginning of the Pre-Raphaelite era, and it was Tonge who was instrumental in making William Davis take to landscape. In the Pre-Raphaelite tradition he worked usually out of doors in both oils and watercolours, often finishing his work on the spot. He frequently used a low horizon in his compositions to allow for his skill and enjoyment of painting skies. £500 - 600 733 Follower of William Redmore Bigg (19th century)

Country scene with figures restraining a grey horse

Inscribed on a plaque, oil on canvas, 71cm by 91.5cm £500 - 700 734 Follower of Edward Charles Williams (19th century)

Gypsy encampment beside a country lane Inscribed verso, oil on canvas, 46cm by 61cm £300 - 500 735 Alfred Augustus Glendening Snr (1840-1910)

737 George Blackie Sticks (1843-1900)

“On the North East Coast, Caithness”;

Signed, dated 1897 and inscribed verso, oil on canvas, 46cm by 32.5cm £600 - 700 738 George Blackie Sticks (1843-1900)

Scottish loch scene at sunset

Oil on canvas, 46cm by 32.5cm £300 - 400 739 Wilson Hepple (1853-1937)

Boy with a donkey cart in a winter landscape

Signed, oil on canvas, 51cm by 76.5cm £500 - 600 740 English School (19th century)

River scene with figures and boats Oil on canvas, 36cm by 53cm £350 - 400 741 A…Clark (19th century)

Springtime, lady feeding lambs, small girl with a posy of primroses Signed, oil on canvas, 61cm by 91.5cm £600 - 800

Sunlit landscape with a drover and sheep Signed and dated (18)99, oil on canvas, 31cm by 56cm £3000 - 4000

736 Henry Hillingford Parker (1858-1930)

"Llyn Crafnant, North Wales"

Signed, inscribed verso, oil on canvas, 34cm by 52cm *Provenance: F J Harris & Son, Green Street, Bath, stock no. 90259 March 1972 £1500 - 1800

742 J…Crossley (19th century)

River landscape with an angler

Indistinctly signed and dated, oil on board, 41cm by 61cm *Provenance: Richard Haworth, 25 Preston Road, Blackburn £400 - 500

743 James Aumonier RI, ROI (1832-1911)

“Near Overton”

Signed and dated 1877, inscribed verso, oil on panel, 25cm by 54cm £400 - 600 744 E. Lancaster Hooper (19th century)

“Sunset after Rain”; “Pangbourne”

Both signed, inscribed verso, oil on canvas, each 31cm by 61cm (pair) £200 - 300 745 Daniel Sherrin (1868-1940)

749 Edmund John Niemann (1813-1876)

“Cader Idris, North Wales”

Signed, inscribed and dated (18)66, also inscribed verso, oil on canvas, 61.5cm by 107cm *Exhibited in 1866 and loaned by Mr R W Smith £700 - 1000 750 Follower of Edmund John Niemann (1813-1876)

"Vale of Llangollen"

Bears a signature, inscribed on the frame, also inscribed verso, oil on canvas, shaped top corners, 51cm by 76cm £600 - 800

"Evesham on the Severn, Worcestershire" Signed, inscribed verso, oil on canvas, 51cm by 76.5cm £500 - 600 746 Daniel Sherrin (1868-1940)

“In Perthshire”

Signed, inscribed verso, oil on canvas, 76.5cm by 51cm £200 - 300 747 George Turner (1843-1910)

"In the Meadows near Ingleby"

Signed, inscribed verso, oil on canvas, 51cm by 76cm £1500 - 2000

751 Edmund Gill (1820-1894)

"A Fall on the River Cain, North Wales"

Signed, dated 1869 and inscribed verso, oil on canvas, 84.5cm by 64cm *Provenance: Frost & Reed, London and Bristol, stock no. 6813 £1300 - 1500 752 Alexander Fraser RSA (1828-1899)

"Glen Falloch"

Indistinctly signed, inscribed verso, oil on canvas, 74cm by 96.5cm £800 - 1200 753 W E Barrington Browne (1908-1985)

748 Edmund John Niemann (1813-1876)

"Tulchan, River Spey"

Signed, inscribed and indistinctly dated, also inscribed verso, oil on canvas, 46cm by 61cm

*Provenance: Rowland Ward's (Sporting & Natural History) Galleries, 166 & 167 Piccadilly, London W1 £600 - 800

“A View of Nottingham”

*Provenance: Richard Green, 36 Dover Street, London, 11 April 1961, stock no. C/545 £800 - 1200

Signed, inscribed verso, oil on canvas, 36cm by 46cm

754 Sir David Murray RA, HRSA, RSW, RI (1849-1933)

Stag and other deer in a Highland landscape

Signed and indistinctly dated, oil on panel, 36cm by 46cm £400 - 600 755 Attributed to Albert Jackson of Leeds (19th century)

Farmyard scene, figure in a blacksmith's shop nearby

Bears a signature, oil on canvas, 68cm by 102cm £500 - 700 756 Albert E. Jackson (19th/20th century)

“Kilnsey, Wharfedale, Yorkshire”

Signed, inscribed verso, oil on canvas laid down, 41cm by 51cm *Provenance: H & S Oldfield Ltd, Godwin Street, Bradford £250 - 350 757 Thomas Sidney Cooper (1803-1902)

Cattle and sheep beside a pond

Inscribed on the frame, signed and dated 1855 verso, oil on panel, 22.5cm by 30.5cm *Provenance: The Brodrip collection and bearing the wax collector's stamp verso £600 - 800 758 Edward Masters (fl.1869-1875)

Children and figures outside an Inn; Horse and cart with figures outside an Inn Oil on canvas, each 26cm by 46cm (pair)

*There is some confusion between Edward and Edwin Masters, who are undoubtedly the same artist, and painted in a similar style to Georgina Lara (fl.1862-1871) £800 - 1200

759 Octavius Thomas Clark (1851-1921)

Summer river landscape with cottages beside a stone bridge

Signed and dated (18)93, oil on canvas, 61cm by 107cm £600 - 800 760 Attributed to Octavius Thomas Clark (1851-1921)

Summer landscape with figures beside a river Oil on canvas, 46cm by 81cm £400 - 500

761 William Raymond Dommersen (1850-1927) Dutch

"Broadstairs"

Signed, inscribed verso, oil on canvas laid down, 31cm by 41cm £400 - 600 762 William Henry Mander (fl.c.1880-1922)

"Falls of the Machna, North Wales"

Signed and dated (18)95, inscribed verso, oil on canvas, 61cm by 91.5cm £700 - 1000 763 John William Buxton Knight RBA, RCA, RE (1843-1908)

Farmyard scene at twilight

Indistinctly signed, oil on canvas, 61cm by 91.5cm £800 - 1200 764 Henry Davis (19th century)

Village scene with a horse fair

Signed and indistinctly dated, oil on canvas, 61cm by 91cm £1500 - 2000

765 John Falconer Slater (1857-1937)

771 Sidney Richard Percy RA (1821-1886)

Oil on board laid down on plywood, 90cm by 127cm £1500 - 2000

Signed and indistinctly dated, inscribed on a plaque, oil on canvas, 58cm by 83cm £2500 - 3500

Watermill in springtime

766 John Falconer Slater (1857-1937)

Farmyard scene

Signed, oil on canvas, 41cm by 46cm £300 - 400 767 Edward Henry Holder (1847-1922)

View of Knaresborough with figures on the River Nidd Signed, oil on canvas, 51cm by 76.5cm £1200 - 1600

768 Edward Henry Holder (1847-1922)

Summer river landscape

Signed, inscribed on the frame, oil on canvas, 31cm by 41cm £250 - 350 769 Edward Henry Holder (1847-1922)

River landscape with a horse and cart crossing a bridge

Signed, inscribed verso, oil on canvas, 35cm by 46cm *Provenance: Tennants, auction 22 July 2010, Lot 975 £300 - 500 770 James Peel RBA (1811-1906)

“An Afternoon at Easby Abbey”

Monogrammed and dated 1856, inscribed verso, oil on canvas, 43cm by 65cm *Exhibited at the Royal Academy 1856, no. 530 £800 - 1200

"River landscape"

772 Isabelle Ann Dodds-Withers (1876-1939)

Figures beside a chateau by a river

Signed, oil on canvas, 41cm by 56cm £250 - 300 773 John Howard Lyon (d.1921)

Highland scene with sheep grazing beside a pool Signed, oil on canvas, 76cm by 127cm £1500 - 2000 774 Joseph Milne (1861-1911)

"Taking in the Harvest"

Signed, inscribed verso, oil on canvas, 41cm by 61cm *Provenance: John Mathieson & Co., 20 Frederick Street, Edinburgh £2000 - 2500 775 Dorothea Sharp RBA, ROI, VPSWA (1874-1955)

"Cork Trees, Tossa, Spain"

Inscribed verso, oil on panel, 30.5cm by 40.5cm *Provenance: Fosse Gallery, The Square, Stow on the Wold, Gloucestershire **Born in Dartford, Kent in 1874 studied at the art school run by C. E. Johnson in Richmond, Surrey and later spent time at Regent Street Polytechnic. She soon moved to Paris where she was influenced by the work of the Impressionists. £3000 - 4000

776 Sir Alfred James Munnings PRA, RWS, RP (1878-1959)

778 George Leslie Hunter RSA (1877-1931)

Signed, inscribed verso, oil on panel, 25.5cm by 35.5cm

Signed, oil on panel, 30cm by 23cm £10000 - 15000

"Sundown on Exmoor"

*Provenance: Ian MacNicol, 48 West George Street, Glasgow; and Sotheby's London, 30 September 1998, Lot 21, £7645.63

Scottish farm and other buildings

779 Follower of John James Wilson (1818-1875)

**This painting is mentioned in Munnings' autobiography,"The Finish" in three volumes, published by the Museum Press 1952. Sold together with photocopied literature.

Coastal scene with figures and fishing boats at low tide

***Born in Mendham, Suffolk, Munnings was apprenticed to Norwich lithographers for six years, studying at Norwich School of Art in the evenings, and later at Julians in Paris. He returned to Newlyn, Cornwall, moving to Dedham, Essex in 1918. He received commissions from governments and the Royal Family, receiving a knighthood in 1944. Munnings worked mainly in oils, produced pencil sketches on any scrap of paper he could find and also wrote humorous verse. £7000 - 10000

780 Mark Anson (19th century)

777 George Leslie Hunter RSA (1877-1931)

Fishing boats off a mountainous coastline

Cottages amongst hills, possibly Fifeshire Signed, oil on panel, 25.5cm by 35cm

*Born in Rothesay, Hunter emigrated to California with his family in 1892. He illustrated for newspapers and magazines. He lost everything in the 1906 earthquake and returned to Scotland. From 1923 he exhibited with Peploe and Cadell as the Three Scottish Colourists and had his first solo exhibition with Alexander Reid in Glasgow in 1915, an association which continued until his death in 1931. £10000 - 15000

Oil on canvas, 43cm by 64cm £800 - 1000

St Michael's Mount with figures and fishing boats on a beach at low tide Signed, oil on canvas, 46cm by 81cm

*The composition and style of this painting resembles the Thornley family of painters who used a number of different pseudonyms £800 - 1000 781 F…May (19th century)

Signed, oil on panel, 20.5cm by 30.5cm

*There was a Mrs Frank (Clementina) May (fl.1884-1892) but stylistically this painting resembles the work of George Knight £250 - 300 782 Aldolphus Knell (fl.c.1860-1890)

Fishing boats off a coastline; Steam tug and three masted barque in a swell

Both signed, oil on canvas, each 51cm by 76cm (pair) £1500 - 2000

783 Circle of Edwin Hayes (19th century)

“A Ship in Distress”

Indistinctly signed, inscribed verso, oil on canvas, 35.5cm by 66cm £1000 - 1500 784 Attributed to John Callow (1822-1878)

Beach scene at low tide

Bears a signature, oil on canvas, 30cm by 55cm £300 - 400 785 Reginald Hardy (19th/20th century)

Fishing boats off a harbour

Signed, indistinctly dated, inscribed on a plaque, oil on canvas, 51cm by 76cm £500 - 700 786 H….Martin (19th/20th century)

Figures beside a small fishing boat on a quayside; Beach scene at low tide with figures unloading fishing boats

Both signed, oil on canvas, 41cm by 61cm (pair) £300 - 400 787 Circle of Alfred Montague (19th century)

Fishing boats and other vessels anchored in a harbour Oil on board, 24.5cm by 34cm £300 - 400

788 Follower of Norman Wilkinson CBE, PRI, ROI, RSMA, HRWS (19th/20th century)

Harbour scene with a vessel passing factory chimneys Oil on board, 36cm by 48cm £200 - 300

789 Stephen Frank Wasley (1848-1934)

Beach scene at low tide

Signed, oil on canvas, 56cm by 97cm £800 - 1000 790 John Fraser RBA (1858-1927)

"A Sutee off Aden, with Sham San Mountain in the Distance"

Signed and dated (18)94, inscribed on a plaque and verso, oil on canvas, 46cm by 61cm *Provenance: N. R. Omell, 6 Duke Street, St James's, London, Exhibition of 17th, 18th & 19th century Marine Paintings, no. 47 £600 - 800 791 Patrick Downie (1854-1945)

Fishing boats off a sunlit coastline

Signed, oil on canvas, 46cm by 61cm £1000 - 1500 792 John Ward of Hull (1798-1849)

"Strong Breeze off Spurn Head"

Signed, inscribed verso, oil on panel, 25cm by 36cm £800 - 1200

793 William Frederick Settle (1821-1897)

798 Henry Redmore (1820-1887)

Monogrammed, inscribed and dated 1852 verso, also inscribed on a plaque, oil on canvas, 23cm by 34cm £500 - 700

Signed and indistinctly dated, oil on canvas, 52cm by 102.5cm £3000 - 4000

“Naval Vessels off Osbourne House, Isle of Wight”

794 Henry Redmore (1820-1887)

Coastal scene with figures on a beach

Signed and dated 1887, oil on canvas, 92cm by 153.5cm *Redmore lived and worked all his life in Hull from a studio in Regent Street. He exhibited at the Royal Academy in 1868. He and the artist John Ward are the best known of the East Coast School, and examples of their work can be found in the Ferens Art Gallery, Hull. £4000 - 5000 795 Henry Redmore (1820-1887)

"Saltwick Bay, Yorkshire Coast"

Signed and dated 1883, inscribed verso, oil on canvas, 46cm by 77cm £1400 - 1600 796 Henry Redmore (1820-1887)

Fishing boats and other vessels off a coastline

Signed, inscribed on the frame, oil on canvas, 26cm by 41cm £2000 - 3000 797 Henry Redmore (1820-1887)

Figures in fishing boats off the Humber Estuary

Signed, oil on canvas, 25.5cm by 43.5cm £2000 - 3000

Figures in fishing boats off the Yorkshire coastline

799 Edward King Redmore (1860-1941)

Figures in fishing boats off a coastline; Dismasted vessel in a stormy sea off a coastline

Both signed, oil on canvas, each 36cm by 61cm (pair) £600 - 800 800 Gordon Arthur Meadows (b.1868)

“Fishing Boats, San Gorgio, Venice”

Signed, also signed and inscribed verso, oil on canvas, 31cm by 46cm £500 - 700 801 James L. Brooke FIBD (1903-1973)

"Grand Canal, Venice, Evening"

Signed, inscribed verso, oil on canvas 51.5cm by 76.5cm *Included in the 1973 County Borough of Huddersfield Art Gallery James L. Brooke Retrospective Exhibition **The artist was a close friend of L S Lowry £350 - 400 802 Alan Robert Colqhuoun Grieve FRAS (1910-1970) Australian

"North from Bungan Head"

Signed, inscribed verso, oil on canvas board, 46cm by 56cm *Presented to CH Kelley Esq by the staff at Lempriere & Co Ltd, Sydney, Australia £300 - 400

803 David Boyd (b.1924) Australian

“Winter Reflection”

Signed and dated 1970, inscribed verso, oil on canvas, 61cm by 73cm *Provenance: Hamet Gallery Ltd, 8 Cork Street, London, February 4 1971 £1000 - 1500 804 Arie Leeflang (1906-1956) Dutch

Tugs and other shipping off a harbour, possibly Rotterdam Signed, inscribed verso, oil on board, 38cm by 42.5cm £350 - 400

805 Anthonie Pieter Schotel (1890-1958) Dutch

Open sea with a boat on the horizon

Indistinctly signed and dated, oil on panel, 40cm by 50cm £300 - 400 806 Circle of Jules Leon Fontaine (b.1817) French

Coastal scene with figures salvaging a wreck

809 Gottfried Kallstenius (1861-1943) Swedish

Sunlit landscape

Signed and dated (19)37, inscribed verso, oil on canvas, 89cm by 116.5cm £1200 - 1500 810 Johannes Karel Leurs (1865-1938) Dutch

Shepherd and sheep beside a pond

Signed, oil on canvas, 36cm by 52cm £500 - 700 811 Attributed to Giovanni Sanrucci (1828-1897) Italian

“The Umbrella Repairer”

Signed, inscribed on the frame, oil on canvas, 56cm by 76cm £1500 - 2000 812 Salvatore Agresti (1922-1992) Italian

"The Toy Seller"

Signed, inscribed on the frame, oil on canvas, 56.5cm by 76.5cm £1500 - 2000

Inscribed verso, oil on canvas, 34cm by 43.5cm £300 - 500

813 Victor Goulard (20th century)

807 Continental School (20th century)

Signed, oil on panel, 30.5cm by 40.5cm

River landscape with a boat moored beside cottages Oil on board, 50cm by 60cm £500 - 600

808 Carl Kenzler (1872-1947)

Waves breaking on a beach at sunrise, sea birds nearby Signed, oil on canvas, 71cm by 101cm £400 - 600

Figures in a marketplace under a moonlit sky *The work is possibly after Petrus van Schendel £300 - 400 814 Attributed to Etienne Jeaurat (1699-1789) French

"La Robe Bleue"

Inscribed on a plaque and verso, oil on canvas, 42cm by 32.5cm £3500 - 4000

815 E…R…Breach (ex. 1880-1886)

Sporting dogs and dead game in a moorland landscape

Signed and dated (18)85, oil on canvas, 54.5cm by 76cm £1400 - 1600 816 Arthur A Davis (fl.1877-1905)

"A Kill"

Signed, oil on canvas, 63cm by 108cm £600 - 800 817 William Henry Hamilton Trood (1860-1899)

Jack Russell terrier with her pups beside a kennel Signed and indistinctly dated, oil on canvas, 30cm by 25cm

*Trood was a prolific animal painter and sculptor. He exhibited regularly throughout the UK, including the Royal Academy 1879 -1898, Suffolk Street, the New Watercolour Society, and the Grosvenor Gallery £4000 - 5000 818 Julius Caesar Ibbetson (1759-1817)

"W Danby Esq of Swinton, Yorkshire", standing holding a gun, a pointer nearby

Inscribed and dated 1817 on a plaque, oil on canvas, 35cm by 48cm *Exhibited: Sotheby's 1984, British Sporting Heritage Exhibition, no.186 £7000 - 10000 819 Bessie Bamber (fl.1900-1910)

Eight kittens seated upon a bed of straw Monogrammed and dated 1916, oil on panel, 28cm by 98cm £500 - 700

820 Bessie Bamber (fl.1900-1910)

Three kittens with a partially peeled apple Initialled, oil on panel, 17cm by 53cm £200 - 300

821 Circle of Samuel Henry Alken (19th century)

Cockerel and two fancy fowl in a farmyard Oil on panel, 15cm by 26.5cm £500 - 700

822 William Huggins (1820-1884)

Lion and lioness beside a tree

Signed and dated 1841, oil on canvas, 26.5cm by 37cm £3000 - 4000 823 John Rattenbury Skeaping RA (1901-1980)

"On the Gallops"

Signed and dated (19)69, oil on canvas, 53.5cm by 76cm *Provenance: Ex. Christies, 27 September 1991, Lot 55 **Ex. collection Mrs D Haine, Midsummer Cottage, Snailwell, Newmarket £400 - 500 824 Malcolm Coward (b.1948)

"The Andalusian"

Signed, oil on canvas, 91cm by 102cm *Malcolm Coward is a self-taught painter who has established himself as one of the best painters of horses in Britain. His work has been exhibited and sold all over the world, and he is the only artist ever to win the President's Medal, awarded by the Society of Equestrian Artists, three times. £600 - 800

825 Robin Furness (b.1933)

“The Pytchley Foxhounds at Winwick”

Signed and dated 2010, inscribed verso, oil on canvas board, 40cm by 50cm

830 S…Repper (19th century)

“Jerribaldis Peckser”, grey colt standing in a stable

*This painting won 2nd prize Hunting

Inscribed and dated 1857 verso, oil on canvas, 41cm by 56cm £300 - 400

Gallery, Tuxford, Nottinghamshire £600 - 800

831 Dean Wolstenholme Snr (1757-1837)

Section - Hounds Magazine - September Exhibition 2011 - Sally Mitchell's Art

"Mr Thomas Cole's Carriage Horses" 826 Robin Furness (b.1933)

“Marrick Moor - Copperthwaite”

Signed and dated 2011, inscribed verso, oil on canvas board, 41cm by 51cm £300 - 400

Inscribed on a plaque, oil on canvas, 87cm by 112cm £8000 - 12000 832 W. Northam (19th century)

A hunt assembled before a country house 827 S...David (early 19th century)

"Dibbing for Chub"

Inscribed verso, oil on canvas, 25cm by 36cm *Provenance: Ellis & Smith, Print Sellers, Romney House, 16B Grafton Street, London W

Signed and dated 1826, indistinctly inscribed, oil on canvas, 59cm by 76cm £1500 - 2500 834 James Loder of Bath (1784-1860)

"Antony Robert Thornhill Esq RE on Africanus, by Scaler"

**The work bears some similarity in style to James Pollard (1797-1867) £3000 - 5000

Signed, dated 1834 and inscribed, oil on canvas, 58cm by 74.5cm £4000 - 5000

828 Circle of Abraham Cooper RA (19th century)

835 James Loder of Bath (1784-1860)

Anglers with the rods beside a river, a castle and hills in the distance

Bears a monogram, inscribed on the frame below, oil on canvas, 41cm by 55.5cm £1200 - 1500 829 Abraham Cooper RA (1787-1868)

"Favourite Horses of Lord Charles Ferrers Townshend, Bagham" Inscribed verso, oil on canvas, 51cm by 61cm £3000 - 4000

"Lady Antrobus and Son at Ottershaw Park, Surrey"

Signed and indistinctly dated, inscribed on a plaque, oil on canvas, 59cm by 76cm £6000 - 8000 836 English School (19th century)

Young boy on a grey pony held by a young man, a dog nearby and country house beyond Oil on canvas, 63cm by 76cm

*Provenance: Pawsey & Payne (Fine Art Dealers & Valuers), 1 Bury Street, St James's, London SW1, Christie's, April 1949 £2000 - 3000

842 Circle of James Seymour (c.1702-1752)

837 Francis Sartorius (Elder) (1734-1804)

Oil on canvas, each 76.5cm by 111cm (pair)

"Little Devil", held by a Groom, the property of W Phillips Esq

Inscribed, also inscribed on the frame below, oil on canvas, 63.5cm by 76.5cm £3000 - 4000 838 John Nott Sartorius (1759-1828)

"The Return from the Hunt"

Two racehorses and a groom in a stable interior; A racehorse and other figures before a stable

*1st example bears an indistinct signature, possibly “H. Hall” and indistinct date 2nd example bears a signature “Seymour” **Stylistically the works are similar in quality to Thomas Spencer (1700-1763) and Paul-Peter Lens (18th century) £15000 - 20000

Signed and dated 1808, inscribed on a plaque, oil on canvas, 63.5cm by 76cm £8000 - 12000

843 Claude Lorraine Ferneley (1822-1892)

839 John Nott Sartorius (1759-1828)

Initialled, inscribed on a plaque, oil on canvas, 46.5cm by 61.5cm £4000 - 6000

James Hetherington Esq on horseback with foxhounds nearby, a figure on a grey hunter in the distance Inscribed and dated 1807 on a plaque, oil on canvas, 45cm by 55cm £4000 - 6000 840 John Nott Sartorius (1759-1828)

"Lord Althorp on Momus"

Inscribed and dated 1804 on the original frame, oil on canvas, 63cm by 76cm £6000 - 8000 841 Attributed to Charles Dean Wolstenholme Jnr (1798-1883)

Huntsman on horseback jumping a gate, other riders in the distance

Indistinctly inscribed, oil on canvas, 71cm by 91cm £4000 - 6000

"Mr Bickley and his Dogs"

844 John E. Ferneley Snr (1782-1860)

E H Reynard Esq with his shotgun and sporting dogs in a landscape

Signed and dated 1841, inscribed on a plaque, oil on canvas, 71cm by 91cm £25000 - 30000 845 John E. Ferneley Jnr (1815-1862)

"Edward Cheney of Gaddesby" on a hunter, a small white terrier nearby

Signed and dated 1858, inscribed on a plaque, oil on canvas, 63.5cm by 76.5cm £3000 - 5000 846 John E. Ferneley Snr (1782-1860)

The hunter "Escape" in a loosebox

Signed, dated 1849 and inscribed, oil on canvas, 61cm by 76cm £3000 - 5000

847 John E. Ferneley Snr (1782-1860)

Portrait of Master Claude Ferneley, aged 8, riding his pony, with a terrier at his side Signed and dated 1830, oil on canvas, 63.5cm by 76.5cm £8000 - 12000

848 John E. Ferneley Snr (1782-1860)

"Mr George Marriott", on a brown hunter with a black and white dog nearby Signed, inscribed Melton Mowbray and

dated 1844, also inscribed on a plaque, oil on canvas, 73cm by 93cm £18000 - 25000 849 John E. Ferneley Snr (1782-1860)

"Mr Collins, June 1850", on a hunter with huntsmen and hounds in the distance Signed, inscribed Melton Mowbray, and dated 1850, inscribed on a plaque, oil on canvas, 85cm by 106cm £40000 - 50000 850 John E. Ferneley Snr (1782-1860)

"Mr I Sadler's Delight, sister to Dangerous (winner of the Derby 1833), Chapple up" Signed, inscribed Melton Mowbray and dated 1833, also inscribed on the original frame, oil on canvas, 68.5cm by 91.5cm

*Provenance: Ex collection of Baron Gretton, Stapleford Park, Melton Mowbray, thence by decent to the present owner £70000 - 90000 851 G…W.. Goodall (19th century)

