The Bell Jar - HarperCollins Publishers

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An Instructor's Guide to The Bell Jar by Sylvia Plath Note to Teachers Themes: mental illness, depression, adolescence, suicide

"I was supposed to be having the time of my life. I was supposed to be the envy of thousands of other college girls just like me all over America who wanted nothing more than to be tripping about in those same size-seven patent leather shoes I'd bought in Bloomingdale's one lunch hour with a black patent leather belt and black patent leather pocketbook to match. And when my picture came out in the magazine the twelve of us were working on — drinking martinis in a skimpy, imitation sliver-lame bodice stuck on to a big, fat cloud of white tulle, on some Starlight Roof, in the company of several anonymous young men with all-American bone structures hired or loaned for the occasion — everybody would think I must be having a real whirl. Look what can happen in this country, they'd say. A girl lives in some out-ofthe-way town for nineteen years, so poor she can't afford a magazine, and then she gets a scholarship to college and wins a prize here and a prize there and ends up steering New York like her own private car. Only I wasn't steering anything, not even myself." — from The Bell Jar As it turns out, Esther Greenwood — brilliant, talented, successful, and increasingly vulnerable and disturbed — does have an eventful summer. The Bell Jar follows Esther, step by painful step, from her month-long summer stint as a guest editor at a fashion magazine through the following, snow-deluged January. Esther slides ever deeper into a devastating depression, attempts suicide, undergoes bungled electroshock therapy, and enters a private hospital. In telling her story — one that is based on Plath's own summer, fall, and winter of 1953-1954 — Esther introduces us to her mother, her boyfriend Buddy, her fellow student editors, college and home-town acquaintances, and fellow patients. She scrutinizes her increasingly strained relationships, her own thoughts and feelings, and society's hypocritical conventions, but is defenseless

against the psychological wounds inflicted by others, her world, and by herself. Pitting her own aspirations against the oppressive expectations of others, Esther cannot keep the airless bell jar of depression and despair from descending over her. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational. Although her illness was never actually diagnosed, several researchers in the field have noted Plath's unerring description of schizophrenic perception: objects loom out of all proportion, and virtually everything seems both unreal and dangerous. Despite the medical interventions of the last quarter-century, Plath's vivid evocation of madness remains true and uneclipsed by any later writer. Published in the United States in 1971, The Bell Jar sailed right onto bestseller lists and quickly established itself as a female rite-of-passage novel, a twin in spirit to Catcher in the Rye. Questions for Discussion 1. 2.

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What factors, components, and stages of Esther Greenwood's descent into depression and madness are specified? How inevitable is that descent? In a letter while at college, Plath wrote that "I've gone around for most of my life as in the rarefied atmosphere under a bell jar." Is this the primary meaning of the novel's titular bell jar? What other meanings does "the bell jar" have? What terms does Esther use to describe herself? How does she compare or contrast herself with Doreen and others in New York City, or with Joan and other patients in the hospital? What instances and images of distortion occur in the novel? What are their contexts and significance? Does Esther achieve a clear, undistorted view of herself? Are Esther's attitudes toward men, sex, and marriage peculiar to herself? What role do her attitudes play in her breakdown? What are we told about her society's expectations regarding men and women, sexuality, and relationships? Have those expectations changed since that time? Esther more than once admits to feelings of inadequacy. Is Esther's sense of her own inadequacies consistent with reality? Against what standards does she judge herself? With what specific setting, event, and person is Esther's first thought of suicide associated? Why? In what circumstances do subsequent thoughts and plans concerning suicide occur? In addition to Deer Island Prison, what other images and conditions of physical and emotional imprisonment, enclosure, confinement, and punishment are presented? What are the primary relationships in Esther's life? Is she consistent in her behavior and attitudes within these relationships?

About the Author Sylvia Plath was born in 1932 in Massachusetts. Her books include the poetry collections Ariel, The Colossus, Crossing the Water, Winter Trees, and The Collected Poems, which won the Pulitzer Prize in 1982. She was married to the poet Ted Hughes, and died in London in 1963.