Still life of fruit beside a mossy bank

Signed, inscribed on a plaque, oil on canvas, 46cm by 36cm £400 - 600

852 Charles Thomas Bale (fl.1866-1875)

Still life of fruit and dead game, with an earthenware pot nearby Signed, oil on canvas, 76cm by 51cm £400 - 600

853 William Lee Hankey RWS, RE, RI, ROI, NS (1869-1952)

Still life of Delphiniums and pottery cats Signed, inscribed verso, oil on canvas, 51cm by 41cm

*Provenance: Chris Beetles Gallery, Ryder Street, St James's, London £600 - 800 854 Jan Bogaerts (1878-1962) Dutch

Still life of fruit beside a fan and tea caddy Signed and dated 1911, inscribed verso, oil on canvas, 41cm by 61.5cm

*Provenance: G. M. Lotinga Ltd, New Bond Street, London £5000 - 6000 855 Harold Clayton (1896-1979)

Still life of flowers within a Staffordshire stoneware jug Signed, oil on canvas, 46cm by 51cm £8000 - 10000 856 John Young Hunter (1874-1955)

"Micky"

Signed, inscribed and dated 1920, oil on canvas, 127.5cm by 79cm £800 - 1200 857 English School (c.1920-1930)

Dutch girl holding two puppets

Oil on canvas with gilded background, 76cm by 56cm £600 - 800

858 W...E...Sticks (19th century)

"The Honeymoon, the Fourth Week"

Signed and dated 1885, inscribed verso, oil on canvas, 36cm by 46cm £400 - 500 859 Follower of Thomas Kent Pelham (19th century)

Young boy holding a basket of fish Oil on canvas, 46cm by 36cm £300 - 500

860 Robert William Buss (1804-1874)

"Hogarth's First Sketch"

Signed and dated 1845, inscribed verso, oil on canvas, 43cm by 53cm £1200 - 1800 861 Attributed to Henry Barlow Carter (1804-1868)

Stormy seascape with figures retrieving a wreck

Inscribed on a plaque, also inscribed Scarborough verso, oil on panel, 26cm by 35cm £500 - 600 862 Thomas Peters (1863-1939)

“Cornelian Bay, Scarborough”

Signed and dated (19)23, inscribed verso, oil on board, 30.5cm by 40.5cm £300 - 500 863 Frank Henry Mason RI, RBA (1876-1965)

Tall sailing ship with other vessels in Whitby Harbour

Signed, oil on canvas, 91.5cm by 69cm £1500 - 2000

864 George Graham RSW, RI, ROI (resigned), RBA (1881-1949)

Dales river landscape at twilight

Signed and dated 1915, oil on canvas, 71cm by 92cm £1200 - 1500 865 George Graham RSW, RI, ROI (resigned), RBA (1881-1949)

Richmond Castle

Signed and dated 1910, oil on canvas, 71cm by 102cm £1000 - 1500 866 David Birch ROI (b.c.1895)

“Green and Gold - Wensleydale”

Signed, inscribed verso, oil on canvas, 51cm by 76.5cm *Exhibited at the Fine Art Society Ltd, New Bond Street, London, July 1965 £300 - 500 867 Bertram Priestman RA, ROI, NEAC, IS (1868-1951)

Kilnsey Crag, Wharfedale

Signed and dated (19)17, inscribed verso, oil on canvas, 63.5cm by 76.5cm *Born in Bradford, Priestman went to London in 1888 and studied at The Slade. He exhibited at The Royal Academy and European Institutes and received a gold medal at the Munich International Exhibition of 1901. He worked widely in Holland, France and England and was closely associated with the Wharfedale group. His work shows a good sense of colour and composition and can be seen in many of museums and art galleries including the Cartwright Hall Museum, Bradford and the Leeds City Art Gallery. £1500 - 2000

868 Arthur A. Friedenson (1872-1955)

Above Runswick, father and daughter beside a stream

Signed and dated (18)98, oil on canvas, 26cm by 35.5cm £800 - 1000 869 Ernest Higgins Rigg (1868-1947)

Summer pasture with cattle grazing

Signed, oil on panel, 31cm by 41cm £400 - 500 870 Attributed to Harold Edward Conway (b.1872)

"Whitby - Dawn Light"

Inscribed verso, oil on canvas, 25.5cm by 35.5cm £500 - 600 871 Philip Naviasky (1894-1983)

"Almalfi Coast"

Signed, oil on canvas, 51cm by 61.5cm £800 - 1200 872 Philip Naviasky (1894-1983)

Portrait of a young girl, seated, wearing a black blouse Signed, oil on board, 76cm by 63.5cm £350 - 400 873 Philip Naviasky (1894-1983)

Portrait of an Aboriginal girl wearing a yellow blouse

Signed, oil on canvas board, unfinished, 61cm by 51cm £500 - 600

874 Dorothy Margaret and Elizabeth Mary Alderson (1900-1992) (1900-1988)

Sunlit farmyard scene with a shire horse and foal Signed and dated 1966, oil on canvas, 46cm by 56.5cm £2500 - 3000

875 Robert Leslie Howey (1900-1981)

"The River Tees"

Signed, inscribed verso, oil on board, 51cm by 61cm £500 - 800 875A Mark Senior NPS (1862-1927)

“On the Beach”

Signed, oil on panel, 18.5cm by 23cm *Provenance: The artist's family and thence by descent £4000 - 5000 876 After Geoffrey W. Birks YWS (1929-1993)

"Hole in the Road"; "Three of the Best"; "In Trouble with the Law"; "School Doctor Next!"; "School Dentist"; "Fish and Chips 30 Times"; "Time Gentlemen Please"; "Rug Tabbing"

Signed artist's proofs, bearing the artist's blindstamp, numbered and inscribed with the titles, coloured reproductions, each 30.5cm by 21.5cm, unframed (8) £150 - 200

877 After Brian Shields "Bráaq" FBA (1951-1997)

York Races

Signed artist's proof, limited edition 67/850, inscribed within the image 'Bráaq Ann', coloured reproduction, 49cm by 72.5cm £400 - 600 878 After Laurence Stephen Lowry RA (1887-1976)

"Berwick-upon-Tweed"

Signed in pencil, with Fine Art Trade Guild blindstamp, from an edition of 650, coloured reproduction, 55.5cm by 43.5cm £800 - 1000 879 After Laurence Stephen Lowry RA (1887-1976)

"Old Town Hall, Middlesbrough"

Unsigned limited edition 196/850, stamped, coloured reproduction, 42cm by 31cm £200 - 300 880 After Laurence Stephen Lowry RA (1887-1976) "Two Brothers" Signed in pencil, with Fine Art Trade Guild blindstamp, from an edition of 850, coloured reproduction, 62cm by 32cm £400 - 600

882 Anita Klein (b.1960) Australian

“At the Gym”

Signed artist's proof, dated (19)97, limited edition print 26/50, black and white drypoint etching, 30.5cm by 40cm (pl) £180 - 250 883 Breon O'Casey (b.1928)

"Grey Bird"

Signed artist's proof, limited edition print 6/20, inscribed verso, coloured linocut print, 58.5cm by 75.5cm £300 - 400 884 Igino Legnaghi (b.1936) Italian

"Sculptural Image"

Signed artist's proof, limited edition 12/150, coloured screen print, 90.5cm by 68.5cm, unframed *Sold with biographical details on the artist £150 - 200 885 Norman Ackroyd RA, CBE (b.1938)

"The Three Sisters"

Signed artist's proof, black and white aquatinted engraving with some etching, 49cm by 77.5cm *Provenance: Zillah Bell Gallery, 15 Kirkgate, Thirsk £300 - 400

881 After Laurence Stephen Lowry RA (1887-1976)

886 After Marc Chagall (1887-1985) French/Russian

Signed in pencil, with Fine Art Trade Guild blindstamp, from an edition of 850, black and white reproduction, 26.5cm by 36cm

Original black and white lithographic print, inscribed verso, 31.5cm by 24.5cm

"The Reference Library"

*Provenance: J Manley, 27 High Street, Eton £400 - 600

"The Mountebanks"

*Provenance: William Weston Gallery, 7 Royal Arcade, Albemarle Street, London

**From the edition issued for: Chagall Vol 2 Sauret 1963 ref. Mourlot 395 £400 - 600 887 Augustus Edwin John RA, PRP, RCamA, NEAC, LG (1878-1961)

"A Girl's Head - E"

Signed in pencil, inscribed verso, 15/50, published 1919, black and white etching, 17cm by 13.5cm (pl) *Provenance: Sotheby's, 23 February 1971, Lot 67 £500 - 600

891 Augustus Edwin John RA, PRP, RCamA, NEAC, LG (1878-1961)

"The Little Troglodyte"

Signed in pencil, inscribed verso, 24/25, black and white drypoint etching, 9.5cm by 8cm (pl); together with:

Study of a seated nude

Signed in pencil, black and white drypoint etching, 10cm by 8cm (pl) (2) £300 - 400 892 Augustus Edwin John RA, PRP, RCamA, NEAC, LG (1878-1961)

Figurative subject 888 Augustus Edwin John RA, PRP, RCamA, NEAC, LG (1878-1961)

Signed in pencil, black and white drypoint etching, 11.5cm by 9.5cm (pl) £200 - 300

Signed in pencil, inscribed verso, 17/25, black and white drypoint etching, 12.5cm by 10cm (pl) £300 - 500

893 Sydney Harpley RA, FRBS (1927-1992)

"The Pheasant"

889 Augustus Edwin John RA, PRP, RCamA, NEAC, LG (1878-1961)

"Old Arthy"; "St John the Baptist"

Both signed in pencil, inscribed verso, first example numbered 11/25, black and white drypoint etchings, 20cm by 13cm and 7cm by 6cm respectively (pl) *Provenance: Sotheby's, 23 February 1971, Lot 64 £300 - 400 890 Augustus Edwin John RA, PRP, RCamA, NEAC, LG (1878-1961)

Study of several nude females

Signed in pencil, black and white drypoint etching, 8.5cm by 12.5cm (pl) £250 - 300

Standing female nude

Signed, ink and brush on tinted paper, 72cm by 46cm £350 - 450 894 Aubrey F. Sykes PRI, PS (1910-1995)

"Kingston-upon-Thames"

Signed, inscribed verso, pastel, 52cm by 65cm *The artist was a member of the Wapping Group of artists and exhibited at the major London galleries as well as throughout the provinces £200 - 300 895 Aubrey F. Sykes PRI, PS (1910-1995)

"Blackfriars Bridge"

Signed, inscribed verso, pastel, 52cm by 64cm £150 - 200

896 A…C…White (20th/21st century)

Indistinctly signed and dated (19)96, pastel (mixed media), 51cm by 72cm £300 - 400

*This is one of three requested by the Minister of Tourism for Malta for the tourist brochure. They were never used and returned when there was a change of government as the new Minister wanted a Maltese artist to complete the pictures. £300 - 400

897 Godfrey Tonks (b.1948)

901 Geoffrey W. Birks YWS (1929-1993)

Signed, inscribed verso, pastel, 49cm by 38.5cm

Signed, inscribed verso, pencil and watercolour, 29.5cm by 39.5cm

Two girls gathering wood in an Autumn landscape

"Lavender Fields near Grasse"

*Provenance: Walker Galleries Ltd, 6 Montpellier Gardens, Harrogate £300 - 400 898 Norman Adams RA (1927-2005)

View off the Maltese coast

*See previous lot for provenance £300 - 400 902 Geoffrey W. Birks YWS (1929-1993)

"Gardens - South of France"

Maltese harbour with shipping beside steel cranes

*Ex. Collection Dr W.H. Greenwood £400 - 500

*See previous lot for provenance £300 - 400

899 Geoffrey W. Birks YWS (1929-1993)

903 Donald R. Edwards (20th century)

Initialled and dated (19)85, inscribed, pencil and watercolour, 33cm by 37.5cm

"Yesterday's News"

Signed, inscribed verso, pencil and watercolour, 33cm by 47.5cm *This was produced for the Canadian market and is a "1 + 1" with a miniature painting mounted within the mount. Only five were done, and this is, as far as we know, the only one remaining in England £1200 - 1500 900 Geoffrey W. Birks YWS (1929-1993)

Coastal town scene in Malta

Signed, inscribed verso, pencil and watercolour, 29.5cm by 39.5cm

Signed, inscribed verso, pencil and watercolour, 29.5cm by 39.5cm

Wild flowers and poppies in a cornfield at the edge of a wood

Signed, pencil and watercolour heightened with white, 21.5cm by 28.5cm £250 - 350 904 Graham Murray (d.1983)

Interior scene, looking through a doorway Signed, oil on canvas, 51cm by 41cm £400 - 600 905 Arabella Dorman (b.1975)

"Corridors of Light"

Signed, inscribed verso, oil on board, 60cm by 30cm £250 - 350

906 Jean Claude Picard (b.1943)

"The Straw Hat"

Signed, inscribed verso, oil on canvas, 90cm by 91cm £300 - 500 907 Antonio Iannicelli (b.1952)

Venetian canal scene

Signed, oil on canvas, 100cm by 100cm £400 - 500 908 John Mackie (b.1955)

"A Rest in the Park, Montpelier"

Signed and dated (19)96, inscribed verso, oil on canvas, 61cm by 76cm £800 - 1000 909 John Mackie (b.1955)

912 William Norman Gaunt FIAL, NDD (1918-2001)

Sailing boats off a coastline

Oil on board, 46cm by 61cm, unframed *The reverse depicts an unfinished oil study after Toulouse Lautrec of a girl in fishnet stockings **Provenance: Family of the artist £250 - 300 913 Roy Miller (b.1938)

The mares "Berganza", "Sweet Sauce", "Orarca", "Aureoletta", "Alcarelle", "Tratarelle", "Relza" and "Dorabella" and their foals

Signed and dated (19)75, inscribed verso, oil on canvas, 61cm by 91.5cm *Provenance: Tennants Heathcote Ball Sale £600 - 800

"At La Mole"

Signed and dated (19)92, inscribed verso, oil on canvas, 61cm by 71cm *Provenance: Walker Galleries, 6 Montpellier Gardens, Harrogate, catalogue no. 40 £800 - 1000 910 Jonathan Armigel Wade (b.1960)

“Crossing the Beck”

Signed, also signed and inscribed verso, oil on board, 60cm by 91cm £1000 - 1500 911 Jonathan Armigel Wade (b.1960)

“Sea Fever”

Signed, inscribed verso, oil on board, 20cm by 24cm £300 - 500

914 Christopher John Harrison RA (b.1945)

"Trompe L'Oeil depicting Tin Glaze Traditional Spanish Pottery from the 19th Century" Initialled, inscribed verso, oil on panel, 50.5cm by 91.5cm

*Provenance: Greenwood Gallery, Otley Road, Harrogate £1500 - 2000 915 Stephen Darbishire RBA (b.1940)

"The Old Road (Coniston Old Man), Road to the Mountains Coniston Old Man"

Signed and dated (19)84, inscribed verso, oil on board, 14.5cm by 25cm £400 - 500

916 David Green NS (b.1935)

"Autumn on the Wharfe"; "Autumn Morning"

Both inscribed and dated 1986 verso, oil on board, 27cm by 37cm (pair) *Provenance: Wilden Gallery, Chequers Hill, Wilden, Bedfordshire £500 - 600 917 Gillian Roberts (20th century)

Sunlit market place with figures Oil on board, 36cm by 46cm £300 - 500

918 Sergei Shishko (1911-1997) Russian

922 Geoffrey W. Birks YWS (1929-1993)

Boatyard, possibly on the Esk, Whitby Oil on board, 23cm by 30.5cm

*Ex. Tennants Sale 24 March 2011, Lot 867 £250 - 350 923 Sir Gerald Festus Kelly PRA, RHA, HRSA (1879-1972)

"Matador & Bull in Death Charge"

Inscribed verso, oil on canvas, 30.5cm by 30.5cm *Provenance: Phyllis Gorlick King, 59 Rutland Gate, London; also with Christie's - London 1980 The Studio Sale £300 - 400

“Windy Day”

Signed and dated (19)70, inscribed verso, oil on board, 40cm by 50cm £250 - 300 919 Christopher P. Wood (b.1962)

Wooded valley landscape

Initialled and dated 1998, oil on canvas, 91.5cm by 97cm £400 - 600 920 Christopher P. Wood (b.1962)

Wooded valley landscape with a Heron

Initialled and dated 1998, oil on canvas, 91.5cm by 97cm £400 - 600 921 Alan Lowndes (1921-1978)

Study of a green trawler towing a small boat Signed and dated 1962, oil on canvas board, 23.5cm by 29.5cm £400 - 500

924 Ken Jones (20th/21st century)

“Icarus - Descending Wings”

Signed, inscribed verso, oil and enamel, 61cm by 61cm *Provenance: Hornseys, 3 Kirkgate, Ripon, North Yorkshire £300 - 350 925 Robert O Lenkiewicz (1941-2002)

"Karen Ciambriello, 13 Weeks, 4 Days Pregnant"

Signed twice, inscribed and dated 12 September 1987 - 3am, oil on panel, 57cm by 59.5cm *In June 2013 the first International exhibition of Lenkiewicz's works will take place in Liepzig at the Spinnerei in the Werkschau gallery known today as Halle 12. The exhibition is entitled 'Menschliches Allzumenscliches' (Human, all too Human). £8000 - 10000

926 John Bratby RA, LG, ARCA(Lond) (1928-1992)

Venetian canal scene with a man in a gondola

Signed, oil on canvas, 121.5cm by 91.5cm £5000 - 7000 927 John Bratby RA, LG, ARCA(Lond) (1928-1992)

"Napoleon Powell's (Greengrocer) Pineapples II"

Signed, inscribed verso and dated 19 December 1966, oil on canvas, 76cm by 61cm, unframed £3000 - 4000

*Provenance: Ogle Gallery, 12 Rotunda Terrace, Montpellier Street, Cheltenham, Gloucestershire £1000 - 1500 931 Peter Greenham RA (1909-1992)

"Railway Bridge Nr Southwark"

Initialled, inscribed verso, oil on board, 25.5cm by 37cm *Provenance: New Grafton Gallery, 1a Grafton Street, London, 5th Anniversary 1973 Exhibition

929 Alfred Aaran Wolmark (1877-1961)

**Brother of the artist Robert Duckworth Greenham. Educated at Dulwich College and won a scholarship to Oxford to read history, even though in the end he read English. Studied at Byam Shaw School of Drawing and Painting under Ernest Jackson in 1935-39. Elected RA in 1960. Greenham succeeded Sir Herbert Rushbury as the keeper of the Royal Academy Schools in 1964 until his retirement in 1985. Showed widely in mixed exhibitions and from 1972 had many solo shows at New Grafton Gallery. Tate Gallery holds his work. In 1984/85 Arts Council and Norwich School of Art put on a touring show of his work £1800 - 2000

Signed and dated under the frame, inscribed verso, oil on board, 51cm by 41cm

932 Diana Maxwell Armfield RA (b.1920)

928 Bernard Fleetwood-Walker RA, RWS, RP, ROI, NEAC (1893-1965)

"Tired Model"

Inscribed verso together with the name Margaret Reesey, oil on panel, 58cm by 38.5cm £1000 - 1500

"Ballet Dancer"

*Provenance: Belgrave Gallery, 22 Mason's Yard, Duke Street, St James's, London, The Centenary Exhibition 1977, no 5 **Ex. collection Cyril Ross £1500 - 2000 930 Ken Howard RA (b.1932)

"Karen Resting"

Signed, inscribed verso, oil on canvas board, 22cm by 16.5cm

Still life of flowers in a cream jug

Initialled, inscribed verso, oil on board, 33cm by 27.5cm

*Born in Ringwood, Hampshire. Studied at the Slade School of Fine Art and Central School of Arts and Crafts. In 1949 married Bernard Dunstan, also an artist. Was included in many mixed shows, including Festival of Britain. Solo exhibitions at Tegfryn Art Gallery, Anglesey in 1975 and 1978. Armfield began a long association with Browse & Darby, also exhibited in America and Australia. Elected RA in 1991. Among her commissions was one from the National Trust in 1988, another from HRH The Prince of Wales in 1989. British Museum, Contemporary Art Society of Wales and Government Picture Collection hold her work. £2000 - 3000 933 Bernard Dunstan RA (1920-2005)

"The Bat I"

Initialled, inscribed verso, oil on panel, 36cm by 41cm *The nude depicted is probably Diana Armfield, the artist's wife. **Provenance: John Noott, Picton House Gallery, Broadway, Worcestershire, 22 June 1985 ***Born in Teddington, Middlesex, married to the painter Diana Armfield, Dunstan developed a following for his interiors with nude and semi-draped figures and views of Italian towns. Studied at Byam Shaw School of Art in 1939, Slade School of Fine Art in 1939-41, was a member of NEAC and elected RA in 1968. Held a number of solo exhibitions at Roland, Browse and Delbanco, later at Agnew. His work is represented in many public collections including Arts Council. £2000 - 3000

934 A William Moorcroft Macintyre Florian Ware Cornflower Vase, circa 1900, in shades of salmon and green, brown printed Macintyre factory mark, green painted monogram and des, Rd No. 326468, 9.5cm £400 - 600 935 A William Moorcroft Macintyre Florian Ware Poppy Pattern Preserve Pot, circa 1900, in shades of blue, brown printed Macintyre factory mark, green painted monogram and des, Rd No. 326471, in an electroplated frame and cover, pot 9cm £400 - 500 936 A Pair of William Moorcroft Macintyre Late Florian Ware Eighteenth Century Pattern Miniature Vases, circa 1906, on a white ground, brown printed Macintyre factory mark and red painted M2638, green painted monogram, 7cm *Literature: Atterbury (Paul) Moorcroft A Guide to Moorcroft Pottery 1897-1993, page 69, plate 3 for a similar example £400 - 600 937 A William Moorcroft Macintyre Late Florian Ware Eighteenth Century Pattern Vase, circa 1906, on a white ground, brown printed Macintyre factory mark and black painted M2627/150, green painted signature, 18cm (restored rims) £300 - 500 938 A William Moorcroft Macintyre Late Florian Ware Eighteenth Century Pattern Match Striker, circa 1906, on a pale green ground, 5.5cm

*Literature: Atterbury (Paul) Moorcroft A Guide to Moorcroft Pottery 1897-1993, page 69, plate 3 for a similar example £150 - 250 939 A William Moorcroft Macintyre Late Florian Ware Poppies and Forget-me-nots Pattern Vase, circa 1908-1909, on a white ground, brown printed Macintyre factory mark and green painted signature, 17cm (crazing) £700 - 1000 940 A William Moorcroft Macintyre Lilac Pattern Double Gourd Vase, circa 1905, on a white ground with gilding, brown printed Macintyre factory mark and green painted signature, 12cm £300 - 500 941 A William Moorcroft Pomegranate Pattern Squat Vase, on a blue ground, impressed factory mark MOORCROFT BURSLEM ENGLAND M32, green painted signature, 11cm (crazing) £300 - 400 942 A William Moorcroft Pomegranate Pattern Baluster Vase, on a blue ground, impressed factory marks and facsimile signature, 11cm (restored rim) £100 - 150 943 A William Moorcroft Leaf and Grape Pattern Vase, on a green/blue ground, impressed factory mark and facsimile signature, 11cm £150 - 200

944 A William Moorcroft Claremont Pattern Bowl, brown printed MADE FOR LIBERTY & Co Rd No. 420081, green painted signature, 18cm diameter (restored rim) £400 - 600 945 A William Moorcroft Claremont Pattern Jar and Cover, impressed marks, facsimile signature and POTTER TO H.M THE QUEEN, green painted monogram, 10cm £200 - 300 946 A William Moorcroft Fish Pattern Footed Vase, circa 1930, matt glaze, impressed factory marks and olive painted monogram, 11cm (hairline to rim) £400 - 600 947 A William Moorcroft Flambé Leaf and Berry Footed Twin-Handled Bowl and Cover, with aperture to rim, impressed MOORCROFT to cover, the bowl impressed MOORCROFT MADE IN ENGLAND and blue painted monogram, 13cm £500 - 700 948 A William Moorcroft Flambé Orchid Pattern Vase, of shouldered baluster form, impressed factory marks and M72, green painted signature, printed paper Royal Warrant label, 32cm (restored rim) £400 - 600 949 A Walter Moorcroft Anemone Pattern Trumpet Vase, on a blue wash ground, impressed factory mark with facsimile signature and POTTER TO H.M. THE QUEEN, 11cm £150 - 200

950 A Modern Moorcroft Hibiscus Moon Pattern Jug, designed by Sian Leeper, impressed and painted marks, Limited Edition 130/250, dated 2002, 11.5cm; and A Modern Moorcroft Poppy Pattern Coaster, designed by Emma Bossons, factory marks, 12cm (2) £100 - 150 951 A Doulton Lambeth Stoneware Biscuit Barrel, by Hannah Barlow, of cylindrical form incised with a continuous band of sheep between beaded bands, electroplated mounts, swing handle and cover, impressed marks, dated 1879 and HBB, 21cm £400 - 500 952 A Royal Doulton Lambeth Stoneware Vase, by Hannah Barlow, scraffito decorated with a continuous frieze of horses and cattle, impressed factory marks and 1399 ttt (Eleanor Tosen) C (in a shield) ART UNION OF LONDON, and incised HBB EB and 460, 24cm £350 - 450 953 A Doulton Lambeth Stoneware Jug, by Hannah Barlow, scraffito decorated with a continuous frieze of cattle, impressed factory marks, r OC and dated 1879, incised HBB and JN, 300, 22cm (restored rim) £300 - 400 954 A Doulton Lambeth Stoneware Jug, by Hannah Barlow, scraffito decorated with a continuous frieze of horses, impressed factory marks, C (in a circle) NC and dated 1883, and incised HBB MA, 123 and 154, 23cm (restored rim) £300 - 400

955 A Doulton Lambeth Stoneware Biscuit Barrel, by Hannah Barlow, scraffito decorated with a continuous frieze of calves being feed by a girl, impressed factory marks, C and dated 1880, incised HBB and JN, 247, with electroplated cover and mounts, 20cm (damaged) £150 - 250 956 A Doulton Lambeth Stoneware Tyg, by Hannah Barlow, scraffito decorated with three running dogs below a floral border, impressed leaf and motif handles, impressed and incised factory marks and dated 1875, HBB monogram to base and side, 14.5cm (restored) £300 - 400 957 A Doulton Lambeth Stoneware Salad Bowl, by Hannah Barlow, scraffito decorated with a continuous frieze of working horses, impressed and incised factory marks and dated 1883, HBB monogram, with silver rim, Birmingham 1885, 23cm diameter £300 - 400 958 A Doulton Lambeth Stoneware Preserve Jar and Cover, by Hannah Barlow, scraffito decorated with a continuous frieze of stags and deer, impressed factory marks, C and dated 1882, incised HBB and LAB, 787 and 768, with electroplated cover, mounts and spoon, 10cm £150 - 250

959 A Doulton Lambeth Stoneware Jug, by Florence Barlow, pâte-sur-pâte decoration of blue tits, scroll handle with bird terminal, impressed factory marks, O d rr, incised FEB and 927, 27.5cm (restored) £250 - 350 960 A Doulton Lambeth Stoneware Vase, by Florence Barlow, pâte-sur-pâte decoration of poultry, impressed factory marks, a ddd, incised FEB, 421, 30.5cm £200 - 300 961 A Doulton Lambeth Stoneware Lidded Jug, by Arthur Barlow, incised decoration in tones of blue and green, impressed factory mark, B and dated 1875, incised ABB and 988, with electroplated cover, rim and inscribed collar Shrewsbury School Scratch Fours

Rowed at Cambridge Novr 1878 WINNING CREW BOW J.Robinson 2. R.M.Nason 3. G.Chesney STRE G.G.Rea COX N J.W.Loxdale, 28cm £200 - 300

962 A Doulton Lambeth Stoneware Tyg, by Mark V Marshall, tube-line decorated with foliage, in tones of blue, brown and green, impressed factory marks, 2721, r00 (Jane Rumbol), incised M.V.M LB and 124, 16.5cm £300 - 400 963 A Doulton Lambeth Stoneware Vase, by Mary Mitchell, the sides decorated with two shaped panels scraffito decorated with a girl, impressed factory marks and dO (Lizzie Marie Daintree), dated 1880 and incised MM, MA and 371, 27.5cm (chip to foot rim) £300 - 500

964 A Doulton Lambeth Stoneware Inkwell, by Frank A Butler, with carved decoration, impressed and incised factory marks, 11cm diameter £150 - 250 965 A Pair of Doulton Lambeth Stoneware Beakers, by Frank Butler, incised and applied decoration, in blue, greens and purple, impressed factory mark, b (in a circle) aa and dated 1879, incised FAB, 113 and 114, with silver rims, Birmingham 1880, 13.5cm £100 - 150 966 A Doulton Lambeth Stoneware Bowl, by Eliza Simmance, incised and applied decoration, in tones of green, brown, white and lilac, impressed factory marks, O, c, b and dated 1877, incised ES and 252, with silver mounted rim, London 1877, 21cm diameter (cracked) £100 - 150 967 A Royal Doulton Lambeth Stoneware Tyg, by Ethel Beard, with applied decoration and wild roses, in tones of blue, green and brown, impressed factory marks, 5011 and hd, incised EB, 19cm £120 - 180 968 A Doulton Lambeth Stoneware Twin-Handled Vase, by Emily J Edwards, incised and applied decoration in a rich blue and green glaze, impressed factory marks, C and dated 1876, incised EJE, 17cm; and Another Doulton Lambeth Stoneware Vase, by Emily J Edwards, with carved and impressed decoration, impressed factory marks, B and dated 1874, incised EJE, 19cm (restored) (2) £100 - 150

969 A Doulton Lambeth Stoneware Vase, by Clara S Barker, incised and applied decoration, impressed factory marks and dated 1884, incised CSB, 16.5cm (restored); and A Doulton Lambeth Stoneware Mug, with applied and impressed decoration, impressed and incised factory marks, with silver mounted rim, 11cm (2) £80 - 120 970 A Doulton Lambeth Salt-Glazed "Saved" Figural Match Holder, circa 1894, modelled as a drowning man clasping a lifebuoy, 11cm diameter £100 - 150 971 A Royal Doulton Stoneware Ball Match Striker, with applied decoration, impressed and incised factory marks, 8cm; and Two Others (3) £80 - 120 972 A Doulton Lambeth Stoneware Tobacco Jar and Cover, decorated in pâte-sur-pâte with a monkey smoking a pipe and inscribed TOBACCO, impressed and incised factory marks, 14cm; and Eleven Others, various designs and sizes (12) £400 - 500 973 A Doulton Lambeth Stoneware Inkwell and Cover, with applied decoration, impressed and incised factory marks, 10cm diameter; A Doulton Lambeth Stoneware Vase, impressed and incised factory marks, 9cm; and Two Plant Pots, with floral decoration and wavy rims, impressed and incised factory marks, 6cm and 8cm (4) £80 - 120

974 A Doulton Lambeth Stoneware Jam Pot, with incised and applied decoration, impressed and incised factory marks, electroplated mounts, 10cm £80 - 120 975 A Royal Doulton Lambeth Stoneware Pepperette, by Eliza Simmance, incised and applied decoration, impressed and incised factory marks, silver mounts, 13cm; Three Other Pepperettes, various sizes; A Doulton Lambeth Stoneware Mustard Pot, with carved and applied decoration, impressed and incised factory marks, 6.5cm (damaged handle); and A Doulton Lambeth Stoneware Salt, with carved and applied decoration, impressed and incised factory marks, electroplated rim, 4cm (6) £80 - 120 976 A Doulton Lambeth Stoneware Jug, with applied and impressed decoration in tones of green, blue and brown, impressed and incised factory marks, dated 1880, 23cm (restored rim); and A Doulton Lambeth Stoneware Jug, applied decoration, impressed and incised factory marks, dated 1875, 16.5cm (restored spout) (2) £80 - 120 977 A Royal Doulton Stoneware Vase, with applied decoration, impressed and incised factory marks, 15.5cm; A Doulton & Slaters Patent Vase, with raised floral decoration on a chine ground, impressed and incised factory marks, 23cm; and A Royal Doulton Stoneware Bowl, with a band of floral decoration, impressed and incised factory marks, 20cm diameter (3) £70 - 100

978 A Royal Doulton Stoneware Vase, with stylised decoration, impressed and incised factory marks, 17.5cm; A Doulton Faience Vase, painted with flowers highlighted in gilt, printed, impressed and painted factory marks, 17.5cm; and A Doulton Lambeth Stoneware Plant Pot, with applied decoration and wavy rim, impressed and incised factory marks, 6.5cm (restored) (3) £60 - 90 979 Two Royal Doulton Flambé Ovoid Vases, depicting a church in a rural setting and a ruin in a rural setting, printed, impressed and painted marks, 8.5cm; A Royal Doulton Burslem Falconry Series Ware Mug, printed and painted factory marks, 14.5cm (cracked); and Two Doulton Burslem Series Ware Jugs, Jacobean and Norfolk, printed and painted factory marks, 12.5cm and 17cm (both crazed) (5) £70 - 100 980 Six Maw & Co Nursery Rhyme Tiles, designed by Walter Crane, depicting LITTLE BO PEEP, JOCK HE WAS A PIPER'S SON, MISTRESS MARY, LITTLE BROWN BETTY, TOM TUCKER and LITTLE BOY BLUE, stamped circular factory mark FLOREAT MAW SALOPIA, 6" (15cm) square £200 - 300 981 A Watcombe Terracotta Plaque, early 20th century, painted by Edward King Redmore with sailing ships on a choppy sea, signed, impressed marks, 25cm diameter (framed) £300 - 400

982 Louis-Etienne Desmant (French, 1844-1902): A Faience Lustre Jug, circa 1900, of globular form, decorated with scenes from the Bayeux tapestry on a red lustrous ground, angular handle, incised Desmant Subles Normandie, 12cm £120 - 180 983 Christopher Dresser for Linthorpe Pottery: A Vase, shape No.159, the neck and body incised with a repeating pattern on a blue, mustard and green ground, impressed and incised factory marks 159 Linthorpe, Dresser facsimile signature, 18cm £300 - 400 984 Christopher Dresser for Linthorpe Pottery: A Twin-Handled Vase, shape No.337, moulded with a mon design to each side, impressed factory marks Linthorpe Chr Dresser HT 337, 20.5cm £250 - 350 985 Two Burmantofts Faience Tiles, glazed in olive green, relief moulded with a bird feeding its chicks and a hare finding the bird and chicks, impressed BURMANTOFTS FAIENCE and painted marks, 29cm square (framed) £150 - 250 986 A Della Robbia Pottery Twin-Handled Vase, by Gwendoline Buckler, the handles modelled with a greenman, painted in shades of green, yellow, orange and turquoise, incised DR 166 HP and painted marks GEMB, 18.5cm high £250 - 350

987 A Pilkington's Royal Lancastrian Fiery Crystaline Glaze Vase, shape No.2153, orange, deep pink and red tones, impressed factory mark and date code VI, 14cm £100 - 150

992 Michael Ambrose Cardew (1901-1983): A Winchcombe Pottery Earthenware Bowl, the interior slip-trailed with the river pattern, impressed MC and Winchcombe Pottery seals, 28.5cm £200 - 300

988 Phoebe Stabler (1879-1955): A Patinated Plaster Figure, modelled as an old Picardy peasant woman carrying sticks, stamped in the plaster PHOEBE STABLER 1910, 25.5cm (damages) £200 - 300

993 Janet Leach (nee Darnell) (1918-1997): A Stoneware Vase, green glaze, impressed JL and St Ives Pottery seals, 18.5cm (firing faults) £200 - 300

989 A Wedgwood Fairyland Lustre Woodland Bridge and Elves II Pattern Antique Centre Bowl, circa 1920's, pattern number Z4968, designed by Daisy Makeig-Jones, signed in gilt MJ, gilt Portland Vase mark, painted Z4968, 22cm diameter £1500 - 2000

994 Katharine Pleydell-Bouverie (1895-1985): A Stoneware Teaset, olive green glaze exterior, pale green/blue glaze interior, comprising four cups and saucers, milk jug and sugar bowl, impressed potter's seal, one cup with painted marks, cup 5.5cm (10) £100 - 150

990 A Wedgwood Fairyland Lustre Willow Pattern Vase, circa 1920's, pattern number Z5360, designed by Daisy Makeig-Jones, gilt Portland Vase mark, painted Z5360, incised shape number 2034, 22cm £1500 - 2000

995 John Jelfs (b.1946): A Stoneware Vase, speckled pale green ash glaze, with repeating decoration, impressed potter's seal, 26.5cm high

991 A Wedgwood Fairyland Lustre Castle on a Road Pattern 2442 Vase, circa 1920's, pattern Z5125, designed by Daisy Makeig-Jones, gilt Portland Vase mark, painted Z5125 and i, 19.5cm (restored) £1500 - 2000

*Provenance: Purchased from the potter at Rufford Earth & Fire Ceramics Fair 25/06/2006 £70 - 100 996 Douglas and Morag Ewen (Contemporary): A Stoneware Twin-Handled Vase and Plate, both with sung glaze, unmarked, plate 17.5cm vase 8.5cm (2) £70 - 100

997 Micki Schloessingk (b.1949): A Stoneware Footed Bowl, wood-fired salt-glazed, swirl decoration to interior, impressed M seal, 27cm diameter; and Lisa Hammond (b.1956): A Stoneware Faceted Lidded Jar, impressed potter's seal and Maze Hill Pottery, 21cm *Provenance: Purchased at Rufford Craft Centre Selling Exhibition 22/06/2007 and from Liz Bowe Ceramics, Boroughbridge 27/01/2007 £100 - 150 998 Eddie Curtis (b.1953): A Porcelain Vase, crackle jun glaze with manganese rim, impressed potter's seal, 16cm high; Stephanie Black (Contemporary): A Hand-Thrown Earthenware Vessel, with dry textured and pitted lithium glaze, impressed potter's seal, 10cm; and Caroline Ritchie (Contemporary): A Stoneware Bowl, iron red glaze, painted CR 77, diameter 12.5cm (3) *Provenance: Purchased from the potter at Durham Craft Fair 07/12/2003 and from Maggie Barnes Ceramics, Knaresborough 13/03/2005 £70 - 100 999 A Clarice Cliff Fantasque Bizarre Bon Jour Rudyard Coffee Set, circa 1933, comprising coffee pot and cover, six cups and saucers, milk jug and sugar bowl, hand painted with a stylised tree landscape between graduated blue, green and pink banding, black printed factory marks, pot 20cm (restored finial to pot) £1500 - 2000

1000 A Clarice Cliff Fantasque Bizarre Berries Cauldron, painted in blue, orange, red, green, yellow and purple, printed factory marks, 7cm and Another Clarice Cliff Bizarre Oranges Cauldron, painted in orange, green, purple and blue, printed factory marks, 7cm (2) £250 - 350 1001 A Clarice Cliff Bizarre Blue Autumn Cafe-Au-Lait Conical Sifter, painted with stylised trees and a roof hidden in bushes, black printed factory marks, 14cm £200 - 300 1002 A Lenci Figure of a Child, the seated girl wearing a floral painted dress, black painted marks Lenci MADE IN ITALY 3.9.31 E, 13.5cm £250 - 350 1003 Two Early 20th Century Mosanic Cats, each in a seated pose, with glass eyes, painted with heart and other shapes in blue, on a yellow ground and a green ground, each with painted Mosanic mark, 32cm and 31cm high £200 - 300 1004 A Mosanic Faience Figure of a Cat, early 20th century, with glass eyes, the green animal sitting licking its bandaged foreleg, a plaster to its forehead, mark in blue, 24.5cm high; and A Figure of a Seated Cat, with glass eyes and blue markings to its green fur, 25cm high (2) £300 - 400

1005 A Boch Freres Keramis Vase, designed by Charles Catteau, pattern D.8366, with everted rim, decorated with three birds in foliage, in shades of yellow, blue, green, black and red, factory marks and impressed 117, 32cm high £250 - 350

1011 A René Lalique "Coquilles" Opalescent and Clear Glass Bowl, No.3200, the underside moulded with four scallop shells, wheel etched R LALIQUE FRANCE, script etched No.3200, 24cm diameter £200 - 300

1006 A D'Argental Cameo Glass Bowl, the amber ground cut with a flowering vine in dark red, signed d'Argental, 33cm diameter £1000 - 1500

1012 Hugh Oloff de Wet (1912-1975): "Robert Graves" A Bronze Bust, naturalistically modelled, signed in the cast H.O.d.Wet, 38cm, on a teak plinth base

1007 Daum Nancy and Louis Majorelle (1859-1926) Bowl, circa 1920, red cased glass with foil inclusions, in a wrought-iron mount, signed Daum Nancy L.Majorelle, 17cm £300 - 500 1008 A René Lalique "Raisins" Frosted and Clear No.1032 Glass Vase, moulded in relief with grapes and foliage, stencil mark R Lalique France, 16cm £300 - 400 1009 A René Lalique "Lys" Opalescent and Clear Glass Bowl, the underside moulded with four lily flowers, their stems forming the feet, wheel etched R LALIQUE FRANCE, script etched No.382, 24cm diameter £300 - 400 1010 A Lalique "Bagatelle" Clear and Frosted Glass Vase, model No.10-936, moulded with birds and foliage, engraved Lalique France, 17cm £250 - 350

*Hugh was a self-taught sculptor. Mostly working with writers and poets. He was also an author, writing The Valley of the Shadows, (Blackwood's) Cardboard Crucifix, (Blackwood's) and A visit to John Cowper Powys, and was featured on This Is Your life with Eamonn Andrews in 1956. The University of Texas commissioned a number of busts for its Ransom Centre Reading Room. £600 - 900 1013 Hugh Oloff de Wet (1912-1975): "Dylan Thomas" A Patinated Plaster and Fibreglass Bust, naturalistically modelled, signed in the cast OLOFF DE WET, 68cm on a teak plinth base Hugh was a friend of Dylan Thomas, and sculpted him two years before his death. The bronze cast bust was on display at the Royal Festival Hall. £400 - 600 1014 Hugh Oloff de Wet (1912-1975): "Kitty" A Bronze Bust, naturalistically modelled, 41cm £500 - 800

1015 Hugh Oloff de Wet (1912-1975): "Ezra Pound" A Plaster Bust, naturalistically modelled, signed in the cast OLOFF '65, 44cm s *Hugh visited Pound at his home in Rapallo, Italy in 1965. The bronze cast is in the Ransom Center. £150 - 250 1016 Hugh Oloff de Wet (1912-1975): "Rudolph Nureyev" A Patinated Red Plaster Bust, naturalistically modelled, 45cm £200 - 300 1017 Hugh Oloff de Wet (1912-1975): "Princess Anne" A Patinated Plaster Bust, naturalistically modelled, 37cm, on a mahogany plinth base with plaque inscribed Oloff de Wet 73 £200 - 300 1018 Hugh Oloff de Wet (1912-1975): "Self-Portrait" A Plaster Bust, naturalistically modelled, 43cm; and Another Patinated Plaster Bust, possibly Christ, naturalistically modelled, 43cm (2) s £150 - 250 1019 Hugh Oloff de Wet (1912-1975): "Louie Golding" A Concrete Death Mask, 26cm £100 - 150

1020 Hugh Oloff de Wet (1912-1975): "Sarah Churchill" A Red Clay Bust, naturalistically modelled, 13cm; and Other Busts (qty) and a small archive relating to Hugh Oloff de Wet, including; letters, photographs, books and manuscripts £100 - 150 1021 Johann Philipp Ferdinand Preiss (German 1882-1943): "The Necklace", A Patinated Bronze and Ivory Figure, model number 884, carved as a maiden seated by a pool with bronze roundals in her hair, her robes falling over her legs, on a green veined marble dished base signed Preiss, 15cm *Literature: Shayo (Alberto) Ferdinand

Preiss, Art Deco Sculptor The fire and the flame, Suffolk, 2005, p.120. £3000 - 4000

1022 Johann Philipp Ferdinand Preiss (German 1882-1943): "Sonny Boy" and "Hoop Girl", A Pair of Cold Painted Bronze and Tinted Ivory Figures, model numbers 1179 and 1123, modelled as a young girl with a hoop and a boy with book, on green onyx bases, both signed F Preiss, 21cm (2) *Literature: Shayo (Alberto) Ferdinand

Preiss, Art Deco Sculptor The fire and the flame, Suffolk, 2005, p.130. £2000 - 3000

1023 Demetre H Chiparus (Romanian, 1888-1950): A Cold Painted Bronze and Ivory Figure, modelled as a school girl wearing a hat and scarf and carrying a satchel, on a hexagonal green onyx base, stamped in cast CHIPARUS 1672 1, 20cm £1000 - 1500

1024 Franz Xavier Bergmann (Austrian/American 1861-1936): An Art Nouveau Cold Painted Bronze Figure, modelled as an erotic dancer, her skirt opening on a hinge to reveal her nude, on a circular two tier green marble base, stamped in cast Nam Greb and a B in an urn shaped cartouche, 32cm £800 - 1200 1025 Yves Lohe (French, b.1947): A Bronze and Glass Sculpture, modelled as a Blesbok, the frosted and blue tinted glass forming the face and neck in a gold patinated bronze frame, signed in the base Lohe, 61cm £200 - 300 1026 Bruno Chersicia (Italian, b.1937): A Painted Wood Sculpture, modelled as a pivoting sectional head of a horse, numbered 126/300, 24cm (boxed with certificate) £200 - 300 1027 Guild of Handicrafts: A Set of Six Coffee Spoons, maker's mark G of H Ltd, London 1903, with open-work leaf terminals set with a chrysoprase, the bowls with a hammered surface, 9.5cm long, 2.37oz, in fitted original case £300 - 400 1028 Omar Ramsden and Alwyn Carr: A Silver Five Piece Dressing Table/Brush Set, maker's mark RN & CR, London 1910/13, the backs with dog rose decoration and mounted with ball motifs to front and back, comprising mirror, pair of hair brushes, two clothes brushes, length of mirror 33cm, in a modern fitted box £500 - 1000

1029 An Arts & Crafts Silver Jam Spoon, by Omar Ramsden & Alwyn Carr, London 1912, with almond shaped hammered bowl, twisted stem and trefoil end, 1.11oz, 15.5cm £100 - 150 1030 A Christofle Electroplated Stemmed Centre-Piece, Model No.40, the hammered circular bowl with flaring rim, the stem mounted with four balls on a disc, on a domed circular foot, stamped factory marks, 35cm diameter £100 - 150 1031 A Liberty Tudric Pewter Twin-Handled Vase, model No.0212, of tapering form, on a circular foot, stamped TUDRIC 0212, 36.5cm £150 - 250 1032 A Pair of Aesthetic Movement Gilt Metal Candlesticks, square drip tray, on a fluted column decorated with insects and foliage, square base on four feet, stamped RD 3460, 17cm £100 - 150 1033 A Newlyn School Copper Pyramid Inkwell, the design attributed to J D Mackenzie, the sides embossed with cuttlefish and octopus, stamped Newlyn, 9cm £150 - 250

1034 An Arts & Crafts Copper Sign, embossed with H.STONE Certificated

PIANOFORTE TUNER & REPAIRER LOFT STUDIO, 46cm by 27cm; and A William

Soutter & Sons Co, Brass Three-Handled Jardiniere, mounted with three blue glazed pottery cabochons, stamped marks, 20.5cm (2) £100 - 150 1035 Attributed to J & F Pool of Hayle: A Rectangular Copper Cigar Box, the hinged domed cover embossed with CIGARS and whiplash decoration, the base with embossed motifs and raised on four riveted feet, unmarked, 26cm by 18cm, 11cm high £100 - 150

1038 Christopher Dresser for Richard Parry, Son & Co: A Matched Pair of Kordofan Candlesticks, each with domed drip trays above cylindrical columns with domed bases in red paint and applied curved wooden handles with brass fittings, with lozenge mark for 30th October 1883 and 20th January 1876, and DR DRESSERS' DESIGN, 14.5cm (re-painted) £150 - 250 1039 A W.A.S Benson Copper and Brass Jacketed Jug, with enamel liner, of tapering form, stamped BENSON WASB, 25cm *Literature: Hamerton (Ian) W.A.S Benson

Arts and Crafts Luminary and Pioneer of Modern Design, Antique Collector's Club, pg.255 pl.31

1036 A Keswick School of Industrial Arts Copper Rectangular Tray, repousse decorated with two phoenix in stylised flowers and foliage, stamped KSIA mark, circular paper label HORNSBY COLLECTION P278, 34cm by 41cm; and A Keswick School of Industrial Arts Copper Circular Tray, decorated with stylised flowers, stamped KSIA mark, 20cm (2) £150 - 250 1037 A Keswick School of Industrial Arts Copper Three Piece Teaset, hammered effect, the teapot and milk jug with wicker covered handles, stamped KSIA mark, teapot 13cm £150 - 250

£100 - 150 1040 Scottish School: An Arts & Crafts Brass Mirror, circa 1900, the oval frame decorated with Celtic knotwork, unmarked, 59cm by 28cm; An Arts & Crafts Copper Mirror, circa 1900, the rectangular frame embossed with stylised plantation, unmarked, 58cm by 74cm; and An Arts & Crafts Stained Oak Folding Screen, inset with two brass embossed panels depicting a peacock, unmarked, 70.5cm (3) £100 - 150

1041 A Pair of Art Noueau Copper and Wrought-Iron Fire Dogs, the uprights terminating with copper lattice panels over green glazed pottery roundels, unmarked, 31.5cm; An Arts & Crafts Copper Candlestick, with embossed decoration, unmarked, 16cm; and A Coburg Steel Candlestick, with dished drip tray, above a turned column with pitted decoration, the ribbed applied handle extending to a broad circular base, stamped COBURG, 19cm (4) £100 - 150 1042 An Arts & Crafts Oval Hammered Copper and White Metal Inlaid Tray, by Hugh Wallis, the well inset with flowers in a twin-handled vase, within a chevron border to the rim, stamped mark HW, 55cm £100 - 150 1043 A Robert "Mouseman" Thompson Oak 10' Five Plank Refectory Table, on four octagonal turned legs joined by a single stretcher at floor level, with carved mouse signature, carved initials A.M.E.B, M.B.B, M.L.B and N.O.L.B and dated 1975, 304cm by 120.5cm, 72.5cm high £2500 - 3500 1044 A Set of Eight Robert "Mouseman" Thompson Oak Lattice Back Dining Chairs, with tan cow hide upholstered seats, on two octagonal turned front legs, front rush rail set back, each with a carved mouse signature, 84.5cm high £2500 - 3500

1045 A Robert "Mouseman" Thompson Oak 6' Sideboard, with raised upstand, the top over three long drawers, flanked by two conforming panel doors with wrought-iron hinges and latches, on two octagonal front feet, with carved mouse signature, 183cm by 47cm, 81.5cm high £2000 - 3000 1046 A Robert "Mouseman" Thompson Oak Smoker's Chair, with slung leather back, cow hide covered cushion, with carved mouse signature, 103cm £700 - 900 1047 A Robert "Mouseman" Thompson Oak Smoker's Chair, with slung leather back, cow hide covered cushion, with carved mouse signature, 103cm £700 - 900 1048 A Robert "Mouseman" Thompson Oak Smoker's Chair, with slung leather back, cow hide covered cushion, with carved mouse signature, 103cm £700 - 900 1049 A Robert "Mouseman" Thompson Oak Smoker's Chair, with slung leather back, cow hide covered cushion, with carved mouse signature, 103cm £700 - 900 1050 A Robert "Mouseman" Thompson Oak Three Plank Octagonal Smoking Table, on a cruciform base, with carved mouse signature, 61.5cm high £800 - 1000

1051 A Robert "Mouseman" Thompson Oak Monk's Chair, with curved back and shaped arms, over three lattice panels, cream hide seat, on four octagonal legs joined by a X stretcher, with carved mouse signature, 80cm £800 - 1000

1056 A Robert "Mouseman" Thompson Oak Fruit Bowl, with carved mouse signature to the interior, 29.5cm diameter; and A Pair of Robert "Mouseman" Thompson Oak Ashtrays, each with a carved mouse signature, 10cm (3) £200 - 300

1052 A Robert "Mouseman" Thompson Oak Monk's Chair, with curved back and shaped arms, over three lattice panels, tan hide seat, on four octagonal legs joined by a X stretcher, with carved mouse signature, 81cm £800 - 1000

1057 A Pair of Robert "Mouseman" Thompson Panelled Oak Doors, each with eighteen panels, both with a recessed carved mouse signature, approx. 211.5cm high, 83.5cm wide, 3.5cm deep with frames, each with a castleated top (good colour) £1000 - 1500

1053 A Robert "Mouseman" Thompson Oak Corner Display Cupboard, penny moulded frieze, the upper section with leaded glazed door and side panels, enclosing glass shelves, on a cupboard base with a fixed shelf, wrought-iron latch and hinges, with recessed carved mouse signature, 75cm by 45cm, 187.5cm £1300 - 1800 1054 A Robert "Mouseman" Thompson Oak Octagonal Coffee Table, on a cruciform base, with carved mouse signature, 47cm high £350 - 550 1055 A Robert "Mouseman" Thompson Oak Extension Table, on two octagonal legs joined by a stretcher at floor level, with carved mouse signature, 86cm by 44.5cm, 73cm high £800 - 1000

1058 A Robert "Mouseman" Thompson Oak Fire-Screen, inset with a woolwork picture, with carrying aperture handle, on two sledge feet, with carved mouse signature, 83cm £450 - 550 1059 A Robert "Mouseman" Thompson Oak 3' Single Panelled Bedstead, the panelled headboard and footboard with castellated top, the footboard with carved mouse signature, with oak side rails, headboard 108cm high footboard 76cm high, 91.5cm wide £600 - 900 1060 A Robert "Mouseman" Thompson Oak 3' Single Panelled Bedstead, the panelled headboard and footboard with castellated top, the footboard with carved mouse signature, with oak side rails, headboard 117cm high footboard 76cm high, 91cm wide £600 - 900

1061 A Robert "Mouseman" Thompson Oak Dressing Table Stool, upholstered cow hide seat, on four turned octagonal legs joined by four low level rails, with carved mouse signature, 45.5cm high £300 - 400

1067 A Robert "Mouseman" Thompson Oak 3' Rectangular Coffee Table, on two octagonal legs, joined by a stretcher at floor level, with carved mouse signature, 91.5cm by 37cm, 44cm high £300 - 400

1062 A Robert "Mouseman" Thompson Panelled Oak Hanging Corner Cupboard, the interior fitted with three shelves, wrought-iron latch and hinges, with carved mouse signature, 70cm by 48cm by 97cm £600 - 900

1068 A Robert "Mouseman" Thompson Oak Book Trough, with carved mouse signature, 45.5cm long £70 - 100

1063 A Robert "Mouseman" Thompson Oak Octagonal Coffee Table, on a cruciform base, with carved mouse signature, 47cm high £300 - 500 1064 A Robert "Mouseman" Thompson Oak Cow Stool, on three tapering octagonal legs, with carved mouse signature, 35.5cm £70 - 100 1065 A Robert "Mouseman" Thompson 4' Oak Planter with Liner, of rectangular form with shaped end supports, with carved mouse signature, 121cm by 32cm, 54cm high (c.1960's) £350 - 450 1066 A Robert "Mouseman" Thompson Oak Cheese Board, with carved mouse signature on the handle, 36.5cm; and A Robert "Mouseman" Thompson Oak Bread Board, with a carved mouse signature, 30.5cm (2) £100 - 150

1069 A 1930's Robert "Mouseman" Thompson Oak Stool, with lattice leather seat, on four turned legs joined by stretchers, with carved mouse signature, 33cm (re-leathered) £300 - 500 1070 A Robert "Mouseman" Thompson Oak Standard Lamp, octagonal column and base, with carved mouse signature, 139cm £450 - 550 1071 A Robert "Mouseman" Thompson Oak Octagonal Coffee Table, on a cruciform base, with carved mouse signature, 47cm high £300 - 400 1072 A Robert "Mouseman" Thompson Oak Chandelier, with a ceiling boss above a turned octagonal column with three arms, each with upward facing brass electric light bulb holders, with caved mouse signature, 46cm £250 - 350

1073 An "Out of Hours" Oak Nest-of-Tables, on turned octagonal legs, with a carved mouse to the smallest front rail, largest 61cm wide, 37cm deep, 47cm high £200 - 300 1074 A Peter "Rabbitman" Heap Oak 5' Welsh Dresser, the upper section with two plate rack shelves, the base with three drawers above two cupboard doors, on block feet, with carved rabbit signature, 152cm by 46cm, 177cm high *Ordered 27/10/83 £800 - 1200 1075 A Peter "Rabbitman" Heap Oak 8' Refectory Dining Table, dowelled four plank rectangular top, on two turned octagonal legs joined by a floor stretcher, with a large over fed carved rabbit signature, 244cm by 90cm, 72cm *Ordered 27/10/83 £700 - 1000 1076 A Set of Eight Peter "Rabbitman" Heap Oak Lattice Back Dining Chairs, on turned octagonal front legs joined by a rush rail, natural hide seats, each with a carved rabbit signature, 84.5cm *Ordered 27/10/83 £800 - 1200 1077 A Pair of Peter "Rabbitman" Heap Oak Lattice Back Arm Chairs, on turned octagonal front legs joined by a rush rail, natural hide seats, each with a carved rabbit signature, 91cm *Ordered 27/10/83 £300 - 400

1078 A Set of Four Peter "Rabbitman" Heap Oak Lattice Back Armchairs, with upholstered cream hide seats, on two turned octagonal front legs joined by a set-back rush rail, each with carved rabbit signature, 91cm £400 - 600 1079 A Pair of Peter "Rabbitman" Heap Oak Cow Stools, on three octagonal legs, each with a carved rabbit signature, 37cm £80 - 120 1080 An Old Mill Furniture Octagonal Oak Refectory Table, on a cruciform base, with recessed carved knight signature, 135cm by 194cm, 76.5cm high *Purchased 13/05/2004 £700 - 1000 1081 A Set of Eight Old Mill Furniture Oak Lattice Back Chairs, drop-in seats, on two turned octagonal front legs, each with recessed carved knight signature, 91cm *Purchased 13/05/2004 £700 - 1000 1082 A Malcolm "Foxman" Pipes Oak 5'6" Four Plank Refectory Table, on a trestle base, with carved fox signature, 167.5cm by 86.5cm, 72.5cm high £300 - 500 1083 A Set of Six (4+2) Malcolm "Foxman" Pipes Oak Chairs, curved top rail above a panelled back, on two turned octagonal front legs, each with recessed carved fox signature, elbow 91cm £600 - 800

1084 A Colin "Beaverman" Almack Oak 5'6" Four Plank Refectory Table, on two turned octagonal legs joined by a stretcher, on two sledge feet, with carved beaver signature, 92.5cm by 166cm, 74cm high; and A set of Four Colin "Beaverman" Almack Oak Lattice Back Elbow Chairs, on two turned octagonal front legs, each with recessed carved beaver signature, 94cm (5) £800 - 1200 1085 A Colin "Beaverman" Almack Oak 5' Panelled Bedstead, the headboard with shaped top rail and carved beaver signature joined by square section ends, the matching footboard with carved beaver signature, headboard 108.5cm high footboard 87cm high, 148cm wide £500 - 800 1086 A Colin "Beaverman" Almack Burr Oak Pub Table, on trestle base, with carved beaver signature, 168cm long, 60.5cm high; and Three Others, unmarked, various sizes (4) *From the Carpenters Arms, Felixkirk £1000 - 1500 1087 An Alan Grainger Acorn Industries Oak Four Section Corner Bookcase, with fixed and adjustable shelves, with carved acorn signature, 202cm high £200 - 300

1088 A Set of Six (4+1) Kingpost Oak Panel Back Chairs, nailed hide seats, on four square section legs joined by a H stretcher, unmarked, 84cm (different colour hide seats) and A Kingpost Oak Drop Leaf Table, joined by H stretchers, unmarked £300 - 500 1089 A Kingpost Panelled Oak Sideboard, the rectangular adzed top over two drawers over two cupboard doors, with carved triangle signature, 118cm by 49cm, 89cm high; and A Kingpost Oak Drop Leaf Table, on chamfered square section legs, with carved triangle signature, 154cm by 84cm, 75.5cm high (2) £250 - 300 1090 A Derek "Lizardman" Slater Oak Ashtray, with carved lizard signature, 10.5cm; an Oak Napkin Ring, with carved lizard signature, 4.5cm; and Two Letter Openers, one with initials D.G, both with carved lizard signature, 23cm (4) £80 - 120 1091 A Yorkshire School Carved Oak Owl, carved as a perched owl on a rock work base, unmarked, 25cm (damage to talon) £100 - 150 1092 A Thomas "Gnomeman" Whittaker Oak Dresser, the rack with three open shelves, the base fitted with a linen fold decorated single drawer and sides, on four tapered legs, joined by a stretcher, with a recessed carved gnome signature, 71cm by 37.5cm by 180cm £400 - 600

1093 A Thomas "Gnomeman" Whittaker Oak 6' Four Plank Refectory Table, on shaped supports joined by a pegged stretcher, with a recessed carved gnome signature, 182cm by 78cm, 74.5cm high: and A Set of Six (5+1) Thomas "Gnomeman" Whittaker Oak Panel Back Chairs, hide seats, on turned front legs joined by a stretcher, each with a recessed carved gnome signature, armchair 90cm, chairs 87cm £1000 - 1500

1096 An English Oak Pedestal Cupboard, designed by Gordon Russell, the single door cupboard, on four octagonal legs joined by a X stretcher, 35cm square, 77cm high *22nd October 1924 1 Oak Pedestal Cupboard. M.11 £4/12/6 £400 - 600

1094 The following 4 lots were commissioned by Harry S Fairhurst F.R.I.B.A for Seagarth, Red Wharf Bay, Isle of Anglesey.

1097 An English Oak Standard Lamp, designed by Gordon Russell, the octagonal frame top with hanging fringe, on an octagonal column, on four feet, labelled Russell & Sons, Broadway Worces, 198cm £400 - 600

An English Oak Panelled Single Wardrobe, designed by Gordon Russell, cedar lined, shelves and hanging interior, walnut handles on four octagonal feet, labelled to interior and back Russell & Sons, Broadway Worces, 102cm by 55cm, 193cm

1098 An Arts & Crafts Oak Trolley, designed by S Gibbons, with two tiers and plate glass top, on four square section legs, unmarked, on large castors, 91cm by 50cm, 71cm high £100 - 150

14th October 1924 Single Wardrobe in oak lined cedar, walnut handles, Watts fitting, shelves for mats. No.101 £18/10£700 - 1000

1099 Arthur W Simpson, Kendal (1857-1922): An Oak Bed Tray, with folding legs, labelled Arthur W.Simpson The Handicrafts Kendal and stamped 7011, 61cm wide, 38cm deep; Two Oak Photograph Frames, depicting Eleanor Simpson and Arthur W Simpson, one impressed on mount T.Henry Hogg Kendal, 25.5cm by 20cm and 18cm by 13cm; and A Wood Carving Chisel, stamped A W Simpson, 17.5cm (4) s £200 - 300

1095 A Pair of English Oak 4' Panelled Beds, designed by Gordon Russell, the headboards with shaped top rail, on octagonal legs, headboards 110cm high footboards 75cm high 122cm wide (without castors) 26th August 1924 2 Oak 4' Beds. No.14, £8/10/- ea. £400 - 600

1100 A Pair of Arts & Crafts Inlaid Oak Side Chairs, the splat with floral inlay motif, rush seats, stamped L40094, 104cm

*This model has been found with a maker's label for Hampton & Sons of Pall Mall, London. Probably made for Liberty & Co. £300 - 500 1101 An Arts & Crafts Oak Bow Fronted Sideboard, probably retailed by Liberty & Co, the raised back with protruding shelf, slatted sides, the base with three drawers above three panelled doors, on tapering front legs, 205cm wide, 69cm deep, 146.5cm high £700 - 1000 1102 An Arts & Crafts Oak and Pine Corner Glazed Gun Cabinet, with castellated top over a three-section carved panel frieze, the glazed door with two ornate hinges enclosed by carved vertical panels, fitted interior, above a single carved drawer with heart handle, on carved feet, 125cm by 50cm by 209cm, with key *Provenance: Ex Hamilton Palace 1919 Sale £1000 - 1500 1103 An Arts & Crafts Carved Oak Sideboard, the superstructure with moulded cornice over two glazed doors above a mirror, the base with overhanging top above two drawers over two carved cupboard doors, on stile feet, 153cm by 57cm, 175.5cm high £600 - 900

1104 An Arts & Crafts Oak Sideboard, with raised upstand above a canted rectangular top, over two drawers each with two beaten copper handles, over two cupboard doors with carved linen fold decoration and copper strap handles, above a pierced stretcher, 120cm wide, 54cm deep, 97cm high £200 - 300 1105 An Arts & Crafts Oak Centre Table, the top with moulded edges above an apron frieze, on four open square section legs joined by stretchers, inscribed in pencil Made by ? He being 72 years of age, 113cm by 97cm, 84cm high £300 - 400 1106 A French Art Nouveau Carved Walnut Glazed Cabinet, in the style of Louis Majorelle/Eugene Gaillard, with domed top over two doors each with carved floral whiplash decoration, the whole with clear bevelled glass panels, enclosing glass shelves over a mirror base, unmarked, 73cm wide, 44cm deep, 158cm high £800 - 1200 1107 An Art Deco Walnut and Satin Birch Bowfront Cocktail Cabinet, by G & F, the two upper doors enclosing a mirrored interior and two glass shelves, the doors with fitted shelves, above two doors with a shelf and fittings for bottles, labelled GOLD FEATHER PRODUCTS G & F, 122cm wide, 46cm deep, 164cm high £100 - 200

1108 Peter Hvidt & Orla Molgaard-Nielsen: A Two-Seater and Three-Seater Sofa/Day Bed, with wedge form cushions upholstered in yellow and black, with chrome support rest to one end, on four tapering legs, unmarked, 200cm and 122cm long £400 - 600 1109 A France & Sons Teak Adjustable Easy Chair, the top rail above two curved slats with lifting sliding seat, with two yellow weave upholstered cushions, shaped arms, on four tapering legs, labelled FF CKFrance 5254557, 89.5cm; and Another France & Sons Teak Easy Chair, designed by Ole Wanscher, with shaped arms, on four sectional legs, labelled FF CKFrance 5258721, 81cm (2) £300 - 500 1110 Peter Hvidt & Orla Molgaard-Nielsen: A Rosewood and Teak Easy Chair, with spindle back and bent arms, on tapered legs, unmarked, with two loose cushions upholstered in yellow weave, 94cm; A Danish Rosewood Low Coffee Table, the square top on four tapering legs, unmarked, 76cm square, 45cm high; and A Danish Teak Nest-of-Tables, on square section legs, unmarked, largest 38cm by 65cm, 49.5cm (3) £200 - 300 1111 A Danish Teak Extending Dining Table, designed by No Moller and made by Gudme, on two supports joined by a floor stretcher, stamped GUDME

MOBELFABRIK GUDME MADE IN DENMARK FURNITURE MAKERS QUALITY CONTROL DANISH, 95cm by 161cm, 73.5cm high, leaf 48.5cm £100 - 150

1112 A Danish Brande Mobelindustri Rosewood Dining Room Suite, designed by Rosengren Hansen, comprising extending circular table with two extra leaves, sideboard and eight (6+2) chairs, some stamped BM MADE IN DENMARK BRANDE MOBELINDUSTRI and labelled design BM rosengren hansen, table 119cm (each leaf 50cm wide) 72cm high, sideboard 210cm by 52cm, 80cm chairs 75cm (10) £300 - 500 1113 A Pair of Danish Fritz Henningsen Beech Windsor Chairs, with double spindle backs, on shaped seats, on four legs joined by a stretcher, stamped DANMARK FH (in a circle) 86.5cm £200 - 300 1114 A Set of Eight Teak and Plywood Chairs, designed by Arne Jacobsen for Fritz Hansen, with black varnished legs, moulded mark MADE IN DENMARK FH

1970 BY FRITZ HANSEN FURNITURE MAKERS' DANISH CONTROL, 77cm £300 - 500

1115 A Set of Six Danish Teak Chairs, with slatted backs, black vinyl seats, stamped Made in Denmark, 98cm £80 - 120 1116 A Pair of Westnofa Siesta Lounge Chairs, designed by Ingmar Relling, upholstered in grey leather, on black painted frames, labelled westnofa furniture

made in norway Vestlandske N-6230 Sykkylven Tlf.:071-51 122, 98cm; and A Matching Ottoman, 41.5cm (3) £300 - 500

1117 Eero Aarnio: A "Ball" (or Globe) Chair, circa 1960's, white moulded polyester shell with padded weave fabric upholstery and two cushions, on a white enamelled aluminium swivel pedestal, 122cm high £1000 - 1500 1118 A Pair Eros Transparent Plastic Chairs, designed by Philippe Starck for Kartell, on tubular metal legs, stamped

ERO (S) by Kartell with StARCK MADE IN ITALY, 82cm £150 - 250

1119 A Set of Four Plastic DAR Chairs, designed by Charles and Ray Eames for Vitra, on tubular metal Eiffel Tower bases, labelled, 80cm £200 - 300 1120 A Modern Heart Cone Chair, designed by Verner Panton, upholstered in red wool with drop-in seat, on four-prong swivel metal base with plastic glide feet, painted numbers 06/04, 88cm £300 - 400 1121 Philippe Starck for Vitra: Nine Louis 20 Chairs, two armchairs in blue/purple, seven chairs in various colours, polypropylene with aluminium back legs, stamped LOUIS 20 BY STARCK FOR Vitra, armchairs 84.5cm, chairs 84cm (9) *The orange and light blue examples are limited editions. £450 - 550

1122 A Modern Ludwig Miles van der Rohe MR20 Armchair, chrome bent tubular steel frame with woven cane seat and back, unmarked, 82cm (c.1970s) £200 - 300 1123 A Modern Le Corbusier LC2 Club Chair, polished chromed steel frame with black leather cushions, unmarked, 67cm high £200 - 300 1124 A 1970's Padded Swivel Easy Chair, covered in cream leather, on a covered circular base, labelled O Style, 88cm £100 - 150 1125 A Polished Chrome Six Branch Chandelier, with six milk glass globe shades, unmarked, 59cm wide 68cm high £100 - 150 1126 A 1960's Italian Coffee Table, the circular smoky glass top, above a faux marble undertier with five chrome supports, labelled MADE IN ITALY, 84.5cm diameter, 39.5cm high £100 - 150 1127 A 1950's Couch and En Suite "Wing" Lounge Chair, designed by Ernest Race, on ash legs, unmarked, couch 153cm (5ft) wide, 61cm (2ft) deep, 80cm high; chair 100cm (2) £300 - 400

1128 A Heron Lounge Chair, designed by Ernest Race for Race Furniture Limited, upholstered in green and white weave fabric, on four aluminium legs with black feet stamped ARMSTRONG CORK COMPANY Ltd LONDON, 83cm (re-upholstered) £200 - 300 1129 Robin Day (1923-2000) for Hille: Eight Polyproplene Armchairs, brown textured shell with tubular frame, moulded mark ROBIN DAY DESIGN hille MADE IN BRITAIN, 66cm with loose covers £100 - 150 1130 A Pair of 1960's Teak Coffee Tables, the square tops on an X frame base, unmarked, 76cm square, 46cm high £80 - 120 1131 A 1960's/70's Teak Sideboard, by Avalon, the rectangular top above a configuration of an end cupboard door enclosed by three drawers and two cupboard doors, on four legs, labelled AVALON, 203.5cm by 43cm, 71cm; A G-Plan Teak Sideboard, the rectangular top above six drawers, on a H frame base, stamped factory mark, 152cm by 46cm, 71cm; and Another Teak Sideboard, the rectangular top above six drawers, on a H frame base, unmarked, 121cm by 45cm, 71.5cm (3) £150 - 250

1135 An Oval Carriage Timepiece, circa 1890, with carrying handle, enamel dial with Roman numerals, single barrel movement with platform cylinder escapement, 10cm high over handle, with oval travelling case with retailer's mark for

Thomas Myer's Goldsmith & Watchmaker, High Street, Sheffield £200 - 300

1136 A Brass and Enamel Quarter Striking and Repeating Alarm Carriage Clock, circa 1890, with carrying handle and repeat button to the top, blue champleve enamel borders and bevelled glass panels, underside with selection sonnerie lever, silvered chapter ring with Arabic numerals, alarm dial below, twin barrel movement with later platform lever escapement, quarter striking with two hammers onto two gongs, 15.5cm high over handle, with outer travelling case £400 - 600 1137 A Gilt Brass Striking and Repeating Carriage Clock with Alarm and Calendar Displays, signed L'Epee, 20th Century, with carrying handle and repeat button, enamel dial with Roman numerals and three dials for alarm, day and date, twin barrel movement with platform lever movement and striking on a gong, 18cm high over handle £300 - 500 1138 A Viennese Enamel Timepiece, circa 1820, oval top, classical scene to the back of a lady in robes with putti, central bird feeding young above a domed enamel base with classical circular panels, oval dial with Roman chapter and multi-coloured enamel scrolls, fusee verge movement, 19cm high £500 - 700

1139 A Brass Skeleton Mantel Timepiece, 20th Century, single fusee movement with pendulum mounted above, anchor escapement, four spoke wheels, 6-1/2-inch Roman chapter ring, mounted on a marble base and beneath a glass dome, 54cm high £300 - 400 1140 A Brass Four Glass Striking Mantel Clock, circa 1890, retailed by LeRoy & Fils, Paris, with glazed bevelled panels, enamel dial with Roman numerals and recessed dial centre with visible Brocot escapement, twin barrel movement striking on a bell, backplate stamped LeRoy & Fils, Paris and numbered 12845, twin mercury tubed pendulum, 30cm high £250 - 350 1141 A Good Ormolu and Champleve Enamel Striking Mantel Clock, retailed by Boxell, Brighton, circa 1880, with multi coloured floral and urn champleve enamel decoration throughout, surmounted by an urn finial, 3-1/2-inch dial with Roman numerals, twin barrel movement striking a bell, backplate signed Boxell Brighton and numbered 8648, raised upon a gilt wooden base, 42cm high £1500 - 2000 1142 A Gilt Brass and Champleve Enamel Mantel Clock, retailed by Story, Barrow, circa 1890, arched case with applied floral champleve enamel mounts and enamelled Corinthian columns, 3-3/4-inch gilt dial with Roman numerals, twin barrel movement striking a gong, backplate stamped Marti, 29cm high £200 - 300

1143 A Gilt Metal Porcelain Mounted Mantel Clock Garniture, circa 1890, surmounted by an urn finial, flanked by leaning cherubs, base with porcelain floral panel, 3-inch dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, 35cm high, with a pair of gilt metal and porcelain mounted vase shaped garniture, 31cm high £300 - 400 1144 An Ormolu and Champleve Enamel Striking Mantel Clock, circa 1880, with multi-coloured floral and scroll champleve decoration, Corinthian columns to each corner, 2-3/4-inch champleve enamel dial with Roman numeral chapter ring, twin barrel movement striking a gong, 30cm high £800 - 1200 1145 A Figural Gilt Bronze and Marble Striking Mantel Clock, circa 1870, depicting a gilt bronze lady in robes leaning against a column, 3-1/2 inch marble dial with applied Roman numerals and indistinctly signed, twin barrel movement striking on a bell, movement backplate stamped Charpentier De Bronzes A Paris and numbered 794, 57cm high £300 - 500 1146 A Gilt Brass and Porcelain Mounted Striking Mantel Clock, circa 1890, with urn finial and porcelain side and front panels depicting birds within a gilt scroll frame border, porcelain painted dial with Roman chapter, twin barrel movement striking on a gong, 42cm high £250 - 350

1147 A Brass Skeleton Striking Mantel Clock, circa 1870, twin fusee movement with anchor escapement and rack striking on a gong, five spoke wheels, 5-inch silvered dial with Roman numerals, raised on an ebonised base beneath a glass dome, 45cm high £600 - 800 1148 A Tortoiseshell and Brass Inlaid Striking Mantel Clock, circa 1880, applied gilt metal scroll mounts, ebonised sides, 4-inch enamel dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, backplate stamped Hy Marc Paris and numbered 19414, 44cm high £600 - 800 1149 A Black Slate Striking Mantel Clock with Triple Calendar and Moonphase Displays, circa 1880, arched case with rectangular stepped plinth, 4-inch enamel dial with Roman numerals and recessed centre with visible Brocot escapement, another enamel dial with two subsidiary dials for day/date, outer month ring and moonphase aperture, twin barrel movement striking on a bell, 36cm high £250 - 350

1150 A French Ormolu and Pink Porcelain Striking Mantel Clock Garniture, stamped Achille Brocot, circa 1870, with twin-handled urn, wreath mounted sides and acorn finials, base with central floral painted porcelain panel, 4-1/2 inch porcelain dial with Roman numerals, twin barrel movement striking on a bell, backplate stamped AB (Achille Brocot) with star monogram and numbered 2045 155, on a gilt wooden base, 41cm high, with pink porcelain vase shaped garniture depicting painted figures and landscape scenes, both upon gilt wooden bases, 32cm high £800 - 1200 1151 A French Champleve Enamel Striking Mantel Clock, circa 1890, highly elaborate case decorated throughout with multi-coloured floral and scroll champleve enamel panels, 2-3/4-inch inch dial with Roman numerals, twin barrel movement striking on a bell, backplate stamped R&C, 29cm high £800 - 1200 1152 A French Ormolu Porcelain Striking Mantel Clock, signed Kreisser a Paris, circa 1880, vase shaped bleu celeste case surmounted with a pair of love birds and flanked with snakes and central floral and gilt decorated porcelain body, square base raised upon scroll feet, 2-3/4-inch enamel dial with Roman and Arabic numerals, twin barrel movement now converted to a platform cylinder escapement and striking on a bell, 38cm high £600 - 800

1153 A French Gilt Bronze Striking Mantel Clock, signed F L Hausburg a Paris, circa 1870, surmounted by a centre piece with fruit and flanked by two cherubs, base with acanthus leaf and scroll borders, 3-1/2 inch enamel dial with Roman numerals, twin barrel movement striking on a bell, 39cm by 43cm £300 - 400 1154 A Marble Striking Mantel Clock Garniture, circa 1900, the portico case with applied gilt metal mounts, 3-3/4 inch enamel dial with Arabic numerals, twin barrel movement with outside countwheel striking on a bell, 43cm high, with a pair of three light garniture, 28cm high £300 - 500 1155 A Porcelain Mounted Mantel Timepiece, early 20th century, dome shaped top and turned finials, decorated with winged cherubs in robes and ladies in costume painted on porcelain panels, 3-inch dial with Arabic numerals, single barrel movement, 32cm high £400 - 600 1156 A Black Slate and Bronze Mounted Striking Mantel Clock Garniture, retailed by James Robertson & Son, Paris, circa 1870, surmounted by a bronze bust of a bearded gentleman, base with applied presentation plaque and raised upon paw feet, 4-3/4 inch dial with Roman numerals, twin barrel movement striking on a gong, 54cm high (pendulum missing), with black slate and bronze mounted garniture, 28cm high £300 - 500

1157 A French Gilt Metal and Porcelain Mounted Striking Mantel Clock, circa 1890, with urn finial, side porcelain columns and two front panels depicting a lady and gentleman within a landscape and floral decoration, 3-1/4 inch dial with Roman numerals, twin barrel movement striking on a bell, on a gilt wooden base beneath a glass dome, 39cm high (pendulum missing) £300 - 400 1158 A French Striking Bracket Clock, early 20th century, tortoiseshell and brass inlaid case with applied gilt metal mounts, 4-1/4-inch cast dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, 38cm high, with matching tortoiseshell and brass inlaid wall bracket 22cm high £600 - 800 1159 A Mahogany Two Day Marine Chronometer, signed H G Blair & Co, Makers to the Admiralty, Cardiff & Barry Docks, No.2166, circa 1900, three-tier case with concealed side carrying handles, maker's silvered plaque to the front and numbered, 4-inch silvered dial with Roman numerals signed, numbered and with Admiralty arrow, reserve power and seconds dials, single fusee movement with "Harrisons" maintaining power and "Earnshaws" type spring detent escapement, diamond endstone, free sprung helical hairspring, compensation balance with weights and timing screws, movement contained in a gimbal inscribed H.S.admiralty arrow1, 19.5cm high £500 - 700

1160 A Brass Skeleton Timepiece, signed D Taylor, Stacksteads, circa 1865, single fusee movement with anchor escapement, base with lions to the sides and central compass, 4-3/4-inch silvered Roman chapter ring signed, gridiron type pendulum, in a later mahogany case with bevelled panels and silvered presentation plaque, 39cm high £500 - 700

1164 A Brass Striking Lantern Clock, four posted movement with verge escapement and outside countwheel striking on a top mounted bell, bob pendulum, 4-1/2 inch Roman numeral chapter ring, engraved dial plate, alarm disc, pierced frets appearing to depict cockerels, lacking alarm work, possibly Continental, part 17th century and later, 31cm high £1000 - 1500

1161 A Brass Skeleton York Minster Striking Mantel Clock, Saml Robinson, Hull, circa 1860, twin fusee movement with anchor escapement and rack striking the hours on a gong and half hour passing strike on a top mounted bell, movement plates depicting York Minster Cathedral, six spoke wheels, silvered shield inscribed, 7-1/2-inch pierced dial with Roman numerals, raised upon a white marble plinth, 61cm high (glass dome missing) £800 - 1200

1165 A Brass Thirty Hour Lantern Clock, circa 1750, four posted movement converted to anchor escapement and outside countwheel striking on a top mounted bell, 7-inch square brass dial with silvered Roman numeral chapter ring, central dummy alarm disc, single pierced hand, 36cm high £1200 - 1500

1162 A Gilt Wooden Painted Striking Lyre Clock, circa 1890, with applied gilt metal floral and mask mounts and painted to the gilt wooden surfaces throughout with floral decoration, 5-inch enamel dial with Roman and Arabic numerals, twin barrel movement striking on a bell, 59cm high £500 - 700 1163 A French Ormolu and Porcelain Mounted Striking Mantel Clock, circa 1880, with urn finial, porcelain panel to the front depicting two ladies in costume, acanthus leaf borders, 3-1/2 inch enamel dial with Roman numerals, twin barrel movement striking on a bell, backplate stamped HP & Co and numbered 36970, on a gilt wooden base, 39cm high £400 - 600

1166 A Gilt Bronze Striking Mantel Clock, signed Raingo Fres a Paris, circa 1880, elaborate case depicting two ladies in robes sitting studying holding a globe and book, acanthus leaf borders to the base, 5-inch enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, 41cm by 76cm £600 - 800 1167 A Gilt Brass Atmos Clock, signed LeCoultre, No.303252, circa 1980, with glazed panels, inside stop lever, 5-inch dial with applied dagger and Arabic numerals, below a visible oscillating balance, 23.5cm high £400 - 600

1168 A Marble Striking Mantel Clock, circa 1890, surmounted by a seated figure of a gentleman in costume, Corinthian capped central columns and mythological side panels, 4-inch Arabic numeral chapter ring with recessed visible Brocot escapement, twin barrel movement striking on a gong, on a gilt wooden base and beneath a glass dome, 48cm high £400 - 600 1169 A Brass Striking Lantern Clock, 20th century, with pierced dolphin frets, top mounted bell and side opening doors, 6-inch Roman chapter ring, dial bearing inscription William Gray, London, single hand, two train weight driven movement with countwheel striking on a bell, verge escapement, bob pendulum, 38cm high, with wall bracket and weight £300 - 400 1170 A Late 18th Century Hooded Oak Wall Clock Case, with slide-off hood, pagoda shaped top, shaped apron to the base, 50cm high; and A Late 18th/Early 19th Century Pine Wall Bracket, with plain backboard and shaped apron, 45cm high (2) £200 - 300 1171 A Brass Skeleton Westminster Cathedral Striking Mantel Clock, circa 1860, twin fusee movement with anchor escapement and rack striking the hours on a gong and passing strike on a top mounted bell, movement plates depicting Westminster Cathedral, six spoke wheel, 5-3/4-inch silvered Roman numeral chapter ring, raised on a white marble base, 59cm high (glass dome is missing) £1000 - 1500

1172 A French Gilt Metal and Bronzed Striking Mantel Clock, circa 1850, modelled as an Arab merchant seated on a camel, 4-inch dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, 47cm high £300 - 500 1173 A Rare 17th Century Striking Lantern Clock, signed and dated Tho Tue de L'inn Fecit Dece'br ye 5th 1663, (made in King's Lynn), four posted movement with verge escapement and balance wheel control (re-instated ?), outside countwheel striking on a top mounted bell, pierced galleried frets depicting sea creatures, 6-1/2 inch silvered Roman numeral chapter ring with star-on-a-stalk half hour markers, lacking alarm disc, dial plate centre with engraved scroll decoration and signed and dated, single iron hand, alarm work now lacking, 42cm high, with a later oak wall bracket *Thomas Tue (1613-1710) is recorded as working in King's Lynn. He was one of the first clockmakers to work in Norfolk and by 1646 he purchased his freedom to trade in King's Lynn in 1662, though he worked there before 1662 as at least three of his clocks are dated before that year (1646, 1649, 1655). He dated most of his clocks conveniently in a visible place on the dial. This clock is illustrated in two books. See Loomes (Brian) Lantern Clocks & Their Makers, pg.247 and Loomes (Brian) Complete British Clocks, pg..22 & 23. £4000 - 6000

1174 A Dutch Stoelklok Polychrome Painted Striking Alarm Wall Clock, unsigned, polychrome painted dial depicting winged figures and central painted landscape scene, Roman and Arabic chapter ring, moonphase aperture, painted side winged lead figures, cast metal top shield and lion cresting, four post movement with verge escapement, striking on a top mounted ball and on another smaller bell for the alarm, side opening doors, 52cm high, with polychrome painted oak wall bracket with unusual painted side figural ears, 74cm high £600 - 800 1175 A Rosewood Automata Windmill Drop Dial Wall Timepiece, Schwerer Sheffield, circa 1850, case with octagonal top and side and bottom opening doors, pendulum viewing window to the trunk and side fan 'ears', 12-inch painted dial with Roman numerals, centre painted with automata windmill, single fusee movement with anchor escapement, 59cm high £200 - 400 1176 A Mahogany Wall Timepiece, Camerer Kuss & Co, 56 New Oxford St, London, circa 1880, circular case with side and bottom opening doors, case back bearing a Camerer Kuss & Co label, 12-inch painted convex dial with Roman numerals, single fusee movement with shaped plates, anchor escapement, 37cm high £400 - 600

1177 An Unusual Striking Wall Clock, John Smith, Derby, circa 1860, unusual carved bezel, side and bottom opening doors, 12-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, movement backplate stamped John Smith Derby, 45cm high £1000 - 1500 1178 A Mahogany Drop Dial Passing Strike Wall Timepiece, Farrer, Pontefract, octagonal shaped top and side opening doors, 14-inch painted dial with Roman numerals, single weight driven movement with A-frame shaped plates, anchor escapement, 134cm high £400 - 600 1179 A Mahogany Drop Dial Wall Timepiece, Burnett, Sadler St, Durham, circa 1860, with side and bottom opening doors, 12-inch painted dial with Roman numerals, single fusee movement with shaped plates, anchor escapement, 51cm high £400 - 600 1180 A Rosewood Vienna Wall Timepiece, circa 1830, wavy shaped pediment, front and side glass panels, door with inlaid stringing, waisted base, 6-1/2 inch enamel dial with Roman numerals and indistinctly signed, pie crust gilt bezel, single weight driven movement with deadbeat escapement, A-frame movement plates, 95cm high £800 - 1200

1181 A Vienna Grande Sonnerie Wall Clock, Reingruber in Wien, circa 1850, nicely figured burr walnut veneered case with applied metal mounts, 6-1/2 inch enamel dial with Roman numerals, movement with two spring barrels and central weight driven barrel for the going train, deadbeat escapement, two hammers striking onto two gongs for the quarters and hours, 101cm high £1000 - 1500 1182 A Rosewood Vienna Wall Timepiece, circa 1830, flat top pediment, applied carved mounts to the front door and inlaid stringing to the borders, front and side glass panels, 6-1/2 inch enamel dial with Roman numerals, pie crust gilt bezel, single weight driven movement with deadbeat escapement, 93cm high £700 - 900 1183 A Vienna Grande Sonnerie Wall Clock, circa 1820, rosewood veneered case with carved cresting, front and side glass panels, door with inlaid stringing to the borders and applied carved mounts, 6-1/4 inch enamel dial with Roman numerals, pie crust gilt bezel, movement with two spring barrels and central weight driven barrel for the going train, deadbeat escapement, two hammers striking two gongs for the quarters and hours, 102cm high £1200 - 1500

1184 An Impressive Oak Chiming Pedestal Clock, circa 1890, elaborately decorated with gilt metal winged cherubs and scroll mounts, pierced side sound frets, 7-inch cast dial with Arabic cartouches, dial with chiming selection lever at 3, triple fusee movement with anchor escapement, quarter chiming with eight hammers striking a nest of eight bells or four hammers striking four gongs and a further hammer striking a larger gong, movement backplate numbered 1458, 74cm high, on an oak tapered pedestal with front and side bevelled glass panels applied with scroll and shield gilt metal mounts, 115cm high £3000 - 4000 1185 A Chinese Striking Table Clock, 19th century, rectangular form with pierced side and front frets, glazed viewing windows to the sides, 7-inch enamel dial with Roman numerals, centre seconds, mounted on the brass surround engraved with foliate scrolls, above dial with character calligraphic panel, twin fusee movement with verge escapement and striking on a bell, backplate with engraved character calligraphic panel, 50cm high £1000 - 1500 1186 A Walnut Chiming Table Clock, circa 1890, arched top and urn finial, pierced side sound fret doors, raised on claw feet, 9-inch arched brass dial with a silvered Roman chapter ring, arch with two dials for fast/slow and chime/silent, triple barrel movement with four hammers chiming onto four gongs and a further hammer striking a larger gong for the hours, backplate stamped RMS, 65cm high £700 - 900

1187 A Mahogany Chiming Table Clock, circa 1890, arched case with pierced side sound frets, raised on claw feet, 6-inch silvered Roman chapter ring, two dials in the arch for fast/slow and chime on eight gongs/chime on four gongs selections, triple fusee movement with anchor escapement chiming with eight hammers onto eight gongs, a further hammer striking a larger gong for the hours, movement backplate stamped W&H Sch and numbered 2103, 46cm high £300 - 400 1188 A Black Forest Walnut Inlaid Striking Automata Table Clock, stamped S Kamerer Furtwangen, circa 1850, arched case with nicely figured veneers, side opening doors, arch with painted scene of a running dog and hare with automata rocking eyes, 8-inch dial with applied enamel Roman numeral cartouches, twin barrel movement with striking on a gong, the crutch with connecting wire to operate the automata rocking eyes, movement backplate stamped S.Kamerer Furtwangen, 52cm high £400 - 500 1189 A Mahogany Night Watchman's Clock, signed Smith & Sons, Clerkenwell, 19th century, rectangular form, single brass push piece to the top and concealed handle, glass side panels, 5-1/2 inch silvered dial with Roman numerals and signed, single fusee movement with anchor escapement and half hour and hour passing strike, 37cm high £300 - 500

1190 A Walnut Striking Table Clock, arched case with brass and ebony inlay, pierced side sound frets, raised on brass ball feet, 7-inch painted dial with Roman numerals and inscribed Barraud Cornhill London 926, twin fusee movement with anchor escapement and striking on a bell, backplate with engraved borders and inscribed Barrauds Cornhill London, secured with brackets, 43cm high £1800 - 2200 1191 A Mahogany Striking Table Clock, signed Bethel Jacobs, Hull, circa 1830, arched top case with side carrying handles and pierced sound frets, applied wooden carved mounts and brass inlaid front, 8-inch convex painted dial with Roman numerals, strike/silent selection lever above 12, twin fusee movement with anchor escapement and striking on a bell, backplate signed Bethel Jacobs 7 Whitefriargate, Hull, secured by brackets, 44cm high £600 - 800 1192 An Ebonised Striking Table Clock, signed Willm Rust, Hull, circa 1790, inverted bell top with carrying handle, pierced side sound frets, mask and floral gilt metal mounts to the canted corners, 9-inch arched painted dial with Roman chapter ring, painted gilt floral decoration to the corners and in the arch, arch with fast/slow selection hand, twin fusee movement with anchor escapement and striking on a bell, backplate signed, 60cm over handle £1500 - 2000

1193 A Regency Mahogany Striking Table Clock, H Smith, York, with chamfered top, side sound frets and carrying handles, brass inlaid front, 8-inch painted convex dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, movement backplate engraved to the borders, 54cm high (distressed) £500 - 700 1194 A Mahogany Bracket Timepiece, Smith, London, circa 1830, with applied scroll mounts, 5-inch painted dial with Roman numerals, single fusee movement with anchor escapement, 31.5cm high £300 - 400 1195 A Mahogany Chiming Table Clock, signed Webster, established 1711, Queen Victoria St, London, circa 1880, inverted bell top with carrying handle and ball finials, scroll and floral pierced side sound frets, bracket feet, 4-3/4-inch dial with Roman numeral chapter ring, dial centre signed, silent/chime and 8 bells/5 gong selection levers, above with fast/slow regulation dial, triple fusee movement with eight hammers chiming onto eight bells and four hammers striking four gongs and a further hammer striking a larger gong for the hours, movement secured with brackets, 43cm high over handle £800 - 1200

1196 A Regency Mahogany Striking Table Clock, in Egyptian Revival Taste, Yeomans, Nottingham, with gadroon pediment and pineapple finial, pierced side sound frets, gilt metal sphinx canted corners, gadrooned feet, 7-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on bell, 49cm high The design of this clock shows the fashion of the Regency period, with furniture influenced by Rome, Greece and Egypt being very much "en vogue". The interest in Egypt revival taste dates back to Napoleon's expedition of 1798, which lead to the publication of Dominique Vivant Denon's Vogage dans la basse et la haute Egypt in 1802. Furniture in this style was first shown by Sheraton in his Encyclopedia (1804), leading to its increased popularity. £1200 - 1500 1197 An Ebonised Striking Table Clock, inverted bell top with carrying handle, side viewing windows, 7-inch arched brass dial with silvered Roman and Arabic chapter ring, matted centre with date aperture and mock pendulum with silvered plaque bearing inscription Jasp Taylor London, arch with strike/silent selection, twin fusee movement with verge escapement and striking on a bell, engraved scrolled backplate inscribed Jasper Taylor Holborn London, movement secured by brackets, 50cm high over handle £1500 - 2000

1198 A Rare Mahogany Quarter Striking Table Clock, signed Eardley Norton, London, No.2723, circa 1770, inverted bell top with pineapple finial, pierced side sound frets, raised on bracket feet, 8-inch arched brass dial with Roman and Arabic chapter ring, inner date ring with corresponding central date hand, signed and numbered to the centre, arch with strike/silent selection, twin fusee movement with verge escapement and quarter striking with two hammers striking onto two bells, backplate engraved with floral and scroll decoration and numbered 2723 to the top right, movement secured with brackets, 65cm high £7000 - 9000 1199 A George III Walnut Striking Table Clock, signed Thos Husband, Hull, circa 1780, inverted bell top with carrying handle, side glazed viewing windows, raised on bracket feet, 7-inch arched brass dial with silvered Roman and Arabic chapter ring, matted centre with date aperture and silvered plaque signed, arch with strike/silent selection, twin fusee movement with verge escapement and striking on a bell, backplate engraved with scroll and floral decoration throughout, secured by brackets, 52cm high over handle £2000 - 3000

1200 A Fine George III Musical Mahogany Striking Table Clock, signed Willm Mason, London, circa 1770, inverted bell top case, side carrying handles and pierced sound fret opening doors, applied gilt metal mask and floral mounts to the canted corners, raised on bracket feet, 8-inch arched brass dial with silvered Roman and Arabic chapter ring, matted centre with date aperture and signed silvered recessed plaque Willm Mason London, arch with four tune selection dial God Save Ye King/Home Sweet Home/Vicar Of Bray/Tom Bowling, triple fusee movement with anchor escapement, the pinned comb controlling eleven hammers striking a nest of eleven bells for the musical train every hour and followed by a further hammer striking a single bell for the hours, movement backplate engraved with basket, scroll and bird decoration, secured with brackets, 58cm high £10000 - 12000 1201 A Regency Mahogany Striking Table Clock, signed John Moore, Clerkenwell, London, arched top pediment, side sound frets, inlaid brass stringing to the front, raised upon brass ball feet, 8-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a gong, movement backplate with engraved borders and signed, movement secured by brackets, 43cm high £800 - 1200

1202 A Mahogany Eight Day Longcase Clock, Jno Oakes, Oldham, circa 1810, swan neck pediment, arched trunk door, canted plinth raised upon bracket feet, 14-inch arched painted dial with Arabic and Roman chapter ring, seconds and date dials, arch with rolling moonphase, four pillar movement with attached falseplate stamped William Whitaker, anchor escapement and rack striking on a bell, 232cm high £700 - 900 1203 A Mahogany Eight Day Longcase Clock, signed R Northern, Hull, circa 1830, pagoda top pediment, Corinthian capped columns, unusual stepped trunk door, plinth with inlaid stringing and raised upon later feet, 13-inch painted arched dial with Roman numeral chapter, centre with seconds, date aperture, arch with painted seascape of ships and a rolling moonphase, four pillar movement with attached falseplate stamped S Wilke Birmingham, anchor escapement and rack striking on a bell, later seatboard, 236cm high £700 - 900 1204 A Mahogany Chiming Longcase Clock, signed Denton Northgraves, Hull, circa 1795, pagoda pediment, Corinthian capped inlaid pilasters, plinth inlaid with an urn, 13-inch arched painted dial, inner date ring with centre date hand, seconds, arch with painted seascape, triple weight driven movement with anchor escapement, eight hammers quarter chiming onto a nest of eight bells, a further hammer striking a larger bell for the hour, 260cm high £2000 - 3000

1205 An Oak Eight Day Longcase Clock, Geo Brown Beverly, circa 1820, pagoda pediment, arched trunk door, upon later bracket feet, 12-inch arched painted dial, centre with seconds and date, arch painted with floral decoration, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 222cm high £600 - 800 1206 A Mahogany Eight Day Domestic Regulator, signed John Dyson, Leeds, circa 1860, with drum head pediment and carved cresting, glazed front door, plinth and bun feet, 13-inch circular painted dial with Roman and numerals, subsidiary dials for seconds and date, four pillar movement with deadbeat escapement and rack striking on a gong, 213cm high £800 - 1200 1207 A Small Mahogany Longcase Clock, swan neck pediment, wavy shaped trunk door with side pilasters, plinth with raised quatre form panel, 6-inch square brass dial, centre later inscribed Johanes Walley de Bolton Fecit, weight driven four pillar movement with anchor escapement and striking on a bell, 146cm high £400 - 600

1208 A Mahogany Eight Day Longcase Clock, signed Samuel Collings, Downing, swan neck pediment, trunk door with inlaid stringing, plinth raised upon bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, dial centre engraved with figures leaning against a clock, date aperture and signed, centre seconds, arch with rolling moonphase and engraved above with High Watch At Bristol Key, four pillar movement with anchor escapement and rack striking on a bell, dial and movement circa 1770, case later, 220cm high £800 - 1200 1209 A Carved Chiming Longcase Clock, circa 1890, elaborate case carved throughout with scroll and floral high relief decoration, 12-inch arched brass dial with applied Arabic numerals, seconds, chime/silent and eight bells/four bells/four gongs selections, arch with rolling moonphase, triple weight driven movement with anchor escapement and chiming onto eight bells or four gongs, a further larger gong for the hours, 243cm high £800 - 1200 1210 A Late 17th Century Thirty Hour Longcase Clock Dial and Movement, signed Charles Tolly, Londini Fecit, circa 1690, with flat top pediment, barley twist columns, side viewing windows, moulded edged trunk door, crossbanded plinth and bun feet, 10-inch square brass dial with silvered Roman chapter ring, dial plate signed below 6, matted centre with date aperture, winged cherub spandrels, four pillar movement with anchor escapement and outside countwheel striking (bell missing), dial and movement circa 1690, modern case, 194cm high £1000 - 1500

1211 A Pine Eight Day Half Hour Passing Strike Longcase Clock, signed Isaac Papavoine, Dukes Court, London, circa 1710, case with a flat top pediment, side viewing windows, trunk door with lenticle, 12-inch square brass dial with silvered Roman numeral chapter ring signed, matted centre with seconds and date aperture, five pillar movement with anchor escapement and half hour passing strike on a bell and a further hammer striking a bell for the hours, 207cm high £1500 - 2000 1212 An Oak and Mahogany Eight Day Longcase Clock, swan neck pediment, trunk with barber pole stringing and matching plinth, 12-inch brass dial, engraved centre with seconds and date aperture, arch with rolling moonphase and above on a silvered arched plaque inscribed Thomas Lister Luddenden Fecit, four pillar movement with anchor escapement and inside countwheel striking on a bell, case later, 228cm high £800 - 1200 1213 An Oak Eight Day Longcase Clock, signed Jno Branson, Hull, circa 1790, swan neck pediment, arched moulded trunk door, plain rectangular plinth raised upon later bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, scroll engraved centre with date aperture, seconds and signed, arch with strike/silent selection, five pillar movement with anchor escapement and rack striking on a bell, 231cm high £800 - 1200

1214 An Oak Eight Day Longcase Clock, signed Wm Stumbels, Totnes, arched pediment, side viewing windows, arched trunk door, upon bracket feet, 12-inch arched brass dial, centre with date aperture, seconds and signed, strike/silent selection lever above 12, arch with unusual lunar dial, engraved borders, five pillar movement with anchor escapement and striking on a bell, later seatboard, case later, 223cm high £400 - 600

1217 A Mahogany Eight Day Longcase Clock, signed John Baker, Hull, circa 1780, pagoda pediment, wavy shaped trunk door, upon later bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, centre with seconds and date aperture, arch with moonphase and signed on a silvered arched plaque, four pillar movement with anchor escapement and rack striking on a bell, 232cm high £1000 - 1500

1215 An Oak Eight Day Longcase Clock, pagoda pediment, arched trunk door, mahogany crossbanded plinth raised upon bracket feet, 12-inch brass dial, engraved centre with seconds and date, painted rocking ship scene to the arch and above signed Thomas Husband Hull, four pillar movement with anchor escapement and rack striking on a bell, dial and movement circa 1780, case later, 233cm high £600 - 800

1218 A Mahogany Eight Day Longcase Clock, pagoda top with ball finials, arched trunk door, plinth on later bracket feet, silvered dial with Roman and Arabic numeral chapter ring, centre with seconds and later inscribed Agar Malton, four pillar movement with anchor escapement and rack striking on a bell, dial later, case also later, 239cm high £700 - 900

1216 A Green Japanned Eight Day Longcase Clock, signed Joseph Green, Northshields, circa 1730, flat top pediment, side viewing windows, decorated throughout with Oriental scenes, trunk door with lenticle, 12-inch square brass dial with silvered Roman numeral chapter ring signed, matted and engraved centre with seconds, date aperture and ringed winding holes, five pillar movement with anchor escapement and inside countwheel striking on a bell, 197cm high £800 - 1200

1219 A Mahogany Eight Day Longcase Clock, signed Thos Husband, Hull, circa 1795, arched top pediment, side viewing windows, figured arched trunk door, raised upon later bracket feet, 12-inch painted arched dial with Roman and Arabic chapter, centre with seconds, date aperture, arch with rolling moonphase, five pillar movement with anchor escapement and rack striking on a bell, 233cm high £800 - 1200

1220 A Mahogany Regulator Longcase Clock, 19th century, pediment with carved gallery and flowerheads, bevelled glass trunk door, plinth with raised panel and upon bracket feet, 12-inch circular silvered dial with outer minute track and corresponding centre minute hand, two subsidiary dials for hours and seconds, large four pillar weight driven movement with deadbeat escapement and "Harrisons" maintaining power, mercury tubed pendulum, 205cm high £2500 - 3000 1221 A Mulberry Eight Day Longcase Clock, unsigned, mulberry veneered case with flat top pediment, side viewing windows, moulded trunk door with tulipwood crossbanding and lenticle, 11-inch square brass dial with silvered chapter ring, centre with date aperture and seconds, ringed winding holes, five pillar movement with anchor escapement and inside countwheel striking on a bell, 205cm high £2000 - 3000 1222 A Walnut Marquetry Eight Day Longcase Clock, flat top pediment, side viewing windows, later marquetry inlay, trunk door with lenticle, 12-inch square brass dial with silvered chapter ring signed Windmills & Wrightman London, matted centre with date aperture and seconds, five pillar movement with anchor escapement and rack striking on a bell, later seatboard, dial and movement circa 1720, case later, 211cm high £1800 - 2200

1223 A Marquetry Eight Day Longcase Clock, signed Ric Spittle, London, circa 1700, flat top pediment, side viewing windows, trunk door with floral, bird and scroll decoration, glass lenticle, plinth with matching decoration, 11-inch square brass dial with Roman numeral chapter ring signed Ric Spittle, London, matted centre with ringed date aperture and winding holes, seconds dial, pierced blued steel hands, winged cherub spandrels, five pillar movement with anchor escapement and inside countwheel striking on a bell, later seatboard, 201cm high Richard Spittle is recorded as starting as an apprentice in 1691 and free of the Clockmakers Company 1699-1701. See Baillie (G H) Watchmakers & Clockmakers of the World, vol 1, pg.299. £5000 - 7000 1224 A Walnut Marquetry Eight Day Longcase Clock, signed Hen Massy, London, circa 1695, caddied pediment, brass capped columns, side viewing windows, marquetry trunk door depicting floral, bird and scroll work and central urn, inlaid stringing side panels, front of the plinth with matching marquetry, 12-inch square brass dial with silvered Roman chapter ring signed, matted centre with date aperture and seconds, crown and cherub spandrels, five pillar movement with anchor escapement and inside countwheel striking on a bell, later seatboard, 232cm high *Henry Massy is recorded as working from Charles Street, London and was free of the clockmakers from 1692 to 1745. £7000 - 9000

1225 A Mahogany Stick Barometer, signed C W Dixey, 3 New Bond St, London, circa 1840, with concealed mercury tube, single vernier ivory scale signed, well figured case with ebony stringing to the borders, turned cistern cover, 95cm high £300 - 500

1229 A Mahogany Ship's Stick Barometer, signed John Good, 19 High St Hull, circa 1850, arched top, concealed tube with single vernier ivory dial signed, thermometer box, turned cistern cover, (distressed), 90cm high £200 - 300

1226 An Oak American Forecast Barometer, signed Joseph Davis & Co, 6 Kennington Park Road, London, circa 1880, pierced crested pediment, 9-1/2-inch silvered dial with two vernier displays for winter/summer, visible mercury tube, trunk with day of the week disc registers, glazed front with pierced fret work and thermometer, compass to the base, 105cm high £300 - 500

1230 A Mahogany Stick Barometer, visible mercury tube, turned side columns, boxed cistern cover, paper dial printed with J Doughty Fecit, 96cm high £200 - 300

1227 A Rosewood Stick Barometer, signed Chadburn, 71 Lord St, Liverpool, circa 1850, with concealed mercury tube, single ivory vernier scale signed, thermometer tube, turned cistern cover, 91cm high £250 - 350 1228 An Oak Stick Barometer, signed Negretti & Zambra, 107 Holborn Hill, 1 Hatton Gardn & Cornhill, London, circa 1860, carved spiral pediment, concealed mercury tube, twin vernier silvered dial signed, thermometer box, carved mouldings to the cistern cover, 108cm high £400 - 600

1231 A Rare 5-1/2-inch Mahogany Wheel Barometer, signed Northen, Hull, circa 1830, swan neck pediment, thermometer box, 5-1/2-inch silvered dial signed, ebony stringing to the borders, 93cm high £300 - 500 1232 A 6-inch Rosewood Wheel Barometer, signed Luppi & Solca, Hull, circa 1830, swan neck pediment, hygrometer, thermometer box, 6-inch silvered dial, spirit level dial signed, 97cm high £300 - 400 1233 A Mahogany and Shell Inlaid Wheel Barometer, signed J M Ronketti, No 6 Peter Street, Bloomsbury, London, circa 1810, broken arched pediment, inlaid stringing to the borders, inset thermometer box, 8-inch silvered dial signed, 97cm high *John Merry Ronketti is recorded working at 6 Peter Street, Bloomsbury 1800-1819. See Banfield (Edwin) Barometer Makers and Retailers, pg.187. £300 - 400

1234 A Mahogany 10-inch Wheel Barometer, signed A Maspoli, Hull, circa 1830, swan neck pediment, hygrometer, thermometer box, 10-inch silvered dial, spirit level dial signed, 109cm high £200 - 300 1235 A Mahogany Wheel Barometer, signed J.Greenbank, Sedburgh, circa 1850, swan neck pediment, hygrometer, thermometer box, mirror, 8-inch silvered dial signed, spirit level, 96cm high £200 - 300 1236 A Mahogany Wheel Barometer, signed G & L Guanziro, London, circa 1840, swan neck pediment, hygrometer, thermometer box, 8-inch silvered dial, spirit level, 99cm high £200 - 300 1237 Narrow Hamadan Runner Persian Kurdistan The deep indigo Herati field enclosed by ivory borders of leafy vines and flowerheads between madder guard stripes, 500cm by 91cm £300 - 500 1238 Good Bakhtiari Carpet West Persia The lozenge field with a lattice of polychrome medallions framed by madder spandrels and ivory borders of stylised flowers and leaves between wide guard stripes, 510cm by 388cm £1200 - 1800

1239 Kashan Carpet Central Persia The deep indigo field with an allover design of palmettes and floral vines enclosed by wide borders of meandering vines and palmettes between double guard stripes, inscription cartouche to one end, 494cm by 386cm £900 - 1200 1240 Kirman Carpet South East Persia The ivory field with an allover design of scrolling leafy vines and palmettes enclosed by similar borders and triple guard stripes, 370cm by 264cm £800 - 1200 1241 Tabriz Carpet Persian Azerbaijan The pale field centred by a large radiating medallion framed by sky blue cusped spandrels and brick red floral borders flanked by triple meandering vine guard stripes, 510cm by 402cm £1000 - 1500 1242 Good Mahal Carpet Sultanabad, West Persia The brick red field with columns of large stylised flowers enclosed by deep indigo borders of flowering vines flanked by double guard stripes, 360cm by 281cm £2000 - 3000 1243 Tabriz Carpet Persian Azerbaijan The pale lemon field with an allover design of animals, palmettes and leafy flowering vines flanked by ice blue borders of parrots and palmettes between floral guard stripes, 402cm by 282cm £1200 - 1800

1244 Kirman Carpet South East Persia the cream field of scrolling vines around a pale blue pole medallion framed by spandrels and enclosed by leafy meandering vine borders between similar ivory guard stripes, 358cm by 279cm £1000 - 1500 1245 Narrow Malayir Runner West Persia The deep indigo field with a single column of latch hook medallions surrounded by tribal and zoomorphic devices enclosed by borders of polychrome octagons flanked by ivory guard stripes, 477cm by 94cm £400 - 600 1246 Kazak Runner Central Caucasus The indigo field with a column of stepped medallions enclosed by leaf and calyx borders, 330cm by 132cm £700 - 1000 1247 Malayir Runner West Persia The abrashed indigo field of tribal motifs around a stepped medallion framed by triple borders, 291cm by 109cm £300 - 500 1248 North West Persian Runner The abrashed madder field with a column of stepped linked medallions enclosed by Harshang borders flanked by double guard stripes, 450cm by 100cm £300 - 500

1249 Pair of Kashan Rugs Central Persia Each with an ivory field of boteh enclosed by similar borders, each signed in eight places, 211cm by 141cm approx £400 - 600 1251 Isfahan Part Silk Carpet Central Persia The indigo field of rich scrolling vines and palmettes around an ivory pole medallion framed by spandrel and palmette and vine borders and double guard stripes, silk highlights, 460cm by 318cm *NB Kurk wool £2000 - 3000 1252 Good Kashan Carpet Central Persia The ivory field of delicate vines and flowering plants enclosed by pale mushroom borders of meandering vines and flowering plants between ivory guard stripes, 402cm by 278cm £900 - 1200 1253 Heriz Carpet Persian Azerbaijan The terracotta lozenge field of angular vines around an indigo pole medallion framed by ivory spandrels and indigo samovar borders between pale lemon guard stripes, 365cm by 250cm £600 - 900 1254 Heriz Carpet Persian Azerbaijan The field of angular vines centred by a typical cruciform medallion framed by stepped spandrels and samovar and serrated leaf borders between double guard stripes, 399cm by 282cm £1000 - 1500

1255 Good Hamadan Runner Persian Kurdistan The deep indigo field with three columns of large flowerhead medallions framed by narrow floral indigo borders and minor borders of stylised vines, 470cm by 109cm £400 - 600 1256 Tabriz Rug Persian Azerbaijan The soft indigo field of large palmettes and flowering vines framed by brick red borders of meandering vines between ivory minor borders, 191cm by 136cm £400 - 600 1257 Good Bidjar Carpet Persian Kurdistan The plain red lozenge field centred by an ivory and indigo anchor medallion enclosed by stepped spandrels and narrow samovar borders between meandering vine minor borders, 373cm by 234cm £1200 - 1800 1258 Saroukh Rug West Persia The ivory field of scrolling leafy vines around a madder medallion framed by pale blue spandrels and meandering vine borders between rosette guard stripes, 212cm by 136cm £1200 - 1800 1259 Narrow South Caucasian Runner Probably Karabagh The field comprised of narrow ivory and mid indigo bands containing boteh and hooked motifs enclosed by double borders of stylised meandering vines flanked by barber pole guard stripes, 447cm by 93cm £700 - 1000

1260 Narrow North West Persian Runner Persian Azerbaijan The mid indigo field with a single column of medallions surrounded by stylised plants and tribal devices enclosed by crimson borders of serrated leaves and polychrome rosettes between pale lemon guard stripes, 486cm by 86cm £500 - 800 1261 Kashgai Rug South West Persia The mid indigo field with three diamond medallions surrounded by tribal motifs framed by spandrels and ivory borders of stylised flowerheads between multiple guard stripes, 260cm by 172cm £500 - 800 1262 Afshar Carpet South East Persia The polychrome diamond lattice field of stylised flowerheads enclosed by mid-indigo borders of polychrome cartouche between chocolate brown guard stripes, 478cm by 322cm £1200 - 1800 1263 Heriz Runner Persian Azerbaijan The terracotta field with a column of six hexagons containing stylised serrated leaves enclosed by polychrome spandrels and borders of stylised flowerheads flanked by barber pole guard stripes, 510cm by 101cm £300 - 500

1264 Isfahan Part Silk Rug Central Persia The cream field with central sunburst medallion surrounded by floral vines and framed by spandrels and mushroom borders of curling leaves, woven on silk, 154cm by 107cm £300 - 500

1269 17th Century Flemish Tapestry Woven in silks and wools and depicting Alexander the Great and further soldiers flanked by borders of a lion and unicorn within a rural landscape, 247cm by 245cm

1265 Agra Design Hand-Knotted Carpet Eastern Europe The rust field of palmettes enclosed by ivory borders and double guard stripes, 328cm by 252cm £400 - 600

1270 Bakhtiari Rug West Persia The indigo lattice field of stylised flowerheads enclosed by brick borders of stylised rosettes and serrated leaves between arrowhead guard stripes, 290cm by 160cm £600 - 800

1266 Mahal Carpet West Persia The terracotta field of floral vines centred by an indigo and salmon pink medallion framed by ivory spandrels and indigo borders of floral vines between double guard stripes, 442cm by 310cm £400 - 600 1267 A Late 17th/Early 18th Century Flemish "Verdure" Tapestry Woven in silk and wools depicting a large leafy tree flanked by birds within a wooded landscape, the background with castles, houses and a bridge enclosed by borders of flowers plants and acanthus leaves and narrow plain minor borders, 358cm by 271cm £2000 - 3000 1268 A Fine 16th Century Flemish Tapestry Woven in silks and wools depicting deer grazing around a fountain within an enclosure surrounded by plants, animals and birds to the foreground enclosed by narrow floral borders, 322cm by 253cm £8000 - 12000

*Provenance: Ex Dunstan Hall, Northumberland £1200 - 1800

1271 Mahal Carpet West Persia The brick red field of angular vines and stylised flowerheads in an allover design framed by narrow indigo borders of palmettes between mid indigo and gold guard stripes, 406cm by 290cm £1000 - 1500 1272 Jozan Rug West Persia The deep indigo field of floral vines around a madder pole medallion framed by mustard spandrels and borders of angular vines and rosettes between lemon guard stripes, 199cm by 130cm £300 - 500

1273 Mahal Carpet Sultanabad, West Persia The brick red field with an allover design of semi-naturalist floral medallions within an angular lattice of vines framed by indigo borders of serrated leaves and flowerheads, 420cm by 306cm £1000 - 1500

1278 Narrow Heriz Runner Persian Azerbaijan The rust field with a column of typical medallions surrounded by stylised plants and enclosed by narrow mustard coloured borders and indigo guard stripes, 511cm by 94cm £400 - 600

1274 Saroukh Carpet West Persia The blood red field with an allover design of flowers and palmettes enclosed by indigo borders of scrolling floral vines, 307cm by 210cm £800 - 1200

1279 Good Senneh Region Khellah Persian Kurdistan The deep indigo abrashed field with an allover lattice design of polychrome palmettes and Harshang motifs enclosed by rust borders of stylised palmettes, serrated leaves and angular meandering vines between lemon guard stripes, 412cm by 193cm £1200 - 1800

1275 Bidjar Khelleh Persian Kurdistan The deep indigo Herati field enclosed by pale lemon borders of meandering vines and boteh flanked by pale blue guard stripes, 360cm by 163cm £600 - 900 1276 Fine Ghom Silk Rug Central Persia The rust field with bands of boteh enclosed by deep indigo borders of meandering vines and boteh flanked by arrowhead guard stripes, 210cm by 133cm £1000 - 1500 1277 North West Persian Khelleh Persian Kurdistan The deep indigo lozenge field of radiating diamonds framed by ivory spandrels and multiple polychrome narrow borders and ivory guard stripes, 359cm by 171cm £500 - 800

1280 Ersari Ensi Afghan Turkestan The burgundy quartered field of candelabra design enclosed by borders of geometric devices and with double elems, 203cm by 153cm £400 - 600 1281 Soroukh Rug West Persia The cream ground of polychrome angular vines around a madder and indigo stepped medallion framed by spandrels and madder borders of angular meandering vines between floral guard stripes, 192cm by 124cm £500 - 800

1282 Isfahan Prayer Rug Central Persia The ivory field with central tree of life flanked by further trees, plants and animals beneath a cusped Mihrab enclosed by indigo borders of trees, animals and birds between raspberry floral guard stripes, 202cm by 134cm £500 - 800 1283 Mashad Carpet Khorasan, East Persia The indigo field of leafy flowering vines around a pole medallion framed by ivory and raspberry spandrels within palmette and meandering vine borders and multiple guard stripes, 356cm by 265cm £700 - 1000 1284 Heriz Carpet Persian Azerbaijan The crimson field of angular vines, flowerheads and birds enclosed by indigo borders of meandering stylised vines between pale lemon guard stripes, 270cm by 218cm £600 - 900 1285 19th Century Tekke Chuval Emirate of Bukhara The madder field with five columns of five stepped guls enclosed by hooked motif borders and narrow multiple guard stripes, the elem with serrated leaves, 71cm by 120cm £300 - 500

1286 Narrow Kirman Runner South East Persia The pale aubergine field with two ivory medallions flanked by flowering plants and Cypress trees enclosed by deep indigo borders and floral guard stripes, 240cm by 75cm £300 - 500 1287 Fine and Rare 19th Century Ersari Rug Emirate of Bukhara The abrashed terracotta field with two quartered octagons enclosed by multiple narrow borders, 159cm by 137cm £400 - 600 1288 Fine Tabriz Prayer Carpet Persian Azerbaijan The apple green field richly decorated with palmettes, birds and flowering plants flanked by twin spiralling columns and beneath the Mihrab enclosed by cartouche inscribed borders and indigo guard stripes, 262cm by 177cm *The text within the cartouche is classical Persian poetry with reference to wine and love £1800 - 2500 1289 Rare Tabriz Souf Prayer Rug Persian Azerbaijan The silver blue field with central hanging lantern and urn issuing flowers, birds and animals flanked by raspberry borders of cartouche between floral meandering vine guard stripes, 170cm by 122cm *Woven on silk foundation £1000 - 1500

1290 Good Tabriz Part Silk Carpet Persian Azerbaijan The ivory field richly decorated with scrolling floral vines around a pole medallion framed by spandrels of urns issuing flowers and borders of palmettes and garlands between meandering vine guard stripes terminating in a short kilim strip, 290cm by 194cm *Woven on silk, signed at one end £1000 - 1500 1291 Good Bidjar Carpet Persian Kurdistan The deep indigo lozenge field of Herati design centred by a salmon pink lozenge medallion framed by spandrels and madder borders of meandering vines and palmettes between double guard stripes, 382cm by 227cm £1200 - 1800 1292 Bakhatiari Rug West Persia The madder field centred by an ivory cusped medallion surrounded by boteh and floral vines framed by mid indigo spandrels and madder borders of meandering vines flanked by stellar motif guard stripes, 260cm by 164cm £300 - 500 1293 Silk and Metal Thread Hereke Rug North West Anatolia The silver ground with tulips and palmettes around a leafy medallion framed by spandrels and floral borders flanked by meandering vine guard stripes, 180cm by 130cm *Signed in the outer guard stripe. The extensive use of metal thread is unusual and technically difficult to achieve £700 - 1000

1294 Fine Mohtasham Kashan Carpet Central Persia The soft terracotta field richly decorated with flowering vines and palmettes around a pale lemon pole medallion framed by indigo spandrels and ivory borders of angular fruiting vines between multiple flowerhead minor borders and arrowhead outer guard stripes, inscription panel to one end, 354cm by 267cm *The inscription reads: By the order of Ali Akbar Mirzai **Research suggests that a workshop owned by Hajji Mollah Mohammad Hassan Mohtasham was established in the 1840's in the city of Kashan. Rugs and carpets piled in either silk or wool were made. From the outset the quality of these weavings was exceptional, consequently output was very limited. Designs were intricate and a combination of excellent quality dyes and 'kurk' (soft) merino wool together with the Hajji's exacting standards ensured that these weavings were immediately considered the best of the period both in Persia and Europe. Mohtasham rugs were presented to the Shah by Persian nobles and also given by the Shah to his highest ranking foreign guests. The wool used in the pile produced a lustrous velvet tactile feel but as a result it did not prove as durable as carpets made with rougher wool. It is therefore rare to find Mohtasham weavings in full pile. The Hajji retired during the 1880's passing on the workshop to his son who continued to produce outstanding carpets until the first decade of the twentieth century. The current carpet dates from the 1890's and given the soft palette is attributable to the second generation of the Mohtasham family. £15000 - 25000

1295 Fine Tudesh Nain Rug Central Persia The cream field with a one way design of naturalistic flowering plants and birds enclosed by similar borders between meandering vine guard stripes, 246cm by 153cm £1800 - 2500

1300 A George III Mahogany Octagonal Wine Cooler, circa 1800, the hinged lid with floral patera above a brass bound body with carrying handles, raised on a stand with fluted frieze and four tapering fluted legs with carved spandrels, raised on castors, 85cm by 45cm by 75cm £400 - 600

1296 Unusual Turkish Silk Rug Probably Istanbul or Hereke, of 17th Century Safavid Design The polychrome field of flowing vines, flowerheads and palmettes enclosed by wide borders of meandering vines and palmettes flanked by rosette guard stripes, 206cm by 142cm

1301 A George III Mahogany Tripod Table, late 18th century, with flip top, turned vasiform support, raised on three cabriole legs with flattened pad feet, 80cm by 71cm £500 - 600

The Kum Kapi district of Istanbul lies on the Northern shores of the sea of Marmara. Traditionally this was the Armenian quarter. During the late 19th and early 20th centuries weavers from Hereke and the central Anatolian city of Kayseri began a small workshop production of silk rugs many being copies and adaptations of seventeen century Persian designs. These rugs were often of extremely fine quality with high knot counts - those by the master weaver Zareh Penyamian sometimes have 225 per cm2. Kum kapi rugs remain highly sort after. £800 - 1200 1299 A Late George III Mahogany, Floral Marquetry and Tulipwood Crossbanded Sideboard, early 19th century, of serpentine shaped form, a deep frieze drawer above a shaped apron flanked by a deep cellaret door and cupboard door, raised on square tapering legs, 170cm by 70cm by 94cm £1500 - 2000

1302 A Queen Anne Style Walnut and Oyster Veneered Chest on Stand, the rockwork gesso cornice above two cupboard doors, the interior fitted with églomisé mirror plates and an arrangement of drawers and pigeon holes, raised on a later stand with three frieze drawers and wavy shaped frieze, the cabriole legs with stout block feet, 107cm by 48cm by 160cm £1200 - 1800 1303 A George III Mahogany Breakfront Library Bookcase, early 19th century, the astragal glazed doors enclosing adjustable shelves, panel cupboard doors below flanked by conforming wings, 129cm by 53cm by 223cm £2500 - 3500

1304 A George IV Plum Pudding Mahogany Foldover Card Table, circa 1820, the rounded rectangular foldover top enclosing a green baize lined interior, raised on a tapering support with leaf carved socle and quadripartite base with recessed castors, 92cm by 45cm by 74cm £300 - 500 1305 A Regency Rosewood and Brass Inlaid Sofa Table, early 19th century, the two rounded drop leaves above two real and two sham drawers, raised on C scroll end supports, platform bases with anthemion scrolling toes and recessed castors, 100cm by 70cm by 73cm £1200 - 1500 1306 A Victorian Mahogany Bookcase, 3rd quarter 19th century, the cavetto cornice above carved capitals and glazed doors enclosing three adjustable shelves, the base with arched cupboard doors, raised on a plinth base, 140cm by 56cm by 236cm £500 - 700 1307 A George III Mahogany Three-Tier Dumb Waiter, late 18th century, of graduated form with turned cylindrical support, raised on cabriole legs with flattened pad feet and castors, smallest tier 40cm, height 110cm £400 - 600

1308 A George II Style Mahogany Tripod Table, of octagonal shaped form with acanthus galleried top, above a birdcage platform support raised on a turned and fluted support with heavily carved cabriole legs with lion mask carved knees terminating in claw feet, 72cm by 72cm by 76cm £400 - 600 1309 A George III Mahogany Bureau Bookcase, late 18th century, the domed pediment surmounted by three urns, a cavetto cornice and blind fret frieze, above astragal glazed doors enclosing adjustable shelves, pigeon holes and small drawers, the fall enclosing an attractive fitted interior, two short and three long graduated drawers below, raised on bracket feet (with later embellishment), 102cm by 62cm by 260cm £800 - 1200 1310 A George III Mahogany Chest on Chest, late 18th century, the dentil cornice above two short and three long drawers, three deep drawers below, all between fluted canted stiles, raised on bracket feet, 104cm by 53cm by 188cm £650 - 850 1311 A George III Mahogany Serpentine Front Chest of Drawers, 3rd quarter 18th century, with three deep drawers between shaped sides and canted stiles, wavy shaped apron, raised on canted forelegs, 109cm by 56cm by 79cm £1200 - 1800

1312 A George III Mahogany Linen Press, late 18th century, the chequer banded inlaid frieze above oval recessed panel doors enclosing two sliding trays and hanging space, two short over two deep drawers below, raised on bracket feet, 125cm by 56cm by 207cm £400 - 600 1313 A George III Satinwood and Tulipwood Banded Box, early 19th century, the hinged lid with oval patera painted with a Prince of Wales plume, floral sprays around the border, the interior cedar lined and divided, 53cm by 38cm by 18cm £500 - 800 1314 A George III Style Mahogany, Satinwood and Boxwood Strung Demi-Lune Sideboard, late 19th century, with two frieze drawers flanked by hinged cupboard doors, raised on square tapering legs, 114cm by 54cm by 83cm £300 - 400 1315 A George IV Mahogany Foldover Card Table, 2nd quarter 19th century, of rounded rectangular form inset with red velvet interior, raised on a turned part wrythen support with four sabre legs and brass toes and castors, 92cm by 44cm by 72cm £250 - 350 1316 A George III Style Mahogany and Satinwood Banded Bowfront Sideboard, late 19th century, the frieze drawer flanked by two deep drawers with decorative spandrels, raised on square tapering legs, 124cm by 60cm by 86cm £400 - 600

1317 A George III Style Mahogany Book Stand, with inset green and gilt leather skiver and folding ratchet, shaped supports and undertier, raised on square chamfered supports with square block feet, 59cm by 42cm by 90cm £300 - 500 1318 An Early 20th Century Walnut Easel Stand, of slatted design, with an adjustable block support and pivoting brass pins, six brass apertures with C scroll brackets, Chinese fretwork decoration, raised on splayed forelegs with scrolling toes, 50cm by 102cm £250 - 350 1319 A Late Victorian Walnut Easel, by Howard & Sons, Berners Street, London, late 19th century, of tapering form with fluted and chiselled decoration, with pivoting back support stamped and numbered 12806 and 5057, 50cm wide, 182cm high £300 - 500 1320 A George III Mahogany and Brass Bound Oval Wine Cooler, late 18th century, of staved construction, with brass carrying handles, raised on an oval stand with square tapering legs, brass toes and castors, 62cm by 47cm by 55cm £500 - 800 1321 A Late George III Mahogany Adjustable Cheval Mirror, early 19th century, the rectangular plate within reeded supports with splayed legs and brass hairy paw feet and castors, 76cm by 70cm by 161cm £600 - 800

1322 A Chinese Gilt and Black Pedestal Games Table, early 19th century, richly painted with Oriental figures in a landscape, the removable chess top enclosing a backgammon board, raised on a birdcage platform and turned support with triform base and carved claw feet, 61cm by 51cm by 77cm £400 - 600

1326 A George IV Mahogany and Ebony Strung Breakfront Sideboard, 2nd quarter 19th century, the long frieze drawer above a sliding tambour drawer below flanked by a deep two-as-one drawer and opposing drawers, raised on square tapering legs with spade feet, 208cm by 83cm by 93cm £500 - 700

1323 A George III Mahogany Chest on Chest, circa 1800, the broken swan neck pediment above a dentil and blind fret frieze, over two short and six long drawers, raised on bracket feet, 122cm by 60cm by 204cm £800 - 1200

1327 A William IV Mahogany Breakfront Sideboard, circa 1835, with acanthus carved gallery and staged top above a central frieze drawer, with arched drawer below flanked by a cellaret drawer and cupboard door, raised on turned and reeded supports, 170cm by 68cm by 117cm £450 - 650

1324 A George III Mahogany Straight Front Dressing Chest, late 18th century, the moulded top above a deep drawer (previously fitted), three further drawers below, all between blind fret canted stiles, raised on bracket feet, 113cm by 58cm by 85cm £500 - 700 1325 A George II Mahogany Gateleg Dining Table, mid 18th century, with two rounded drop leaves, raised on acanthus carved cabriole legs with claw feet, 106cm (122cm extended) by 43cm by 71cm (repairs) £300 - 400

1328 A George III Mahogany Serpentine Front Chest of Drawers, late 18th century, the moulded, crossbanded top above four long graduated drawers all between reeded stiles, raised on bracket feet, 124cm by 60cm by 97cm £550 - 750 1329 A William IV Mahogany Foldover Card Table, circa 1835, of rectangular form, above a plain frieze with acanthus carved spandrels, raised on a canted vasiform support with carved socle and circular base, scrolling feet and castors, 91cm by 45cm by 77cm £300 - 400

1330 A Victorian Rosewood Sewing Table, mid 19th century, the single frieze drawer flanked by fret cut spandrels, a gathered silk sliding workbox below, raised on a column support with moulded socle and quadripartite base with recessed castors, 63cm by 42cm by 74cm £350 - 550 1331 A George III Mahogany Settle, late 18th century, with four fielded panels and blind fret carved top rail, downswept arms above a squab cushion, plain seat rail, raised on cabriole forelegs with husk knees and pad feet, 185cm by 54cm by 112cm £300 - 500 1332 A George II Style Walnut and Feather Banded Straight Front Chest, the moulded top above a pull-out brushing slide and four long graduated drawers, raised on later bracket feet, 76cm by 47cm by 86cm £400 - 600 1333 A Queen Anne Walnut and Feather Banded Escritoire, early 18th century, the cushion drawer above a fall front enclosing an arrangement of drawers and pigeon holes, the chest of two over two deep drawers and raised on later turnip feet, 93cm by 49cm by 156cm £500 - 700 1334 A Regency Mahogany and Gilt Metal Mounted Side Cabinet, 2nd quarter 19th century, the pierced three-quarter gallery above Egyptian revival figural mounts, above two cupboard doors, raised on a plinth base, 90cm by 33cm by 100cm £300 - 400

1335 Masonic Interest: A George III Mahogany Pembroke Table, late 18th century, later inlaid with Masonic symbols, with two rounded drop leaves above a real and sham drawer, raised on square tapering legs with brass toes and castors, 69cm (104cm extended) by 55cm by 72cm £400 - 600 1336 A William IV Mahogany and Oak Serving Table, 19th century and later, the rectangular top above four cluster column supports with fabric box section below, with later cupboard doors to the reverse, raised on a plinth base, 153cm by 54cm by 89cm £300 - 500 1337 A Late Victorian Mahogany Bagatelle Table, by Orme & Sons, Manchester, late 19th century, the hinged lid opening to reveal a green velvet slate bed table, the sides fitted with two brass pockets and cribbage markers, raised on turned legs, 72cm by 123cm (246cm open) by 77cm £500 - 700 1338 An 18th Century Walnut Straight Front Chest of Drawers, the cavetto cornice above two short and three long graduated drawers, all between fluted canted stiles, raised on a later stand with two short over three long drawers, wavy shaped apron, raised on cabriole legs with pad feet, 104cm by 56cm by 170cm £600 - 800

1339 An 18th Century Walnut, Boxwood and Ebony Strung Straight Front Chest, the moulded cornice above three short and three long drawers, all between canted corners, raised on a later stand with cabriole legs and pad feet, 110cm by 59cm by 145cm £500 - 700 1340 A George II Walnut Foldover Games Table, mid 18th century, with eared corners, the hinged top opening to reveal gaming wells and baize interior, frieze drawer below, raised on cabriole legs with acanthus carved shoulders and lappet carved knees, claw and ball feet, 95cm by 43cm by 74cm £600 - 800 1341 A Late Victorian Mahogany and Polychrome Painted Four-Leaf Dressing Screen, late 19th century, each panel decorated with a jockey and huntsman on horseback, the verso of panel construction with arched ribbon decorated panels, each panel 58cm by 178cm £700 - 1000 1343 A Set of Four George III Mahogany Hall Chairs, circa 1820, the gothic tracery pierced splats with carved vacant cartouche above shaped circular dished seats, 40cm by 37cm by 95cm £2500 - 3500

1344 A Late 19th Century Mahogany and Brass Bound Secretaire Campaign Chest, with two short and one deep drawer, a further shallow drawer below with a satinwood veneered writing surface, hinged correspondence rack flanked by sliding covers, the lower section with two deep drawers, raised on removable turnip feet, 114cm by 56cm by 118cm £900 - 1200 1345 A Late George III Mahogany Canterbury, early 19th century, with four concave shaped dividers and turned spindle supports above a frieze drawer, raised on elegant turned legs with brass toes and castors, 48cm by 34cm by 54cm £500 - 700 1346 A Pair of George III Carved Mahogany Chippendale Revival Foldover Card Tables, the hinged lids enclosing a modern green baize lined interior, concertina action pivoting legs above a fluted frieze with C scroll spandrels, raised on blind fret later decorated chamfered legs, 91cm by 46cm by 73cm £1500 - 2000 1347 A Victorian Coalbrookdale Cast Iron Hallstand, 3rd quarter 19th century, repainted gilt, with six spindle arm hooks above crested apertures to receive sticks, with conforming drip trays below, the back stamped COALBROOKDALE with registration number, 60cm by 25cm by 184cm £400 - 500

1348 A Lamb of Manchester Victorian Walnut and Amboyna Banded Three-Tier Dumb Waiter, late 19th century, the top tier of rectangular canted form with three-quarter gallery, two smaller tiers below, raised on turned spindle supports with sledge bases and brass castors, 116cm by 46cm by 100cm £500 - 700 1349 A Late George III Mahogany Tripod Wine Table, early 19th century, of canted rectangular form, raised on a turned vasiform support with cabriole legs and scrolling toes, 38cm by 31cm by 72cm £250 - 350 1350 A George IV Mahogany, Crossbanded, Boxwood and Ebony Strung Pembroke Table, 2nd quarter 19th century, with two rounded drop leaves above a frieze drawer and opposing sham drawer, raised on turned and reeded column supports with sabre legs, brass cast feet and castors, 100cm by 57cm by 73cm £400 - 500 1351 A George III Style Mahogany Pie Crust Tripod Table, bearing plaque of S & H Jewell, 131-132 High Holborn, London, the moulded top above a birdcage platform and turned support with carved socle, raised on three cabriole legs with claw and ball feet, 80cm by 70cm £400 - 600

1352 A Victorian Figured Walnut Canterbury/Whatnot, 3rd quarter 19th century, the three-quarter pierced brass gallery above scrolling end supports and four serpentine shaped dividers, frieze drawer below, raised on turnip feet, 61cm by 42cm by 84cm £300 - 500 1353 A George II Style Mahogany Tripod Table, the moulded pie-crust edge with carved shells, raised on a turned gun barrel and part wrythen support with cabriole legs, carved knees and flattened pad feet, 81cm by 71cm £300 - 400 1354 A George IV Style Mahogany Bowfront Chest of Small Proportions, with brass carrying handles, the four graduated drawers all between spiral and turned column supports with brass toes and castors, 92cm by 46cm by 79cm £600 - 800 1355 A Regency Rosewood and Brass Inlaid Pedestal Table, early 19th century, raised on a parcel gilt tapering support with triform base and gilt decorated feet with recessed castors, 122cm by 78cm £1000 - 1500 1356 A George III Mahogany, Tulipwood, Kingwood and Boxwood Strung Foldover Card Table, circa 1800, of rounded rectangular form with green baize lined interior, raised on square tapering legs with spade feet, two pivoting gatelegs, 92cm by 45cm by 78cm £300 - 400

1357 A George III Mahogany Bowfront Hanging Corner Cupboard, late 18th century, the frieze inlaid with oval patera above two cupboard doors enclosing three shelves and two drawers, 92cm by 47cm by 118cm £250 - 350 1358 A Louis XV Style Kingwood, Floral Marquetry and Gilt Metal Mounted Card Table, late 19th century, richly inlaid overall with scrolling foliage, griffins and urns, the hinged lid enclosing a green baize lined interior, raised on ebonised fluted tapering supports joined by a shaped stretcher, 64cm by 42cm by 75cm £500 - 700 1359 A George III Mahogany Straight Front Chest of Drawers, late 18th century, the moulded top above two short and three long graduated drawers all between fluted column stiles and raised on bracket feet, 103cm by 52cm by 80cm £300 - 500 1360 A Late George III Mahogany Butler's Tray and Stand, early 19th century, of rectangular shaped form with hinged sides and carrying handles, raised on a folding frame stand, 71cm by 46cm by 94cm £300 - 400 1361 A George III Mahogany Bureau Bookcase, late 18th century, the swan neck pediment and dentil cornice above glazed doors, all between fluted column supports, two candle slides above a fall with attractive fitted interior, four long graduated drawers below, raised on bracket feet, 107cm by 58cm by 240cm £500 - 700

1362 A George III Mahogany Tripod Table, late 18th century, the circular flip-top above a turned and part wrythen support, raised on cabriole legs with flattened pad feet and castors, 93cm by 74cm £300 - 500 1363 A Carved Mahogany Chippendale Style Armchair, late 19th century, the acanthus ribbon tied decorative splat above outswept arms with carved eagle hand grips, above an overstuffed seat, raised on carved cabriole forelegs with scrolling toes, 62cm by 48cm by 102cm £400 - 600 1364 A George III Mahogany Two-Tier Washstand, of rectangular shaped form with a wavy shaped apron, raised on elegant supports with single frieze drawer and concave shaped undertier, 33cm by 33cm by 83cm £250 - 350 1365 A George IV Mahogany Side Table, 2nd quarter 19th century, of rounded rectangular form with reeded edge above a plain frieze and reeded spandrels, raised on turned tapering legs with brass toes and castors, 61cm by 49cm by 76cm £300 - 500 1366 A Regency Mahogany Cellaret, possibly Irish, 2nd quarter 19th century, the canted tapering body and hinged lid enclosing a divided interior, raised on a turned support and four reeded legs with brass toes and castors, 47cm by 40cm by 88cm £400 - 600

1367 A George II Walnut and Featherbanded Chest on Stand, early 18th century, the hinged lid with moulded edge above an engraved brass escutcheon, raised on stand with marquetry apron depicting a griffin family crest, raised on cabriole legs with square block feet, 134cm by 61cm by 108cm £1200 - 1800 1368 A Near Pair of George III Mahogany and Brass Bound Peat Buckets, early 19th century, of coopered construction with brass pivoting swing handles and tapering cylindrical bodies, 38cm by 44cm £1500 - 2000 1369 A Pair of Victorian Mahogany Straight Front Chests of Drawers, each with moulded top above four graduated drawers with knob handles, raised on plinth bases, 41cm by 39cm by 74cm (adapted) £450 - 650 1370 A George III Style Mahogany Bowfront Chest, with three deep drawers above a shaped apron, raised on splayed bracket feet, 77cm by 51cm by 86cm £400 - 600 1371 A George III Mahogany Chest on Chest, late 18th century, the bold cornice above two short and three long graduated drawers between canted stiles inlaid with oval patera, three deep drawers below and raised on bracket feet, 110cm by 57cm by 190cm £700 - 1000

1372 A 19th Century Satinwood and Tulipwood Banded Serpentine Fronted Chest of Drawers, the four graduated drawers raised on splayed bracket feet, 112cm by 53cm by 103cm £1000 - 1500 1373 A Victorian Mahogany Library Writing Table, late 19th century, with inset green leather skiver, above three frieze drawers and opposing drawers, raised on standard end supports with platform bases and scrolling toes, 167cm by 91cmby 78cm £600 - 800 1374 A George II Mahogany Triple Foldover Card Table, mid 18th century, of rectangular shaped form with eared corners, the hinged top revealing a tea/games table with gaming wells and frieze drawer below, raised on cabriole legs with folding gateleg and pad feet, 79cm by 40cm by 74cm £600 - 800 1375 A Victorian Mahogany Three-Tier Whatnot, mid 19th century, of square form with double easel and ratchet top, two tiers below with turned column supports and deep drawer below, brass toes and castors, 48cm by 48cm by 110cm £400 - 600 1376 A George II Style Mahogany Tripod Table, the circular pie crust moulded top above a turned vasiform support raised on carved cabriole legs with flattened pad feet, 70cm by 70cm £300 - 500

1377 A Carved Pine Fire Surround, of George III design, of breakfront form, with egg and dart carved beading above a fluted frieze with anthemion flower bells carved between flanked by Adam style urns, 156cm by 17cm by 138cm £800 - 1000 1378 A Fine Regency Mahogany Centre Table, early 19th century, of rounded rectangular form with moulded edge, raised on a turned vasiform support and four cabriole legs with leaf cast scrolling toes and castors, 144cm by 106cm by 73cm £2000 - 3000 1379 A Late George III Mahogany Canterbury, circa 1820, with four concave shaped dividers and spindle supports above a frieze drawer with knob handles, raised on turned legs with brass toes and castors, 49cm by 36cm by 57cm £300 - 500 1380 A Regency Mahogany Foldover Tea Table, 2nd quarter 19th century, of rounded rectangular form with gadrooned moulding above a plain frieze, raised on ring turned tapering legs with brass toes and castors, 87cm by 49cm by 76cm £400 - 600 1381 A Late George III Mahogany Serpentine Shaped Sideboard, early 19th century, the elegant brass gallery with spindle supports and urn finials, above a central frieze drawer flanked by a cupboard and cellaret drawer all between fluted stiles, raised on square tapering legs with block feet, 184cm by 67cm by 95cm (excluding rail) £700 - 1000

1382 A George III Mahogany, Satinwood and Marquetry Breakfront Sideboard, late 18th century, the central frieze drawer above an arched apron and flanked by a deep cellaret drawer and cupboard door, raised on chamfered tapering legs, 205cm by 78cm by 100cm £700 - 1000 1383 A George IV Mahogany Foldover Tea Table, 2nd quarter 19th century, of rounded rectangular form with hinged lid and plain frieze between fluted spandrels, raised on turned spiral tapering legs, 97cm by 48cm by 74cm £300 - 500 1384 A Walnut, Crossbanded and Feather Banded Dressing Table, the rectangular top with re-entrant corners above a long frieze drawer, three short drawers and a wavy shaped apron, raised on cabriole legs with shell carved knees and pad feet, 77cm by 49cm by 72cm £3000 - 4000 1385 A Mahogany, Satinwood and Boxwood Strung Free-Standing Corner Cupboard, mid 19th century, the broken swan neck pediment centred by a reeded tablet and surmounted by a brass eagle above a glazed door with oval astragal beading enclosing a green velvet lined interior, two cupboard doors below, all between canted sides, 115cm by 81cm by 216cm £800 - 1200

1387 A George IV Mahogany Sewing Table, 2nd quarter 19th century, of octagonal shaped form with hinged lid enclosing a fitted interior of compartments, raised on a spiral turned and reeded support with three splayed sabre legs and claw feet, 82cm by 44cm by 74cm £400 - 600

1392 A George III Oak Enclosed Dresser Base, late 18th century, with six long drawers around two fielded panel doors, all between fluted stiles, raised on bracket feet, 170cm by 51cm by 80cm £500 - 700

1388 An Early 18th Century Joined Oak Sideboard Dresser, the moulded top above three frieze drawers, raised on spiral profile forelegs, 192cm by 50cm by 76cm £1000 - 1500

1393 A Joined Oak Enclosed Dresser and Associated Rack, the bold cornice above open shelves, the base with an arrangement of seven drawers around a cupboard door, raised on bracket feet, 156cm by 53cm by 203cm (formerly a mule chest) £400 - 600

1389 A Joined Oak Refectory Dining Table, 17th century in part, the fixed top with cleated ends above a lunette carved frieze, acanthus carved brackets, raised on turned supports joined by a peripheral understretcher, 197cm by 75cm by 66cm £800 - 1200

1394 An Early 18th Century Joined Oak Enclosed Dresser Base, the moulded top above three frieze drawers and two cupboard doors flanked by fielded panels, raised on shaped bracket feet, 177cm by 50cm by 82cm £800 - 1200

1390 An Early 20th Century Child's Orkney Chair, with oak frame, curved rush back support and seat, shaped arms and square tapering legs joined by an H stretcher, 46cm by 38cm by 80cm £400 - 600

1395 A George III Oak Enclosed Dresser and Rack, late 18th century, with three fixed shelves above three mahogany crossbanded drawers and two arched panel cupboards with an inlaid sun burst, raised on bracket feet, 146cm by 48cm by 218cm £550 - 750

1391 An 18th Century Oak and Mahogany Crossbanded Chest on Stand, the cavetto cornice above two short and three long graduated drawers, the stand with three drawers above a wavy shaped apron, raised on stout cabriole legs with pad feet, 99cm by 51cm by 155cm £500 - 700

1396 An 18th Century Oak and Mahogany Crossbanded Sideboard Dresser, with three frieze drawers above a wavy shaped apron, raised on cabriole forelegs, 186cm by 55cm by 76cm; and An 18th Century Associated Rack, with moulded cornice, two small drawers and an arrangement of shelves, 171cm by 12cm by 113cm £1000 - 1500

1397 An 18th Century Joined Oak Press Cupboard, the carved frieze above two cupboard doors with lozenge carved fielded panels enclosing hanging space, three carved panels below and three frieze drawers, raised on stile feet, 181cm by 52cm by 192cm £700 - 1000 1398 A Mid 17th Century Continental Joined Oak Chest, the later hinged lid above an iron lock plate and five fielded panels carved in relief, iron ring handles to the sides, on a shaped platform base, 171cm by 65cm by 85cm £500 - 700 1399 An 18th Century Joined Oak Lowboy, the moulded top above a frieze drawer and wavy shaped apron, raised on cabriole legs with elegant pad feet, 62cm by 41cm by 68cm £250 - 350 1400 A George III Oak Provincial Chest on Chest, late 18th century, the cavetto cornice above two short and three long graduated drawers, two deep drawers below, raised on bracket feet, 107cm by 50cm by 154cm £600 - 800 1401 A George III Joined Oak and Mahogany Crossbanded Chest, late 18th century, the hinged lid above four fielded panels between fluted canted stiles, two frieze drawers below and raised on bracket feet, 137cm by 53cm by 89cm £300 - 400

1402 An 18th Century Joined Oak Straight Front Chest of Drawers, with four graduated drawers fitted with later brass oval handles, raised on bracket feet, 86cm by 56cm by 91cm £400 - 500 1403 An Early 18th Century Oak Side Table, the four plank top with cleated ends above a frieze drawer, raised on bobbin turned legs joined by a peripheral understretcher, 83cm by 51cm by 71cm £300 - 500 1404 A Late 17th Century Italian Provincial Walnut Commode, the carved frieze above three long drawers, on a moulded plinth base with bracket feet, 145cm by 63cm by 96cm £1500 - 2000 1405 A North European 18th Century Carved Giltwood and Polychrome Decorated Sedan Chair, covered in brown close nailed leather, the domed top above a richly carved acanthus and C scroll frieze, carved figural brackets, glazed sides and hinged door enclosing original fabric lined interior, metal shaft supports to the sides, 96cm by 76cm by 170cm £2500 - 3500 1406 A French Mahogany Gueridon, mid 19th century, the circular bardiglio marble top above column supports with gilt cast mounts, on a triform base with cylindrical column supported by an acorn finial, 37cm by 89cm £300 - 500

1407 A Late 19th Century Walnut Wooton Style Desk, of breakfront D shape form, the fall front inlaid with a marquetry panel of ribbons and garlands enclosing a writing surface and an arrangement of shaped pigeon holes flanked by hinged doors fitted for correspondence, ten graduated drawers below between fluted stiles, raised on a plinth base, 142cm by 67cm by 105cm £1000 - 1500 1408 A Pair of Late 19th Century Florentine Walnut Sgabello Hall Chairs, with C scroll rail and carved splat with grotesque figural supports, circular dished seat raised on conforming forelegs, 30cm by 32cm by 98cm £300 - 500 1409 An Edwardian Gilt and Gesso Three-Leaf Dressing Screen, early 20th century, the central leaf with a ribbon tied cresting, swags and flower garlands, with three bevelled glass marginal plates with floral silk panels below, 150cm by 172cm £250 - 350 1410 An Edwardian Lady's Walnut Cylinder Bureau, early 20th century, the superstructure with two cupboard doors enclosing pigeon holes and drawers, above a fall enclosing a pull-out drawer and ratchet writing surface, raised on square tapering legs with brass toes and castors joined by a stretcher, 57cm by 49cm by 117cm £300 - 500

1411 A Pair of Chinese Chippendale Revival Satinwood and Parcel Gilt Painted Armchairs, early 20th century, richly painted overall with a pagoda top rail, gothic tracery pierced splat, silk covered drop-in seats, raised on square chamfered forelegs with pierced spandrels, 52cm by 40cm by 101cm; and A Pair of Matching Single Chairs, 48cm by 40cm by 102cm £1000 - 1500 1412 An 18th Century Style Gilt Japanned and Chinoiserie Decorated Serpentine Shaped Commode and Stand, early 20th century, richly painted with figures in landscape, with two short over two long graduated drawers, all between canted stiles, raised on a gilt painted stand with blind fret apron and elaborate pierced scrolling legs, 130cm by 62cm by 87cm £1500 - 2500 1413 A Chinese Chippendale Revival Satinwood and Japanned Display Cabinet on Stand, early 20th century, painted with Oriental figures in a landscape, the three-quarter pierced gallery above a pagoda frieze and two glazed doors enclosing a modern velvet lined interior, the stand with square chamfered legs, block feet and shaped understretcher, 115cm by 37cm by 210cm £2000 - 3000 1414 A Late Victorian Rosewood and Bone Inlaid Oval Writing Table, circa 1900, the superstructure fitted with small drawers and pigeon holes above a green leather skiver, the frieze drawer richly inlaid with scrolling foliage, raised on square tapering legs with brass toes and castors, joined by a shaped undertier, 79cm by 89cm £300 - 500

1415 An Edwardian Mahogany, Satinwood Banded and Boxwood Strung Writing Desk, by Jas Schoolbred & Co, late 19th century, with domed top and fluted pilasters flanked by cupboard doors, two frieze drawers below, raised on fluted tapering legs with castors, 84cm by 43cm by 116cm £400 - 600 1416 A Set of Chippendale Revival Mahogany and Parcel Gilt Three-Tier Hanging Shelves, the pagoda top above chamfered supports and fret cut galleries, 80cm by 97cm £800 - 1200 1417 An Edwardian Sheraton Revival Satinwood and Polychrome Painted Armchair, circa 1900, richly painted with floral swags, the pierced splat above outswept arms and serpentine overstuffed seat, raised on square tapering legs with spade feet, 54cm by 47cm by 94cm; and Three Single Chairs to Match, 49cm by 43cm by 91cm (4) £400 - 600 1418 A Pair of Carved Satinwood Hepplewhite Style Armchairs, late 19th century, with acanthus carved frame and splat with carved hand grips, modern squab cushions above caned seats, raised on flower carved and fluted tapering legs, 54cm by 45cm by 97cm *An identical pair was sold by Tennants in November 2012 £400 - 600 1419 C Bechstein: A 6'8" Rosewood Cased Grand Piano, raised on turned tapering legs with brass toes and castors

*Originally supplied by Harrods Ltd, ref.no.H69859 £2500 - 3500 1420 A Weber 5'8" Ebonised Grand Piano, of recent date, the highly polished case, raised on square tapering legs with brass toes and castors; and A Late 19th Century Ebonised Adjustable Piano Seat, the overstuffed leatherette seat, raised on square chamfered legs joined by an H stretcher (repainted) (2) £1500 - 2000 1421 A 19th Century Anglo-Indian Padouk Centre Table, the circular top with leaf carved edge and frieze, raised on a bulbous carved support with moulded socle, raised on quatrepartite base with flattened feet and castors, 131cm by 75cm £400 - 600 1422 A Late 19th Century Colonial Rosewood and Inlaid Specimen Chest, with an arrangement of twelve drawers richly inlaid with floral motifs, raised on a plinth base, 94cm by 37cm by 42cm £300 - 500 1423 A Japanese or Korean Softwood and Parquetry Decorated Free-Standing Cabinet, early 20th century, with an arrangement of pigeon holes, niches and drawers, on plain supports with decorative brackets, raised on a shaped platform base, 82cm by 35cm by 169cm £600 - 800

1424 A Japanese Foliate Carved Hardwood Shodana, circa 1900, profusely carved and inlaid with bone and mother-of-pearl decorated panels, raised on a moulded stand with horse shoe shape legs and foliate carved apron, 133cm by 38cm by 216cm £1000 - 1500 1425 A Chinese Hardwood Folding Games Table, early 20th century, of rectangular form, fitted with four small drawers, raised on four humpback legs and hoof feet joined by stretchers, 82cm by 82cm by 76cm £250 - 350 1426 A Chinese Hardwood Low Waisted Table, early 20th century, richly inlaid with mother-of-pearl flowers and foliage, above a conforming decorative frieze, raised on square form legs with horseshoe feet, 62cm by 82cm by 42cm £250 - 350 1427 A Chinese Ebonised and Parcel Gilt Three-Leaf Dressing Screen, late 19th/early 20th century, each leaf with C scroll pediment above glazed panels with four Chinese rice paper watercolours depicting figures, three floral painted panels below, verso with worn silk panels, each leaf 48cm wide, 158cm high £300 - 500 1428 A Chinese Hardwood and Burr Elm Circular Low Table, late 19th century, with foliate carved frieze, raised on short cabriole legs with dragon head feet joined by a shaped stretcher, 72cm by 36cm £2000 - 3000

1429 A Chinese Hardwood Narrow Table, late 19th century, the pierced decorative apron and C scroll end supports raised on slender hump-back legs with scrolling hoof feet, 145cm by 44cm by 103cm £3000 - 5000 1430 A Chinese Padouk Wood Waisted Kang Table, early 20th century, of rectangular form with foliate decorated apron, raised on square form legs, 77cm by 42cm by 28cm £300 - 500 1431 A Chinese Hardwood Side Chair, early 20th century, the humpback rail above a pierced and hardstone splat, the circular dished seat above a decorative apron, raised on turned tapering forelegs, 45cm by 93cm £250 - 350 1432 A Chinese Padouk Wood Plant Stand, early 20th century, the circular pink marble top above a foliate flowerhead pierced apron, raised on cabriole legs joined by a cross stretcher, 26cm by 90cm; and A Chinese Hardwood Plant Stand, early 20th century, of hexagonal shaped form with pink marble top above a foliate frieze, raised on bamboo simulated legs joined by cross stretchers, 42cm by 32cm by 51cm (2) £300 - 400

1433 A Chinese Hardwood and Rosewood Four Post Canopy Bed, early 20th century, with soft mat top set within a rectangular frame above high waist carved foliage, supported on cabriole legs with claw feet embellished with animal masks at the shoulder, the footboard and headboard with panels decorated in relief with figures in a landscape with bone highlights, the canopy supported by four posts with decorative fretwork brackets, the decorative apron depicting Chinese dragons, open C scroll canopy above, 160cm by 220cm by 236cm £2000 - 3000 1434 A Gilt and Gesso Polychrome Decorated Coffee Table, the rectangular top painted with a landscape and Oriental figures, with acanthus carved frieze and conforming legs, 108cm by 48cm by 41cm £300 - 500 1435 A Near Pair of Islamic Inlaid Ivory and Ebony Occasional Tables, early 20th century, of moulded octagonal shape form richly inlaid with geometric flowers and arabesque motifs, raised on a square form legs joined by stretchers, 37cm by 37cm by 42cm £400 - 600 1436 An Islamic Rosewood Veneered, Ivory and Mother-of-Pearl Occasional Table, late 19th century, of octagonal shaped form inlaid with geometric and foliate motifs, raised on canted square form legs with an arched apron, 47cm by 47cm by 60cm £800 - 1200

1437 An Edwardian Walnut Three-Leaf Screen, early 20th century, the fluted framework containing three 19th century Japanese watercolour panels depicting figures, each panel 82cm by 151cm £300 - 400 1438 A Japanned and Parcel Gilt Decorated Side Table, late 19th/early 20th century, in 17th century style, the rectangular top decorated with Oriental figures in a landscape, three frieze drawers of arched form, raised on bulbous fluted tapering legs joined by C scroll stretchers, 121cm by 56cm by 79cm £1000 - 1500 1439 A George III Style Gilt and Gesso Pier Glass, late 19th century, the oval plate within a beaded and moulded frame surmounted by a painted panel of putto with Adams' style urn joined by husks, 105cm by 50cm £300 - 500 1440 A Regency Style Gilt and Gesso Girandole, late 19th century, with circular convex plate and reeded ebonised slip contained within a strapwork frame with scrolling candle arms below headed by a decorative plume, 102cm by 62cm £250 - 350 1441 A Pair of Victorian Gilt and Gesso Cushion Shaped Wall Mirrors, 3rd quarter 19th century, the rectangular bevelled glass plate flanked by marginal plates, all between flowerhead and beaded outer frames headed by a triangular architectural pediment with decorative plume, 113cm by 69cm by 6cm (losses) £400 - 600

1442 A Victorian Gilt and Gesso Oval Mirror, mid 19th century, the reeded and beaded oval frame with acanthus moulded dividers, 110cm by 82cm £300 - 500 1443 An Adams Style Gilt and Gesso Oval Wall Mirror, 19th century, the oval plate contained within an egg and dart moulded frame centred by an urn with flowerbells joined by oval medallions, 100cm by 84cm £300 - 500 1444 A Pair of George II Carved Giltwood and Gesso Pier Glass, mid 18th century, the rectangular plate within a rockwork frame headed by a basketweave floral plume, 112cm by 55cm £2500 - 3500 1445 A Regency Style Gilt and Gesso Triptych Overmantel Mirror, late 19th century, the ball surmounted cornice above a decorative frieze with three bevelled glass marginal plates below, all between reeded pilasters, 142cm by 12cm by 92cm £400 - 600 1446 A George II Gilt and Gesso Pier Glass, early 18th century, the rectangular plate within a rockwork frame headed by an acanthus swan neck pediment and shell plume, 104cm by 51cm £400 - 600

1447 A Carved Wood Gilt and Gesso Wall Mirror, 19th century, in rococo revival style, the upscrolling asymmetrical cornice supporting a small shelf, with seven further small bracketed shelves around the rocaille shaped frame, to a conforming terminal, 154cm high, 87.5cm wide max £700 - 1000 1448 A William IV Mahogany Bergère Library Chair, 2nd quarter 19th century, with single canework back support, sides and seat, with gold silk squab cushions, reeded arms and conforming forelegs with brass toes and castors, 52cm by 50cm by 96cm £400 - 600 1449 An 18th Century Style Wing Back Chair, upholstered in orange and floral needlework fabric, with flared sides, arm supports and squab cushion above a plain seat, raised on anthemion carved forelegs with pad feet, 64cm by 52cm by 110cm £400 - 600 1450 A Regency Black Japanned Four-Seater Settee, early 19th century, with single canework back support and sides, downswept arms, turned legs and supports, with worn purple silk overstuffed seat, 185cm by 68cm by 80cm £300 - 500 1451 A George II Style Mahogany Day Bed, later recovered in brown velvet fabric, with an acanthus carved padded arm support above an overstuffed seat, raised on cabriole legs with scrolling toes and pad feet, 102cm by 66cm by 110cm £1000 - 1500

1452 A Victorian Child's Walnut Framed Armchair, late 19th century, recovered in pink velvet fabric, with button back support, overstuffed seat and carved hand grips, raised on cabriole forelegs, 45cm by 30cm by 56cm £350 - 450 1453 An Early 20th Century Japanned and Parcel Gilt Double Cane Three-Seater Bergère Settee, the frame richly painted with Oriental landscapes, later recovered squab cushions, raised on claw and ball forelegs, 190cm by 76cm by 85cm; and A Pair of Armchairs, en suite, 65cm by 68cm by 84cm (3) £500 - 800 1454 A Pair of 18th Century Italian Carved Wood Open Armchairs, later repainted, with original close nailed needlework fabric to the padded back support, arms and seat, raised on cabriole legs with scrolling toes, 57cm by 50cm by 100cm £1800 - 2500 1455 A Victorian Walnut Framed Chair Back Settee, 3rd quarter 19th century, upholstered in beige velvet fabric, with padded back support and overstuffed serpentine shaped seat, raised on cabriole forelegs with scrolling toes and castors, 180cm by 64cm by 104cm £350 - 550 1456 An Early Georgian Style Wing Back Chair, 20th century, recovered in gold silk damask, with rounded arm supports and squab cushion, raised on carved walnut acanthus forelegs with claw and ball feet centred by a shell, 83cm by 56cm by 140cm £600 - 800

1457 A Louis XV Style Walnut and Parcel Gilt Serpentine Shaped Settee, late 19th/early 20th century, covered in original Aubusson needlework fabric, with padded back support, arms and overstuffed seat, acanthus carved framework on cabriole forelegs, 183cm by 70cm by 109cm; A Pair of Armchairs, en suite, 70cm by 57cm by 100cm; and A Set of Four Salon Chairs, 55cm by 50cm by 93cm (7) £1200 - 1400 1458 A 20th Century Carved Mahogany Hump-Back Settee, upholstered in blue floral silk damask, the rounded arm supports and carved eagle hand grips above a squab cushion and plain seat rail, raised on shell carved cabriole legs with paw feet, 200cm by 60cm by 94cm £600 - 800 1459 An Early 20th Century Carved Mahogany Three-Seater Settee, recovered in yellow and green floral silk damask, with hump-back and rounded arm supports with squab and scatter cushions above a plain seat rail, raised on heavily carved forelegs with claw feet, 192cm by 60cm by 96cm £700 - 1000 1460 An 18th Century Style Open Armchair, late 19th century, recovered in cream striped fabric, the outswept arms with curved hand grips above an overstuffed seat, raised on cabriole legs with flattened pad feet, 67cm by 49cm by 102cm £300 - 500

1461 A Victorian Four-Seater Conversation Settee, mid 19th century, covered in original fabric, with button back and rounded arms above an overstuffed seat, raised on walnut turnip legs with brass toes and castors, seat depth 50cm, seat height 46cm £500 - 800 1462 A Victorian Walnut Three-Seater Conversation Settee, 3rd quarter 19th century, recovered in blue floral striped fabric, with button back support, rounded arms and overstuffed seat, raised on turned ebonised tapering legs with brass castors, seat depth and height 50cm £400 - 600 1463 A Regency Style Mahogany and Brass Inlaid Circular Dining Table, of recent date, the quarter-veneered top crossbanded in rosewood, raised on four turned column supports with cabriole legs, brass hairy paw feet and castors, 152cm by 74cm £450 - 650 1464 A Victorian Oak Rollover Dining/Snooker Table, by George Edwards, Kingsland Road, London, late 19th century, the rounded rectangular top with plain frieze, raised on turned and reeded supports, the sides fitted with two lockable pull-out handles, 274cm by 155cm by 78cm £2500 - 3500

1465 A Set of Eight Carved Oak Close-Nailed Leather Dining Chairs, 3rd quarter 19th century, with carved top rail, back support and over-stuffed seat raised on turned reeded forelegs with turnip feet and castors joined by a shaped stretcher, 52cm by 44cm by 106cm, including two carvers 57cm by 50cm by 106cm; and A Similar Late 19th Century Gentleman's Armchair, upholstered to match, with padded back support, arms and seat, 68cm by 70cm by 114cm (9) £1000 - 1500 1466 A Victorian Brown Oak Wind-Out Extending Dining Table, 2nd half 19th century, the moulded top with canted corners, raised on four carved tapering supports with castors and wheels, five additional leaves, 221cm (475cm extended) by 144cm by 76cm £1000 - 1500 1467 A Carved Oak Extending Refectory Dining Table, early 20th century, of rectangular form with re-entrant corners above a foliate carved frieze, raised on conforming bulbous legs joined by a stretcher, 167cm (260cm extended) by 99cm by 79cm £400 - 600 1468 A Regency Mahogany Circular Dining Table, 2nd quarter 19th century, the crossbanded top above a gadrooned triform pedestal and concave base raised on later gilt paw feet and castors, 137cm by 77cm £400 - 600

1469 Arthur Brett of Norwich: A George III Style Mahogany Double Pedestal Dining Table, circa 1990, of rounded rectangular form with two additional leaves, raised on turned gun barrel supports and three reeded splayed legs with brass hairy paw feet and castors, the underside stamped several times 3184 02, 366cm extended by 137cm by 74cm £2000 - 3000

1473 Arthur Brett of Norwich: A George III Style Mahogany Triple Pedestal Dining Table, circa 1990, of rounded rectangular form with three additional leaves with reeded edge, raised on turned gun barrel supports with four splayed legs, brass paw feet and castors, the underside stamped several times 3184/01, 450cm by 137cm by 74cm £4000 - 5000

1470 Arthur Brett of Norwich: A Set of Fourteen Reproduction Chippendale Style Dining Chairs, circa 1990, the gothic tracery pierced splats above green close nailed overstuffed seats, 55cm by 47cm by 97, including two carvers £2000 - 3000

1474 Arthur Brett of Norwich: A Set of Sixteen Mahogany Chippendale Style Dining Chairs, circa 1990, the C scroll pierced splats above blue floral silk damask overstuffed seats, raised on acanthus carved cabriole forelegs with claw and ball feet, 56cm by 42cm by 98cm, including two carvers £4000 - 5000

1471 Arthur Brett of Norwich: A George Style Mahogany, Crossbanded and Boxwood Strung Serpentine Serving Table, circa 1990, the three frieze drawers between canted corners and raised on square tapering legs with spade feet, paper label to drawer, 197cm by 61cm by 84cm £700 - 1000 1472 Arthur Brett of Norwich: A Pair of Reproduction Mahogany and Satinwood D Shaped Side Tables, circa 1990, raised on square tapering legs with spade feet, 92cm by 45cm by 82cm £400 - 600

1475 A Set of Eight Mahogany Hepplewhite Style Dining Chairs, late 19th century, with humpback top rails, wheatsheaf and husk decorated pierced slats, above close nailed leather seats raised on square tapering legs, 55cm by 41cm by 96cm £600 - 800 1476 A Set of Four Neo-Classical Style Polychrome Painted Dining Chairs, late 19th century, the frames green painted with anthemion floral husks, oval back supports with Prince of Wales plume decorative splats, 47cm by 40cm by 92cm, including one carver £300 - 500

1477 A Set of Six Early 20th Century Walnut Framed Dining Chairs, upholstered in brown studded leather, with lion mask rails, raised on chamfered acanthus carved legs with paw feet, 43cm by 42cm by 96cm £400 - 600 1478 A Set of Eight George III Style Mahogany Dining Chairs, with wrythen turned top rails above modern green leather close-nailed seats, raised on square tapering legs joined by an H stretcher, 47cm by 39cm by 84cm, including two carvers, 52cm by 43cm by 78cm £300 - 500 1479 A Set of Six Chippendale Style Dining Chairs, late 19th century, the rococo carved top rails and C scroll pierced splats above worn brown leather overstuffed seats, raised on carved cabriole legs with scrolling toes, 54cm by 37cm by 96cm £500 - 700 1480 A Set of Eight George III Mahogany Ladderback Dining Chairs, late 18th century, recovered in modern striped fabric, raised on chamfered forelegs joined by an H stretcher, 55cm by 41cm by 95cm, including two carvers, 56cm by 46cm by 96cm £500 - 700 1481 A Set of Nine Regency Oak Dining Chairs, 2nd quarter 19th century, the gadrooned curved top rails above horizontal splats and cream upholstered drop-in seats, raised on sabre forelegs, 41cm by 43cm by 88cm £500 - 700

1482 A Set of Four Walnut High Back Dining Chairs, circa 1730, with vasiform splat above drop-in seats, raised on cabriole forelegs joined by turned block H stretchers, 50cm by 37cm by 101cm £600 - 800 1483 A Set of Six George III Mahogany Dining Chairs, late 18th century, the shield shape back supports with C scroll pierced splats decorated with flower bells, above drop-in seats upholstered with yellow gold fabric, raised on square chamfered forelegs joined by H stretchers, 50cm by 40cm by 95cm, including one carver £2500 - 3000 1484 A Louis XVI Transitional Style Kingwood, Floral Marquetry and Parquetry Cylinder Bureau, late 19th century, the three-quarter brass gallery above a brèche d'alep marble top and three drawers, the cylinder front richly inlaid with foliage and a musical trophy, the interior with pull-out writing slide and six drawers above a long frieze drawer, raised on square tapering legs with gilt mounts, 89cm by 51cm by 114cm £1200 - 1800 1486 A Louis XV Style Ebonised Writing Table, late 19th century, of serpentine shape form, richly inlaid with floral sprays within an ormolu border with shaped frieze drawer below, raised on slender cabriole legs with foliate mounts and sabots, 80cm by 45cm by 74cm £400 - 600

1487 A Louis XVI Style Mahogany and Gilt Metal Mounted Gueridon, late 19th century, of kidney shaped form with inset rouge veined marble top and pierced brass gallery, above a single frieze drawer and raised on fluted supports with conforming undertier, 61cm by 31cm by 78cm £400 - 600 1488 A Pair of Louis XVI Style Tulipwood, Purple Heart and Ormolu Mounted Meubles d'Appui, late 19th century, with later pink lez breccia marble tops above an acanthus decorated frieze, the cupboard door with blue gilt oval Sèvres style porcelain mounts between caryatid mounts, raised on a platform base all between canted corners, 93cm by 43cm by 108cm £2500 - 3500 1489 A Louis XV Style Gilt Mounted Centre Table, 20th century, the quarter-veneered top crossbanded in kingwood above a shaped frieze, raised on slender cabriole legs with gilt metal mounts, 79cm by 52cm by 77cm £300 - 500 1490 A French Mahogany and Ormolu Mounted Vitrine, in Louis XV style, the top with three-quarter gallery, the frieze inset with a narrow floral tablet flanked by narrow quiver angles, the single door with bevelled plate enclosing three adjustable shelves, on three-quarter stop fluted stiles and toupie feet, 89.5cm wide, 169.5cm high £1000 - 1500

1491 A Louis XV Transitional Style Tulipwood, Walnut and Marquetry Two-Drawer Commode, early 20th century, the breccia violette marble top above a frieze drawer decorated with flowers and guilloche key, two deep drawers below richly inlaid with flowers, raised on cabriole legs with gilt scrolling toes, 96cm by 45cm by 87cm £600 - 800 1492 A Louis XV Transitional Style Walnut, Tulipwood and Marquetry Two-Drawer Breakfront Commode, late 19th century, the breccia violette marble top above two deep drawers inlaid with flowers, the end panels quarter veneered and raised on square tapering legs with metal cast feet, 80cm by 45cm by 80cm £700 - 1000 1494 A Louis XVI Style Mahogany, Kingwood and Tulipwood Banded Kneehole Desk, late 19th century, the three-quarter pierced brass gallery above three frieze drawers and a recessed kneehole fitted with a cupboard door, flanked by glazed silk gathered panels, raised on square tapering legs with gilt toes, 101cm by 53cm by 74cm £800 - 1200 1495 A Louis XV Style Mahogany, Kingwood and Tulipwood Banded Bureau Plat, 20th century, of Arc-en-Arbelette outline with inset orange skiver above three frieze drawers, raised on cabriole legs with grotesque figural mounts and claw feet, 60cm by 120cm by 79cm £1200 - 1800

1496 A Louis XV Style Ebonised Red Tortoiseshell and Brass Inlaid Credenza, circa 1860, of breakfront form, with a central cupboard door flanked by convex glazed doors flanked by foliate mounts, raised on a platform base, 180cm by 43cm by 115cm £700 - 1000

1500 A Gillows of Lancaster Mahogany Double Pedestal Drawers, 2nd quarter 19th century, the craftsman William Barrow, the rounded rectangular top above an arrangement of twelve graduated drawers between lockable stiles, the locks stamped BRAMAH with original key, raised on a plinth base, 126cm by 59cm by 92cm

1497 An Aesthetic Figured Walnut and Marquetry Triple Door Wardrobe, late 19th century, the castellated cornice above a geometric decorated frieze, central arched mirror door enclosing sliding trays and two short over two long drawers flanked by cupboard doors, raised on a conforming plinth base, 187cm by 61cm by 213cm; A Matching Dressing Table, the superstructure with six drawers and two frieze drawers below, raised on ring turned legs with recessed castors, 138cm by 66cm by 150cm; and A Matching Pot Cupboard, 39cm by 39cm by 82cm (2) £800 - 1200

*William Barrow Jnr listed as a cabinet maker. See Stuart (Susan) Gillows of Lancaster and London 1730-1840, vol II, pg.215 £1200 - 1800

1498 A Gillow & Co of Lancaster Aesthetic Oak Desk, circa 1878, the top drawer stamped and numbered L6336, with inset green leather skiver above an arrangement of nine drawers with opposing cupboard doors, 136cm by 67cm by 77cm £1000 - 1500 1499 A George IV Mahogany Jardinière Stand, in the manner of Gillows, 2nd quarter 19th century, of rectangular shaped form with shaped gallery above a plain frieze and turned and fluted support with gadrooned socle, the triform base with compressed feet, 48cm by 37cm by 76cm £300 - 500

1501 A Gillows of Lancaster Carved Mahogany Desk, late 19th century, the leaf carved edge and green leather skiver above a central frieze drawer and arched apron flanked by eight graduated drawers, raised on acanthus legs with scrolling toes and castors, 145cm by 76cm by 78cm £2000 - 3000 1502 A George III Mahogany Cellaret on Stand, by Gillows, circa 1790, the hinged domed lid crossbanded in tulipwood within boxwood strung lines, enclosing a compartmentalised interior, with original brass carrying handles, stamped Gillows Lancaster, the lock by J Bramah, the stand of fluted form with flowerheads at each corner, on plain brass cappings and castors, 59.5cm by 46cm by 78cm *The stand formerly reduced in height, but now raised to its original dimensions using the 1788 Gillows sketch and 18th century mahogany; the interior compartments re-arranged but retaining the original timbers.

From 1789/90 until the mid 1790's Gillows used two blocks, such as used on the present cellaret, to make the stamp GILLOWS LANCASTER, which narrows its date of manufacture to c. 1790 - 1795. This drawing of the cellaret is retained in the Gillow Archives housed by the City of Westminster Archives Centre, volume 344, number 94, pages 238-239, published in 1787-1788. It is described as a Guardevine with trunk to hold 9 bottles, with a loose frame, rail flutes and taper legs with lid. The estimated costs are given as follows: Feb 14th 1788 - a Guardevine with trunk lid; 8 ft of ¾ inch mahogany and birch vin[ee]r - 10s 9d; 2½ ft of 1 inch mahogany - 4s 4½d; 2 ft of ¼ inch mahogany the same - 2 s 2d; 1 ft of 1 inch ditto the legs - 10½d; 2⅓ ft of ½ inch ditto the bottom - 1s 1¾d; 1 pair of stop hinges - 1s 0d; 1 lock and escutcheon - 1s 5d; 1 pair of lifting handles - 2s 2d; 1 sett of sockett castors ⅞ inch - 2s 6d; 1 small cock - 5½d; 3 dozen of ¾ inch and ½ inch screws 4d; 17 pound of lead at 3d per pound - 4s 3d; Lining ditto Mr Stewart - 5s 9d; Making ditto Henry Walling, Compute - 19s 6d; Rails fluted & carved rows per Mr Gibson 4 s 9d; Total cost: £3 1s 3½d.

Henry Walling was apprenticed for 7 years from 5.3.1770 to Henry Baines and William Bruce, cabinet makers of Lancaster. He became a freeman in 1779-1780. In 1785, with 32 other workmen, he signed the Gillow wage agreement. His work is recorded at Gillows from c. 1785-1796. Henry Gibson (1736-1797) was apprenticed to Christopher Walker, joiner and cabinetmaker of Lancaster, from 10.6.1753. He probably began working for Robert Gillow & Son on completing his apprenticeship. He was described by Richard Gillow in December 1789 as their best carver. Note on Joseph Bramah: Originally a cabinet maker, Joseph Bramah (1748-1814) patented a lock in 1784 which, due to its complex design, remaining unpicked for more than 50 years. As such it was a popular choice for pieces of furniture which held valuables, such as fine wine.

Note on Gillows: Gillows and the furniture they made are renowned for several reasons. First, the quality of construction is considerably higher than that of the majority of contemporary cabinet-making firms. Second, with the firm's proximity to the port of Liverpool and the trading links to the West Indies, the firm was actively (and very profitably) engaged in the importation of not only top quality mahogany, satinwood and other timbers, but also in the sale of British goods to Jamaica and the importation of other West Indian produce for sale in Britain. Third, the innovation of their designs and the preservation of the designs' uniqueness were highly important to the success of the business. If a pattern book was published, its designs were anyone's (a problem often encountered when attempting to attribute furniture without a secure provenance to Thomas Chippendale). Because Gillows never published their designs, they were always striving for novelty and protecting their patterns from industrial espionage. Gillows' sober and restrained designs, the exceptionally high quality of timber and workmanship, and the exclusivity of their patterns have contrived to create in Gillows the quintessential English cabinet-making firm of the late 18th and 19th century. £3000 - 4000 1503 A Mahogany Writing Table, in the manner of Gillows, of rounded rectangular form with two frieze drawers, raised on turned and reeded tapering supports with brass toes and castors, 83cm by 52cm by 76cm £450 - 650

1504 A Mahogany and Rosewood Crossbanded Writing/Work Table, in the manner of Gillows, circa 1830, with two rounded drop leaves and two drawers, one with green baize writing surface, ink wells and pen compartments, a gathered silk sliding work box below, raised on turned reeded supports with brass toes and castors, 54cm by 45cm by 79cm £400 - 600 1505 A Gillows of Lancaster George III Style Mahogany Partners' Desk, late 19th century, the rectangular top with later drop leaves, each side with a central frieze drawer flanked by eight graduated drawers, raised on a platform base, 152cm by 122cm by 77cm £2500 - 3500 1506 A George III Mahogany Chest on Chest, possibly by Gillows, 3rd quarter 18th century, the dentil cavetto cornice above a blind fret frieze over two short and three long drawers, all between fluted column stiles, the lower section of three deep drawers, raised on shaped bracket feet, 119cm by 57cm by 178cm Each drawer with brass rococo handles. For similar examples see Stuart (Susan E)

Gillows of Lancaster and London 1730-1840, vol II, pg.332, pl.E £1800 - 2500

1507 A Gillows of Lancaster Mahogany and Boxwood Strung Tambour Front Writing Table, circa 1875, the three-quarter brass gallery above a tambour shutter enclosing small drawers and wells, the hinged writing surface with green and gilt writing skiver, frieze drawer below, raised on square tapering legs with spade feet and fitted shelf, the drawer and locks stamped GILLOWS LANCASTER, the underside stamped L25632, 94cm by 50cm by 93cm £1200 - 1800 1508 A George IV Mahogany Pole Screen, in the manner of Gillows, 2nd quarter 19th century, the brass beadwork panel raised on a fluted part wrythen support and triform base with compressed feet,135cm high, panel 46cm wide £300 - 500 1509 An Adams Style Carved Mahogany Window Seat, late 18th century, upholstered in yellow floral silk velvet with overstuffed seat and rounded arm supports, the frame carved with husks, raised on carved and fluted tapering legs, 90cm by 40cm by 70cm £700 - 1000 1510 A Gillows of Lancaster Oak Davenport, circa 1825, craftsman John Herbert, with a three-quarter balustrade gallery above a hinged writing surface enclosing four small drawers with a pull-out drawer, ink bottles and pens, above a pull-out brushing slide and three graduated drawers, the opposing side with pull-out side and sham drawers below, raised on gadrooned feet with recessed castors, 51cm by 57cm by 88cm

John Herbert is listed as a Gillow craftsman. See Stuart (Susan ) Gillows of Lancaster and London 1730-1840, vol II, pg.248 £1500 - 2000 1511 A George IV Goncalo Alves Pembroke Table, in the manner of Gillows, 2nd quarter 19th century, of rounded rectangular form, with two drop leaves above two frieze drawers and opposing sham drawers, raised on turned tapering legs with bras toes and castors, 44cm (77cm extended) by 35cm by 75cm £300 - 500 1512 A Goncalo Alves Chess Top Games Table, in the manner of Gillows, circa 1825, with pivoting hinged leaf above a frieze drawer, raised on turned and reeded tapering legs with brass toes and castors, 67cm by 45cm by 75cm £1000 - 1500 1513 A Gillows of Lancaster Carved Mahogany Serpentine Shaped Partners' Desk, circa 1878, the moulded top inset a green leather writing skiver above serpentine shaped sides and front, with William Kent style lion mask and acanthus carved capitals, the arrangement of nine drawers fitted with original brass handles, the opposing side with three frieze drawers and cupboard doors, raised on carved bracket feet, 170cm by 105cm by 75cm *The middle drawer stamped with Gillows numbering system 55949 £20000 - 30000

For full terms and conditions please refer to our website: www.tennants.co.uk This listing is for guide purposes only and is not definitive – lots may be added, altered or withdrawn at any time before the sale. Tennants Auctioneers Harmby Road Leyburn DL8 5SG Tel: 01969 623780 E-mail: [email protected]